Hindi
All The Best recovers after slow start
MUMBAI: After a weak opening on Friday and Saturday, Ajay Devgan‘s All The Best has picked up dramatically to garner a producer-share of around Rs 170 million as it starts its second-week run.
According to trade sources, the occupancy rates at multiplexes varied between 50 and 70 per cent as the movie
Avers CS Poojary of RR Films, distributor of the film in the Mumbai territory, “The revival of All The Best from the third day of its release is anything but ordinary. The relatively weak opening in the first two days could be attributed to the pre-Diwali period where family audiences stayed away from theatres.”
Released across India with 1000 prints, All The Best is the third film in recent times after Munnabhai MBBS and No Entry to have a slow start before picking up steam on strength of a strong public response.
Hindi
Dhurandhar the revenge storms past Rs 1,000 crore in a week, rewrites box office records
Aditya Dhar’s spy thriller sets fastest run to Rs 1,000 crore with record-breaking weekday hold
MUMBAI: The box office has a new juggernaut—and it is moving at breakneck speed. Dhurandhar the revenge has smashed past the Rs 1,000 crore mark worldwide in just a week, clocking a staggering Rs 1,088 crore and resetting the rules of the blockbuster game.
Backed by Jio Studios and B62 Studios, and directed by Aditya Dhar, the spy action sequel opened to the biggest weekend ever for an Indian film globally—and then refused to slow down. Unlike typical tentpole releases that taper off after Sunday, this one powered through the weekdays with rare muscle, posting Rs 64 crore on Monday, Rs 58 crore on Tuesday, Rs 49 crore on Wednesday and Rs 53 crore on Thursday.
The numbers stack up to a formidable first-week haul. India collections stand at Rs 690 crore nett and Rs 814 crore gross, while overseas markets have chipped in Rs 274 crore, taking the worldwide total to Rs 1,088 crore in just eight days.
The film’s opening weekend alone delivered Rs 466 crore, laying the foundation for what is now being billed as the fastest climb to the Rs 1,000 crore club in Indian cinema. Every single day of its first week has set fresh benchmarks, from the highest opening weekend to the strongest weekday hold—metrics that typically separate hits from phenomena.
A sequel to the earlier hit Dhurandhar, the film has not just built on its predecessor’s momentum but obliterated previous records, emerging as the biggest global blockbuster run by an Indian film to date.
At this pace, the film is not merely riding a wave—it is creating one.
