Hindi
MPAA files lawsuit against Pullmylink.com
MUMBAI: The Motion Picture Association of America (MPAA) has filed a lawsuit in the federal court in Los Angeles against Pullmylink.com.
The MPAA says that the site facilitates copyright infringement on the Internet. Sites like Pullmylink contribute to and profit from massive copyright infringement by identifying, posting, organizing, and indexing links to infringing content found on the Internet that consumers can then view on-demand when
visiting these sites, the MPAA states.
MPAA executive VP and director of worldwide anti-piracy operations John Malcolm says, “Pullmylink.com and sites like it are a one-stop shop for copyright infringement. We have filed several other similar suits and will continue to do so in order to hold operators accountable for their illegal activities. Profiting from the theft of other people’s creative works is illegal and we have every intention of shutting this, and sites like it, down for good”.
Pullmylink and similar illegal sites rely on advertisers to maintain their operations and profit handsomely from a seemingly endless stream of third-party advertising pitches, according to the MPAA. With servers located in Scottsdale, Arizona, Pullmylink averages over 12,000 unique daily visitors who view over 39,000 pages of content per day.
This is the seventh lawsuit filed on behalf of the Hollywood movie studios against websites like Pullmylink. Previous lawsuits were filed against: peekvid.com, youtvpc.com,
showstash.com, cinematube.net, ssupload.com, and videohybrid.com.
The worldwide motion picture industry, including foreign and domestic producers, distributors, theaters, video stores and pay-per-view operators lost $18.2 billion in 2005 as a
result of piracy – over $7 billion of which is attributed to Internet piracy and more than $11 billion attributed to hard goods piracy including bootlegging and illegal copying.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
