Hindi
Eros Q2 net up 13% at Rs 453 mn
MUMBAI: Eros International Media, the recently listed pure play movie production company, has posted a consolidated second-quarter net profit (after minority interest) of Rs 453.3 million, up 12.9 per cent over the year-ago period.
The company‘s total income, however, fell 30.87 per cent to Rs 1.88 billion for the three-month period ended September. Expenses also dropped to Rs 1.32 billion, from Rs 2.13 billion in the year-ago period.
Profit from operations before other income, interest & exceptional items was at Rs 562.7 million, from Rs. 583.1 million in the earlier year.
On a standalone basis, Eros‘ net profit fell to Rs 175.9 million, from Rs 292.7 million a year ago. Total income was Rs 934.5 million (from Rs 2.46 billion), while expenses were down at Rs 657.4 million (Rs 2.01 billion).
During the first half of the current fiscal, consolidated net profit rose 29.5 per cent to Rs 608.4 million, as against Rs 470 million in the second quarter of FY‘10. Total income was at Rs 3.15 billion compared to Rs 3.37 billion in the earlier year.
The profit from operations before other income, interest & exceptional items increased 20.4 per cent to Rs 809.2 million.
Eros was listed on Indian bourses on 6 October after completing its Rs 3.5 billion IPO. The company raised funds primarily for acquiring and co-producing Indian films including Hindi as well as certain Tamil and other regional language films.
In the first half, Eros has released 39 films – the highest by any player in the sector. The list includes Housefull, Anjaana Anjaani, Paathshaala and overseas release of Dabangg and Endhiran (Tamil & Telugu), Ravanan, Singham, Sura (in Tamil) and Haapus in Marathi.
Eros also signed a multi-film content licensing deal worth Rs 640 million for broadcast on Zee Entertainment. This deal involves exclusive broadcasting of a select number of Eros International’s films across Zee Entertainment’s television network.
Eros said it has signed, to date, Rs 2.4 billion worth television and music syndication deals that will start augmenting revenues and deliver earnings that have attractive margins in FY’11 and FY’12.
Commenting on the results Eros International Media MD Sunil Lulla said, “At the heart of our business strategy is our catalogue, our strong movie pipeline mainly tied up through our co-productions and our strong distribution network in India and international market leadership through our parent Eros International plc. With over a 30-year successful track record backed by a unique de-risked business model underpinned by our portfolio pre-sales approach, we are proud to have achieved a scale second to none by staying focused and building on our core competency of content and distribution. Our strong margins bring out how we successfully leverage our scale and our co-production relationships to keep down costs and bring revenue predictability, reflecting robust business fundamentals.”
Hindi
Singing Better, Writing Deeper, Living Kinder: The Heart of Navjot Ahuja’s Journey
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle

Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.






