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Viacom18’s live events business sees two-fold increase in a year

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MUMBAI: Over the last decade or so Viacom18 has created fresh new ways to connect with its audience and build enduring relationships. The company’s on-ground property Live Viacom18, which has been building innovative IPs, multi-dimensional marketing and engagement platforms, has witnessed tremendous growth ever since it conception in October 2012.

 

Sharing insights on the business with Indiantelevision.com, Viacom18 Media’s Integrated Network Solutions (INS) senior vice president and business head Jaideep Singh said, “From 2013 to 2014, we’ve doubled our business and this year too we intend to double it. If you look at the whole industry, we are the largest players. What took others five to six years to achieve, we did in a year’s time. Nobody has the ecosystem that we do, and nobody has that kind of IPs that we have. So in a way, we are the leaders in the Rs 400-450 crore market of live events.”

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Viacom18 began with 13 IPs and a few events in 2013. It then scaled up to 210 events in 2014 and plans are afoot to expand it to 300 plus events this year.

 

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Singh further informs that the property has been constantly increasing the number of hours of content produced. “The brand, which used to produce 10-15 hours of content when it began in 2013, will produce 50-60+ hours of content this year and that’s huge in the live events industry.”

 

Live Viacom 18 has properties like Super Sonic, Chuckle Festival, MTV Bollyland, Emerge, MTV Extreme and the awards property, which will be held in the third or fourth quarter this year. Additionally, more than 350 plus artists globally are set to add yet another feather to its success cap.

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While Live Viacom 18 is looking to explore with newer formats and enter newer markets, the ultimate aim is to give the audience a better experience, with great artists and bring in the best of the latest technology experience. Singh asserts, “This year we have introduced something new called Spiro, which is an initiative by MTV Indies.”

 

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Live Viacom18, which is a division under Viacom18’s Integrated Network Solutions, currently has presence in about 25 cities and is looking at expanding its footprints to 35 cities this year. When queried as to whether they intended to cater to markets outside India, Singh said, “Given an opportunity, we will explore markets outside India like Middle East Asia and South Asia to begin with.”

 

Speaking about advertisers’ response to its properties, Singh said, “In the first year, we had about 15 brands on board, then in 2014 we had 40 brands and this year we have 70 plus brands on board. So the response from brands has been overwhelming for us.”

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Of the 300 plus events planned this year, Live Viacom 18 has already held 30 events in the first quarter of 2015. What’s more, the team is all prepared to handle the pressure. Asked whether the company was looking at beefing up its team, Singh said, “No we are not beefing up our teams. We have separate teams for our properties and hence there is focus among them and they are all set and excited for the line up of events.”

 

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On the marketing front, Live Viacom 18 will leverage its advantage of being a broadcaster and its digital presence to engage with audiences. Additionally, the traditional forms of media like print, radio and OOH will also be used to gain marketing traction. All in all, the company will roll out a 360 degree integrated marketing campaign, which will be executed across properties.

 

Apart from this, the company also has an innovation up its sleeve. A tie-up with US-based technology company Mixify will help Viacom18 bring in artists to perform on video without them being present physically. With this technology not only will they increase their fan base but also create a lot more engagement in multiple cities at the same time.

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Highlighting three key trends that the industry was moving towards, Singh said, “The first one is towards more and more live entertainment events with newer formats. Secondly, there’s been an increase in consumer spends and thirdly consuming merchandise.”

 

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Singh informed that currently LIVE Viacom18 is not active in the merchandising front, but it is an avenue that the company will explore going forward.

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MAM

India’s experience economy grows as live events market hits Rs 17,000 crore

EY-Parthenon and BookMyShow report finds 78 per cent Indians prefer experiences over products

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MUMBAI: India’s live entertainment scene is no longer just about music, comedy or festivals. It is increasingly becoming a powerful stage for brands seeking deeper connections with consumers.

A new report titled Beyond Attention, Into Immersion by EY-Parthenon and BookMyShow suggests that India’s experience economy is entering a strong growth phase, driven by consumers who are choosing memorable moments over material purchases.

According to the study, the country’s live events ecosystem, which includes concerts, comedy tours, festivals and immersive exhibitions, is estimated to reach around Rs 17,000 crore in 2025. The growth reflects a broader cultural shift in how Indians spend their time and money.

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The report finds that 78 per cent of Indian consumers now prefer spending on experiences rather than physical products. From attending concerts and festivals to participating in interactive brand installations, audiences are increasingly seeking engagement, community and shareable moments.

This change in consumer behaviour is particularly evident among younger audiences who want to participate rather than simply watch. Instead of passively consuming entertainment, many now look for experiences that allow them to interact, express themselves and connect with like minded communities.

For marketers, this shift has turned experiential marketing into a strategic priority rather than a promotional add on. Brands are moving away from interruption driven advertising and towards immersive formats that allow consumers to discover, test and emotionally connect with products.

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The report suggests that experiential marketing now plays a role across the entire consumer journey. It can spark brand discovery, strengthen storytelling, encourage product trials and ultimately influence purchase decisions and loyalty.

The impact is already visible. Post event surveys conducted among 7,450 attendees at major events including Lollapalooza India and concerts by Ed Sheeran and Guns N’ Roses highlight the effectiveness of these experiences.

Around 59 per cent of attendees recalled brands they interacted with during the events, while 55 per cent said those interactions increased their likelihood of purchasing from the brand. A further 63 per cent reported that brand activations actually enhanced their event experience rather than distracting from it. Nearly 29 per cent also said the interaction improved their perception of the brand.

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Brands are also changing the way they approach events. Instead of simply putting logos on stages or banners, companies are building experiences into the fabric of the event itself.

Financial services brands, for example, are offering early ticket access, exclusive lounges and curated event experiences for cardholders. Fashion and beauty companies are using festivals to showcase products through pop ups, interactive installations and social media friendly spaces that encourage visitors to share their experiences online.

The scope of experiential marketing now stretches far beyond live entertainment. Retailers are designing experiential stores where customers can explore products in lifelike environments. Entertainment platforms are extending popular intellectual properties into immersive exhibitions and fan events. Technology is also playing a growing role through augmented reality and virtual try on tools that blend digital discovery with physical interaction.

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Cultural festivals remain one of the most powerful platforms for such engagement in India. Celebrations such as Navratri and Holi bring together large communities, emotional participation and heightened consumer spending. For brands, these moments offer an opportunity to become part of the celebration rather than simply advertise around it.

Despite the momentum, the report notes that some companies still hesitate to adopt experiential marketing at scale. Budget constraints, limited expertise and uncertainty around measuring return on investment remain common concerns.

However, the growing body of data around consumer engagement and brand impact is gradually addressing these challenges. More marketers are expected to allocate a larger share of their budgets to experiential formats over the coming years.

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Taken together, the findings point to a clear trend. As consumers seek meaning, memories and moments worth sharing, live experiences are emerging as one of the most powerful ways for brands to stay relevant in a crowded media landscape.

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