Hindi
‘Jodha Akbar’ once again under Rajput fire
MUMBAI: Jodha Akbar continues to be in the news for all the wrong reasons. The Rajput community who had earlier voiced their objections against alleged historical inaccuracies in the film has once again raised the issue. The Rajput Sabha has said that they will not allow Asutosh Gowariker to release the film unless and until he removes the inaccuracies.
Rajput Sabha head Narendra Singh Rajawat has contended that Gowariker is presenting Jodhabai as Akbar‘s wife, which is factually incorrect, adding that Jodhabai was not the daughter of Raja Bharmal of Amber as shown in the film.
Jodhabai was the daughter of Motaraja Udai Singh of Marwar and was married to Akbar‘s son Salim alias Jehangir. Mughal king Shahjahan was her son, he explained.
Rajawat said such distortion of historical facts had hurt the feelings of the Rajput community.
The community has also urged the courts to restrain Gowariker from showing Jodhabai as the daughter of Raja Bharmal of Amber.
He said that the name of Raja Bharmal‘s daughter was Harkabai alias Heera Kunwar.
The Rajput community is all set to boycott the film which is due for a 15 February release.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
