Hindi
Percept invests Rs 60 mn on Rubaru, release on 9 May
MUMBAI: Built on a budget of Rs 60 million, Percept Pictures Company‘s (PPC) first romantic film Rubaru is ready for release on 9 May.
Directed by ad filmmaker Arjun Bali, the film stars Randeep Hooda and Shahana Goswami.
“We are producing Rubaru on a budget of Rs 60 million and are still to decide on the distribution rights. The film will be releasing on 9 May,” a PPC executive tells Indiantelevision.com on condition of anonymity.
With Rubaru, not only will Hooda be stepping into the shoes of a romantic hero for the first time, but Bali will also be directing his first film for Bollywood. The film has been shot and completed in Thailand within a span of 30 days.
PPC is releasing Shoaib Mansoor‘s Khuda Ke Liye on 28 March all over India. The film, which has Naseeruddin Shah playing the role of a Muslim cleric, will be the first Pakistani movie to invade Indian theatres.
Khuda Ke Liye (In the Name of God), starring Pakistani actors Shaan and Iman Ali, depicts the difficult situation in which Pakistanis found themselves post 9/11.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
