Hindi
‘Chalk N Duster:’ Insipid tale
MUMBAI: Chalk N Duster is an almost all-women game of politics taking place at a school, bearing a traditional old-fashioned name like Kantaben High School. There is a bunch of teachers, dedicated as they can be until an overly ambitious new principal steps in.
Divya Dutta manipulates her way to the position of the principal of Kantaben High School by ousting Zarina Wahab from the post. From there on, she wants to convert this traditional institution into a much-in-vogue “international school.” The overpriced school would automatically render it unaffordable for poor children making it a school only for the rich. The trustee of the school, Arya Babbar, supports her whims.
Now Dutta needs to get rid of the current lot of teachers. To achieve her goal, she starts harassing the teachers, changing the rules hoping this would force them to resign. While she harasses the teachers she wants to get rid of, she also rewards those who follow her line with better positions.
She starts with sacking teachers she does not want. As she sacks veteran teacher Shabana Azmi, there is a reaction but the others know they can’t do anything about it. However, a fellow teacher, Juhi Chawla, takes up the issue and also gets sacked in the bargain.
Babbar is delighted at the events at his school and also challenges the chairman of a rival school, Jackie Shroff, that his school will become more reputed than his. That boast proves costly for Babbar as Shroff does not take kindly to this dare. He decides to involve the media into the matters of Kantaben High School and soon a reporter, Richa Chadha, exposes the deeds of Babbar and Dutta on national television, no less.
Chalk N Duster has a horde of talented actors but this badly written and directed film fails to exploit their worth. It needed the duster right when the first draft for the film was penned.
Chalk N Duster is an insipid film unlikely to attract audience.
Producer: Amin Surani
Director: Jayant Gilatar
Cast: Shabana Azmi, Juhi Chawla, Divya Dutta, Upasna Singh, Girish Karnad, Zarina Wahab, Aarya Babbar, Samir Soni and Adi Irani with special appearances by Rishi Kapoor, Jackie Shroff and Richa Chaddha
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
