Hindi
DIFF results announced
MUMBAI: The Dubai International Film Festival which closed yesterday announced the results of the Dubai Film Connection (DFC). DFC selected 15 filmmakers to consult and strategise three days with sales agents, producers and major broadcasters.
Three winning projects were awarded USD 15 000 each. These projects as well as one special mention will be invited to attend the prestigious 2008 Cannes Producers Network: Amreeka, by Canadian-Palestinian filmmaker Cherien Dabis, Man Without a Cell Phone, a satire about Palestinian Israelis by Sameh Zaobi, and One Man Village, a film about healing and reconciliation in Lebanon by Simon el Habre.
Special Mention went to Ziad Doueiri’s Man in the Middle, a thrilling story about Israeli-Palestinian peace talks. A 5000 Euro prize from French broadcaster Arte went to Fix Me, a meditation on mental health and conflict by director Raed Andoni.
The Muhr Awards competition was expanded this year, and included films from all over the Middle East. Masoud Amralla al Ali, DIFF’s Artistic Director and Coordinator General of Competition, said: “This year our jury had difficulty choosing winners because of the superlative quality of most of the submissions, both from a story and production value standpoint. We intend for the Muhr Awards to instigate the production of more Arabic films in the region. The Middle East is full of creativity, and our roster of winners proves that unequivocally.”
The prizes for Short Films were as follows: Bronze went to El Ezz (Garbage), by Tunisian director Lotfi Achour, which depicts a lonely night watchman in love with his neighbour. UAE film Haresat al Ma’a (The Water Guard), from director Waleed al Shehhi, won Silver, and Sarah, by Belgian director Khdija Leclere, won Gold.
The Bronze Muhr for Documentary went to journalist, writer and filmmaker Nassri Hajjaj’s Dhil al Gheyab (Shadow of Absence), about Palestinian anxiety about what Hajjaj calls ‘the site of burial.’ Silver went to Palestinian director Buthina Canaan Khoury for Magharat Maria (Maria’s Grotto), which explores honour killing in Palestine. The Gold Muhr went to Karim Goury’s stylistically unusual Soneaa fi Masr (Made in Egypt), which follows a Frenchman as he searches for his Egyptian roots.
The winning feature films covered a broad swathe of the Middle East: Bronze feature La Graine et le Mulet (The Secret of the Grain) was directed by Abdellatif Kechiche, a Tunisian actor and set in France. The comedic Akher Film (Making Of), in which Tunisian director (who has directed Abdellatif Kechiche in previous films) Nouri Bouzid plays himself in a film depicting a film shoot in danger of being interrupted by the American invasion of Iraq, won Silver. The film also took away the Best Composer award for Nejib Charradi.
The Gold Muhr was won by Taht el Qasef (Under the Bombs), which explores interfaith love in Southern Lebanon between a Shia woman and a Christian man. Filmmaker Phillippe Aractingi reacted to the 2006 war by commencing filming in July, in the heat of the bombings. Under the Bombs also won a Best Actress Muhr for Nada Abou Fahat, who played Zeina, the Lebanese Shi’a woman who rushes into the war zone to save her son.
Best Actor went to UK-based Jordanian actor Nadim Sawalha for his role in Captain Abu Raed, where he plays an airport janitor who befriends a group of children in his poor neighbourhood.
Lebanese filmmaker Borhane Alaouie’s Khalass took away two awards: the Best Screenplay award for Alaouie himself and Best Editor Award for France Duez. Best Cinematographer went to Pierre Boffety for his photography of Burnt Hearts.
In the section of the Muhr Awards that recognizes Emirati talent, three awards were presented. The prize for Best Emirati Talent went to Mohammed Saeed Harib, creator of the Freej series. Best Emirati Female Filmmaker was presented to Nayla Al Khaja, and Best Emirati Filmmaker went to Ali Mostafa.
Hindi
Edstead unveils ambitious H1 2026 content slate
New originals feature Adarsh Gourav in Northeast docu-series, Aditi Kotak in Next Class, and Adil Hussain in Stories of India.
MUMBAI: Edstead just dropped a content menu so rich it could make even the pickiest viewer say “encore” because when storytelling meets substance, the binge becomes inevitable. The fast-rising Mumbai-based studio, founded by Shekhar Bhattacharjee, today revealed its H1 2026 slate, a bold expansion of premium non-fiction that blends cultural depth, innovation, and legacy into cinematic factual narratives. The lineup cements Edstead’s niche at the crossroads of authenticity and global appeal, delivering research-driven stories that stay rooted in the Indian experience while aiming for wider resonance.
Headlining the fresh originals:
- An untitled docu-series starring Bollywood actor Adarsh Gourav, who journeys through Northeast India to spotlight living cultural traditions, indigenous voices, music, oral histories, and everyday resilience. Presented by Air India Express, with Dentsu Sports and Entertainment as integration partner.
- Next Class, an eight-episode impact series fronted by entrepreneur and former Miss India Aditi Kotak, decoding career pathways, emerging fields, and real-world outcomes through leading institutions and forward-thinking disciplines.
- Stories of India with Adil Hussain, India’s first weekly OTT series dedicated to social impact, profiling organisations driving meaningful change and connecting purpose with tangible results.
- Toast to Tomorrow, exploring how leading alcohol brands craft immersive, culture-led experiences that celebrate regional identities and redefine legacy.
- No Cap Abroad – UAE Edition, following Indian students through their first week at UAE colleges—navigating homesickness, culture shock, and independence in a heartfelt coming-of-age tale.
Edstead is also returning with expanded seasons of breakout hits, The Future School (progressive Indian education), Molecules of Hope (healthcare innovation), and Great Indian Residential Schools.
Edstead founder Shekhar Bhattacharjee said, “At Edstead, we are focused on building narratives that carry depth, context, and long-term relevance. Every project begins with research and a clear purpose… Our ambition is to create globally competitive factual content from India that remains culturally grounded while shaping conversations, inspiring trust, and contributing to the growing culture economy.”
From education and healthcare to enterprise and cultural revival, the slate reflects Edstead’s full-stack approach developing original IPs and guiding them through a robust distribution network spanning digital, OTT, and broadcast. In a content world chasing quick trends, Edstead is quietly betting on stories built to last, ones that don’t just entertain, but linger long after the credits roll.
