Hindi
Nawazuddin Sidiqqui stars as Manjhi in Ketan Mehta’s next directorial
MUMBAI: Taj Mahal was constructed in the loving memory of Mumtaz Mahal by the Mughal emperor Shah Jahan. This monument took 21 years to build and thousands of artisans and craftsmen worked tediously to erect the magnificent structure.
Then there is Manjhi, an inspiring love story of a poor Shah Jahan, Dashrath Manjhi. Over 22 years, with just a hammer and a chisel, he carved out a path through a mountain, in memory of his beloved wife who had fallen down while trying to cross it. He did it so that no one else would have to suffer her fate.
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“The story of Manjhi is truly inspiring, and for a man to actually break a mountain with just a hammer and a chisel for 22 years for his lost love just gave me goosebumps”, said director Ketan Mehta. “This has certainly been the toughest shoot of my life; we shot in Naxal infested areas on actual location in Bihar.”
Marking the occasion of Dashrath Manjhi’s sixth death anniversary, renowned director Ketan Mehta announced the completion of his movie Manjhi – The Mountain Man. A biopic on Dashrath Manjhi, famous for being the man who broke a mountain for love, is a co-production between Maya Movies and National Film Development Corporation (NFDC).
The movie is co-written and directed by Ketan Mehta and produced by Deepa Sahi and Nina Lath Gupta, with an ensemble cast. The movie has been shot on actual locations in remote areas of Bihar.
“It was one of the most difficult films to shoot, with the unit having to climb a mountain on foot, every day literally”, said Manjhi – The Mountain Man producer Deepa Sahi. “The movie is looking very nice with brilliant performances by all the artists. We have completed the post-production and are looking forward to release it by the end of this year”, she further added.
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Acclaimed actor, Nawazuddin Sidiqqui, who has won the hearts of audience and critics alike, for his commendable performances in Gangs of Wasseypur, Talaash, Kahaani and Bombay Talkies, will be essaying the role of Dashrath Manjhi. Actress Radhika Apte, will be seen as Manjhi’s wife. Tigmanshu Dhulia, Pankaj Tripathi, Prashant Narayan, Gaurav Dwivedi, amongst others round up the ensamble cast.
“I wanted the character of Manjhi to be as real as possible and after considering a few actors Nawaz suited the bill perfectly”, Ketan expounded. “The feel of the movie is really raw, intense and earthy; I am really pleased with the final product and am confident the audience will be too.”
NFDC was approached with the script and they agreed to co-produce the feature film. The complete film has been shot in digital and Ketan is really pleased with the outcome. “This is the first time that I have shot with Red Epic cameras and the result is just amazing.” The duration of the film is just over two hours and should be releasing by end of the year or early next year.
On being asked if he is confident of the film raking in the moolah at the box-office, here is what Ketan had to say, “Cinema is not just a numbers game. I make movie for the sheer passion of cinema. This is not just a movie, but a triumph of human spirit and to prove that nothing in this world is impossible.”
Ketan Mehta’s magnum opus – Rang Rasiya – that has been stuck in the doldrums for quite sometime now has also finally got the green signal and should see the light of day by end of this year.
Ketan has been off the radar for quite sometime now, hope with Manjhi and Rang Rasiya his fans can again have the opportunity to connect with him on the silverscreen.
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle
Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.
