Hindi
All eyes on the next big Khan
To be released on 21 December, the film has already been in the eye of many a controversial storm. From who is the original director of the film to Aamir‘s alleged tiff with the media and thus his decision to release the film‘s promo on the Internet.
The promos of Taare Zameen Par look very promising and with Aamir‘s track record it will be a must-watch film. The first phase of publicity and promotions that has rolled out sets an optimistic tone. The Internet community of film lovers is keenly awaiting the film. Trade analyst Amod Mehra is positive that TZP will do well. “It is Aamir‘s debut as director and he won‘t jeopardize it. It is not a light entertainer but a very emotional film. Now with the multiplex culture it does not make much of a difference if masses like it or not. Lagaan was declared a hit though it was a classy film. The bottomline is that a film should entertain as well as educate. Swades flopped as it was a documentary.”
The film industry has begun to stir towards the end of the year. The Bhool Bhulaiya, Heyy Babyy, Jab We Met earnings may mean a better 2008. “Though OSO and Saawariya have got good initials it is too early to declare them hits. One can assess only early next week,” says Mehra. “As for Aaja NAchle I am not too hopeful. And Goal is a sports film and many such films have flopped. More over after the debacle of No Smoking John Abraham may find it difficult to attract audiences.” And as the year draws to a close Anees Bazmee‘s comedy Welcome starring current rage Akshay Kumar and Sudhir Misra‘s Khoya Khoya Chand will release. Hit or miss? It‘s too soon to predict. But on the whole Mehra says that the end of the year looks promising. So after a bright Diwali its now time for Xmas celebrations. We just hope Xmas will be as auspicious for Aamir as Diwali may prove for Shahrukh. |
MUMBAI: Since the past three months Shahrukh Khan was all over. He stormed TV sets, went to cricket stadiums, got plastered on hoardings and backs of buses and even spoke to you on radio. Now it‘s the turn of yet another Khan, the reclusive Aamir Khan. The currently -in-the-news for all the wrong reasons, Aamir will be making his directorial debut with Taare Zameen Par. 
The film revolves around an autistic child and his teacher played by Aamir Khan. TZP which will see an end of year release will play a crucial role at box office collections. For the Hindi film industry Y2K 07 has not been a very exciting year financially. But the last quarter could prove to be a leveler. With over Rs 2.2 billion riding on just four end of year releases – Om Shanti Om, Saawariya, Goal and Aaja Nachle – November could set a spirited mood for Bollywood. 
The actor on his blog writes about his debut as director, clears some controversies and plans on releasing the English- translated lyrics on the TZP website on 5 November. With PVR ‘s Ajay and Sanjeev Bijli as co-producers of the film, TZP may get the cash registers ringing. The advantage for TZP is the release timing. After the OSO Vs Saawariya, Goal Vs Dus Kahaaniyan and Aaja Nachle fever dies down, TZP will hit the marquee. Besides, Aamir‘s annual fare is always much-awaited by his fans. The Lagaan–Rang de Basanti–Fanaa euphoria is not forgotten in a hurry. His sense of film is his biggest draw. And with the actor now making his directorial debut in an emotional film it will not take much to entice audiences to watch TZP.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
