Hindi
Adlabs Cinemas expands footprint to Hyderabad
MUMBAI: Adlabs Cinemas, part of the Reliance ADAG, has opened a three-screen, 1045 seater multiplex in Hyderabad.
“The new multiplex will have three world class viewing screens with a total seating capacity of 1045 seats, seven food kiosks, DTS sound, Xenon projection systems, and wide screens,” an official statement said.
With the latest addition the company will boast of 61 multiplexes and 163 screens all over India.
Adlabs Cinemas COO Tushar Dhingra said, “We have been waiting to enter Hyderabad in a big way. Hyderabad is a very attractive city for Adlabs due to the large cosmopolitan population and rising mall culture, as well as the people‘s love of films.
“Our first cinema here is located in the heart of the city and is easily accessible to students, young working people and is also a training centre hub. We believe that our property will more than do justice to the high expectations of the people of the city.”
Hindi
Rashmika Mandanna, Shanaya Kapoor and Naila Grrewal climb IMDb’s Indian celebrity rankings
Upcoming films and returning shows are driving fan interest across Bollywood and streaming
MUMBAI: Bollywood’s popularity contest has a new weekly scorecard, and the numbers are telling. IMDb’s Popular Indian Celebrities list for this week places Shanaya Kapoor at number six, buoyed by buzz around her film Tu Yaa Main. Naila Grrewal slots in at seven on the back of the returning comedy series Maamla Legal Hai, while Rashmika Mandanna climbs to eighth, riding mounting anticipation for Cocktail 2.
The list, available exclusively on the IMDb app for Android and iOS, tracks trending Indian entertainers and filmmakers each week, drawing on data from more than 200m monthly visits to the platform worldwide.
Further down the rankings, Raaka is keeping two of its biggest names in the spotlight. Deepika Padukone holds 11th position, with Allu Arjun close behind at 13th, as the film continues to find traction with audiences.
The list offers fans a weekly pulse on who is breaking through, who is holding steady, and who is fading. It is a barometer as unsparing as the box office itself.
