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Govt has no plans for single window clearance for foreign filmmakers

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NEW DELHI: Despite assurances to this effect by almost every Information and Broadcasting Minister over the past decade, there are no plans at present to create a single window clearance mechanism for foreign filmmakers wanting to shoot in India.

However, the I&B Ministry says it will clear any proposal received by it within three weeks.


The Ministry cites shortage of manpower as the reason for its decision not to set up a single window clearance.


Ministry sources also said that as against five or six filmmakers per year, there were over 20 filmmakers from overseas who shot films in India last year.


Filmmakers from overseas are often made to approach different departments like municipal authorities, Archaeological Survey of India, railway authorities, tax exemption authorities and state governments for clearance of their films, in addition to security clearance by the Home and Defence Ministries. Many foreign filmmakers have in the past opined that they would save time if this could be done through a single window clearance, even if they have to pay for this.

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Dhurandhar the revenge storms past Rs 1,000 crore in a week, rewrites box office records

Aditya Dhar’s spy thriller sets fastest run to Rs 1,000 crore with record-breaking weekday hold

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MUMBAI: The box office has a new juggernaut—and it is moving at breakneck speed. Dhurandhar the revenge has smashed past the Rs 1,000 crore mark worldwide in just a week, clocking a staggering Rs 1,088 crore and resetting the rules of the blockbuster game.

Backed by Jio Studios and B62 Studios, and directed by Aditya Dhar, the spy action sequel opened to the biggest weekend ever for an Indian film globally—and then refused to slow down. Unlike typical tentpole releases that taper off after Sunday, this one powered through the weekdays with rare muscle, posting Rs 64 crore on Monday, Rs 58 crore on Tuesday, Rs 49 crore on Wednesday and Rs 53 crore on Thursday.

The numbers stack up to a formidable first-week haul. India collections stand at Rs 690 crore nett and Rs 814 crore gross, while overseas markets have chipped in Rs 274 crore, taking the worldwide total to Rs 1,088 crore in just eight days.

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The film’s opening weekend alone delivered Rs 466 crore, laying the foundation for what is now being billed as the fastest climb to the Rs 1,000 crore club in Indian cinema. Every single day of its first week has set fresh benchmarks, from the highest opening weekend to the strongest weekday hold—metrics that typically separate hits from phenomena.

A sequel to the earlier hit Dhurandhar, the film has not just built on its predecessor’s momentum but obliterated previous records, emerging as the biggest global blockbuster run by an Indian film to date.

At this pace, the film is not merely riding a wave—it is creating one.

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