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My Name Is Khan off to an electrifying start

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MUMBAI: Despite sporadic incidents of violence and a limited release, My Name Is Khan has got off to an electrifying start and is on course to becoming a mega hit at the box-office.


Says trade analyst Taran Adarsh, “Marvelous is the right word to describe the initial response of My Name Is Khan. Practically every multiplex has generated a 100 per cent collection, while single screens in mass-dominated centres opened to a 70 to 80 per cent response.”


As reported earlier, the film had opened in Mumbai yesterday across ten multiplexes and a few single-screens. But today, all the concerned single-screen theatres and multiplexes are showing the Karan Johar film to full capacity. 


Avers Cinemax Vice President Devang Sampat, “The response to this Shah Rukh Khan (SRK) starrer has been terrific. The film has been running to full houses in all our properties for all the shows yesterday and even today. In fact, we are booked till Sunday.”


My Name Is Khan was the star attraction at the Berlin Film Festival that opened yesterday.


Surprisingly, tickets of the film were not sold at ticket windows. While tickets available online were sold out in five seconds, e-bay auctioned tickets, each ticket costing 1000 Euros (Rs 60,000).


If the response sustains as the days go by, the film will garner enough eyeballs that will help its box-office soar to unheard-of proportions.

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Hindi

Dhurandhar the revenge storms past Rs 1,000 crore in a week, rewrites box office records

Aditya Dhar’s spy thriller sets fastest run to Rs 1,000 crore with record-breaking weekday hold

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MUMBAI: The box office has a new juggernaut—and it is moving at breakneck speed. Dhurandhar the revenge has smashed past the Rs 1,000 crore mark worldwide in just a week, clocking a staggering Rs 1,088 crore and resetting the rules of the blockbuster game.

Backed by Jio Studios and B62 Studios, and directed by Aditya Dhar, the spy action sequel opened to the biggest weekend ever for an Indian film globally—and then refused to slow down. Unlike typical tentpole releases that taper off after Sunday, this one powered through the weekdays with rare muscle, posting Rs 64 crore on Monday, Rs 58 crore on Tuesday, Rs 49 crore on Wednesday and Rs 53 crore on Thursday.

The numbers stack up to a formidable first-week haul. India collections stand at Rs 690 crore nett and Rs 814 crore gross, while overseas markets have chipped in Rs 274 crore, taking the worldwide total to Rs 1,088 crore in just eight days.

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The film’s opening weekend alone delivered Rs 466 crore, laying the foundation for what is now being billed as the fastest climb to the Rs 1,000 crore club in Indian cinema. Every single day of its first week has set fresh benchmarks, from the highest opening weekend to the strongest weekday hold—metrics that typically separate hits from phenomena.

A sequel to the earlier hit Dhurandhar, the film has not just built on its predecessor’s momentum but obliterated previous records, emerging as the biggest global blockbuster run by an Indian film to date.

At this pace, the film is not merely riding a wave—it is creating one.

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