Hindi
Saif Ali Khan and Sonakshi Sinha’s impromptu dance for ‘Tamanche Pe Disco’
MUMBAI: The much awaited song Tamanche Pe Disco with our very own nawab of Bollywood Saif Ali Khan and Sonakshi Sinha is finally here!
This track is sung and composed by the UK based band RDB, making the rhythm very catchy and peppy.
In fact we hear that when ace choreographer Ganesh Acharya, who has choreographed the song, made the actors listen to the song, both started grooving spontaneously to its fast and peppy tune.
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A source close to the team said, “The song has a very perky tune to it making a person stand up and dance. The same happened with Saif and Sonakshi, making them groove on the spot. Ganesh was very impressed with this unrehearsed and unplanned dancing so he decided to include that impromptu chemistry between Saif and Sonakshi in the song.”
We feel that the definite USP of the song is its rusty look along with the impromptu and spontaneous dancing done by the leading stars of the movie.
Looks like the Bullett Raja is not only good with his shooting skills but also with his dancing skills!
Releasing 29 November, Bullett Raja is premised on fictional mafia based in Uttar Pradesh starring Saif Ali Khan, Sonakshi Sinha, Jimmy Shergill, Vidyut Jamwal, Gulshan Grover, Raj Babbar and Chunky Pandey.
Fox Star Studios presents Bullett Raja produced by Tigmanshu Dhulia, Nitin Tej Ahuja, Rahul Mitra and is a Moving Pictures & BrandSmith Motion Pictures Production.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
