Hindi
45 films in competition for top honours at International Children’s Film Festival
MUMBAI: A total of 45 films will compete for the top award in the International Competition and 20 for the award in the Asian Panorama in the forthcoming International Children‘s Film Festival, The Golden Elephant – 15, taking place in Hyderabad next month.
Over 300 films were submitted from about 40 countries for the Festival, which is organised by the Children‘s Film Society, India, and the information and broadcasting ministry in collaboration with the state government of Andhra Pradesh. The Festival, which takes place every second year, will be held from Children‘s Day 14 November, which marks the birth anniversary of the country‘s first Prime Minister Jawaharlal Nehru and will continue till 20 November.
An international jury headed by renowned short filmmaker Mike Pandey will judge the films in the International competition.
The Golden Elephant has many interesting sections such as International Competition, Asian Panorama, the Children‘s World, Retrospectives/Special screenings, Creative workshops (animation), and Special events for children. There are 26 films in the non-competitive Children‘s World and 20 films in the special screenings.
CSFI is presently headed by Nafisa Ali, a film artiste and social worker. Veteran filmmaker Kuldeep Sinha, Chief Producer of the Films Division, is Director of the Golden Elephant – 15.
The International Jury will award the following prizes for films included in the International Competition Section:
1. The Golden Elephant plus Rs 200,000 for the Best Feature Length film-live action fiction (more than 60 mins)
2. The Silver Elephant plus Rs 100,000 for the Best Feature Length film – live action fiction (more than 60 mins)
3. The Silver Elephant plus Rs100,000 for the second Best Short film – live action fiction (60 mins or less)
4. The Silver Elephant plus Rs 100,000 for the Best Animation Film (both feature length & short film)
5. The Silver Elephant plus Rs 100,000 for the Best Non-fiction film (information, research/ documentation/entertainment) film.
6. The Silver Elephant plus Rs 100,000 for the Best Director.
7. The Silver Elephant plus Rs 100,000 for best music score (either background score or songs)
8. The Silver Elephant plus Rs 100,000 to the Best Child Artist from a film in the International Competition Section.
The Children‘s Jury will award a Golden Plaque plus Rs 100,000 for the film from the International Competition Section.
The awards in the Asian Panorama section, comprising the best of films from Asia and the Asia-Pacific Region, are:
1.The Silver Elephant plus Rs 100,000 for the Best Feature Length Film in the Asian Panorama Section.
2.The Silver Elephant plus Rs 100,000 for the Best Short Film in the Asian Panorama Section.
3.The Silver Elephant plus Rs 100,000 for the Best Child Artiste from a Film in the Asian Panorama Section.
Hindi
Singing Better, Writing Deeper, Living Kinder: The Heart of Navjot Ahuja’s Journey
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle

Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.






