MAM
Variety debuts in India with cover featuring Bollywood’s big four
MUMBAI: Variety has planted its flag in India, and it has done so with a flourish. The American entertainment bible has launched its Indian edition with a debut cover uniting Aamir Khan, Ajay Devgn, Akshay Kumar and Salman Khan — a first-of-its-kind assembly of four of Hindi cinema’s most bankable stars on a single magazine front.
The India launch, first announced in the final quarter of 2025, marks Variety’s formal entry into one of the world’s busiest film markets. The inaugural cover is already being talked up in publishing and film circles as a collector’s piece, signalling how seriously the title is taking India’s entertainment economy.
The franchise in India has been acquired by Thursday Tales Pvt. Ltd., which is positioning the magazine as a serious chronicler of the business of show business. The pitch is clear: less gossip, more game theory. Expect reporting on deal-making, market shifts, creative risks and the commercial mechanics behind the arc lights.
The launch issue blends domestic and global voices, tracking emerging trends, profiling rising talent and carrying deep-dive conversations with industry heavyweights and creative disruptors. The idea is to treat Indian entertainment not as spectacle alone but as industry, export and influence.
With the debut, Variety India is betting that the country is ready for sharper, business-first entertainment journalism backed by a global brand. In a market where cinema is religion and streaming is rewiring habits, the magazine wants to be both scorekeeper and storyteller.
The message from its first cover is unmistakable: India is no longer just a film factory for the world — it is a boardroom, a marketplace and a cultural power centre. And Variety intends to have a front-row seat.
AD Agencies
Collective Creative Labs wins two Silver Effies, ranks top 15
Independent agency shines with strategy-led campaigns that move brands and culture
MUMBAI: Collective Creative Labs (CCL) has bagged two Silver Effies at the 25th Effie India Awards and claimed the 15th spot in the Agency of the Year rankings, marking a standout moment for the independent agency.
For a young agency built without legacy backing, these accolades go beyond trophies. They celebrate a fresh approach: starting with brand truth, sticking to strategy, and creating work that drives business, not just chatter.
Three years ago, Collective Artists Network spotted a gap in the market. Brands had access to creators and cultural moments but lacked cohesive strategy. CCL was born to fill that gap, blending cultural insight with disciplined brand planning to deliver campaigns that truly perform.
Collective Artists Network founder and group CEO Vijay Subramaniam said, “We were already sitting at a rare intersection of culture, creators, entertainment and influence. But brands don’t need access alone; they need alignment. CCL brings strategy to the heart of culture so that it drives real brand growth.”
CCL’s campaigns, including work for Zebronics, Rakesh Masala and Liberty, have travelled far beyond paid media, not chasing virality, but earning it through clarity of insight and purpose. Big names are used to amplify thinking, not replace it.
Collective Creative Labs CEO and partner at Collective Artists Network Sanjana Jain added, “Great work starts with clarity, what the brand stands for, the consumer’s reality, and the business goal. In a world that loves spectacle, we focus on outcomes. These awards validate that approach.”
Both Silver-winning campaigns were built on immersive consumer understanding and sharp strategic thinking, reinforcing CCL as a performance-driven creative partner. Operating where brands, culture, entertainment and emerging media intersect, CCL represents a new kind of agency model, uniting talent, content, influence and strategy under one roof.
For CCL, these wins and the Agency of the Year ranking are just markers of momentum, not the finish line.
