Hindi
‘Roy’: Shot in the dark
MUMBAI: The title often shows a lack of imagination and is an indication of what is to follow. Roy, as it turns out after eons through the film, is the name Ranbir Kapoor goes by. Roy looks like a film inspired by watching a lot of the last century’s Hollywood and European films.
Arjun Rampal is a film maker, who is on his third version of a series, Guns III, having earlier made two very successful versions. His inspiration comes from a suave robber, Ranbir Kapoor, who steals antiques and paintings. Having bumped into Ranbir once, he puts Ranbir’s exploits on screen.
This once, Rampal is stuck for ideas and keeps working on his antique typewriter but nothing comes across on paper that he can go with. He realizes he needs inspiration. He proceeds to Malaysia without a script and starts shooting the film at random. No wonder then that what he comes up with through the Roy’s first part looks like a film to promote Malaysian tourism.
Soon, Rampal finds his inspiration in Jacqueline Fernandez. She is in Malaysia to shoot a short film. Rampal makes her a part of his story. Roy is out to steal a part of a portrait of which the other part is with his handler. There is a huge offer if both the parts are available together to complete the portrait. Rampal manipulates his story idea where now the part of the portrait is in Jacqueline’s possession from where Ranbir will steal it. For this purpose, he also finds an actress who is Jacqueline’s lookalike.
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| Producers: Divya Khosla Kumar, Bhushan Kumar, Krishan Kumar Director: Vikramjit Singh Cast: Arjun Rampal, Jacqueline Frenandez, Ranbir Kapoor, Anupam Kher (guest role), Shibani Dandekar |
As in most of the film, what happens thereafter is beyond understanding. The job is made easy for Ranbir as the actress has lured Ranbir to her bed and he just has to pick up the portrait hanging on the wall and make an early departure. Actually, it is all quite confusing.
This is a film of whims and fancy. There is no script and a thin line about a thief inspiring film stories, which qualifies as cock and bull stuff. The director has no clue what he wants to make and seems to think that shooting low light dark scenes makes one a genius. The film, however, has excellent visual value backed by a good background score. Mumbling passes as dialogue and is not easy to catch. Songs are good but orchestra overpowers the lyrics.
There is little in this film for actors: Rampal is lovelorn but hardly looks it. Ranbir Kapoor sleepwalks through his brief role. Jacqueline emerges the most sincere of the lot. Anupam Kher has a brief role, which is irrelevant.
Roy is a waste of lot of resources with no hope of returns.
‘MSG: The Messenger’: Of self-gratification
Having gained some recognition through media because of his numerous controversies, Sant Gurmeet Ram Rahim Singh Ji Insan, as he calls himself, decides to use his film watching hobby to help promote him and his cult, Dera Sacha Sauda, on a national level. The result is MSG: The Messenger, a film for the janata.
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Producer: Gurmeet Ram Rahim Singh Ji Insan Director: Gurmeet Ram Rahim Singh Ji Insan Cast: Gurmeet Ram Rahim Singh Ji Insan |
And, no he does need stars to project him on screen; he can do it himself. So the Insan plays himself as a pure hearted person who is clean of thoughts and deeds, full of energy and preaches others to be like himself.
Insan does all the things NGOs around the world do: organises de-addiction programmes, blood donation camps, cleans streets, plants trees, rescues women from prostitution and also resettles eunuchs.
Insan also has a cure for his followers’ ailments through his ‘Ruhaani jaam,’ which is his own concoction. Insan also fights the evils of the world as he can fly, throw a mean punch and do all the stunts seen in Hollywood and Indian films.
The film, all of its 190+ minutes has Insan, each and every frame of it. What else would you expect? His costumes are garish and loud but that he has been seen to wear even in his real life.
Insan has done everything in this film from producing, directing, scripting, cinematography et al.
To make further sure his ‘hard work’ pays, Insan has also bought out tickets worth crores to make sure his followers don’t miss it!
Hindi
Dhurandhar returns to theatres worldwide on March 13 ahead of Dhurandhar The Revenge release
Jio Studios re-releases blockbuster across 500 screens globally before sequel
MUMBAI: The spy saga of Dhurandhar is gearing up for a big-screen encore before its next chapter arrives.
Ahead of the release of Dhurandhar The Revenge on March 19, Jio Studios and B62 Studios are bringing the original Dhurandhar back to cinemas worldwide in a rare international theatrical re-release.
The global blockbuster is returning across nearly 500 screens, including around 250 in India from March 12 and another 250 overseas beginning March 13.
For fans of the franchise, the move offers a chance to revisit the film that ignited the high-octane spy-action universe just days before the sequel lands in theatres. It also sets up a rare back-to-back big-screen experience, allowing audiences to relive the original before diving straight into the next chapter.
While re-releases of popular films are occasionally seen in India, international re-runs of Hindi films remain uncommon. The scale of the rollout reflects the growing global appetite for the franchise.
In North America alone, Dhurandhar will return to theatres across nearly 185 screens, highlighting the strong anticipation surrounding the upcoming sequel.
The excitement is set to build further with special Wednesday premiere shows of Dhurandhar The Revenge scheduled across the US and Canada on March 18, a day ahead of its global release. Many of these premieres will be hosted on premium large format screens, featuring wall-to-wall displays, immersive sound systems such as Dolby Atmos, enhanced projection and luxury seating.
These formats are typically reserved for major Hollywood event films, and early bookings suggest strong demand with several shows already sold out.
The recently released trailer of Dhurandhar The Revenge has also sparked buzz among exhibitors and trade circles, with expectations running high for the film’s international performance.
Dhurandhar The Revenge is written, directed and produced by Aditya Dhar. The film is produced by Jyoti Deshpande and Lokesh Dhar.
Jio Studios presents a B62 Studios production, an Aditya Dhar film.
The spy-action thriller will release worldwide on March 19, 2026, in five languages including Hindi, Tamil, Telugu, Malayalam and Kannada.
The film arrives in theatres globally on the occasion of Gudi Padwa and Ugadi, just ahead of Eid, setting the stage for a festive box office run.










