MAM
On Children’s Day, dentsu Impact’s chilling ode to ‘Chotu’
NEW DELHI: Nelson Mandela, the former President of South Africa, had once said, “There can be no keener revelation of a society’s soul than the way in which it treats its children.”
Children’s Day is celebrated to raise awareness about the welfare of our children. Yet, look around and you will witness that the reality is quite far from the truth. Children are suffering everywhere and they are abused daily. Their basic rights, education, dignity, hope, and most of all, childhood is snatched away from them, every single day. Currently, millions of child labourers in India are employed across the country in various segments like homes, factories, construction sites, and elsewhere. Popularly referred to as 'Chotu', these children often deal with menial, backbreaking, and dangerous jobs.
In an ode to showcase this tragedy, dentsu Impact, the creative agency from the house of dentsu international, has launched an eye-opening film in association with My Choices Foundation and Saregama Caravan.
The film #ChotuKaChildhood showcases various versions of Chotu and the hellish world in which they exist. It communicates their silent suffering, a voice that the world can hear. It also sends out a message that the next time anyone sees such heinous abuses around, s/he must report it and not walk away. Only then, we will be able to save the world, one child at a time.
dentsu Impact managing partner and national creative director Anupama Ramaswamy said, “Seeing little children working to make ends meet is the worst form of pain. But we walk away, without reporting it. Why did we choose to launch the film on Children’s Day? We believe the contrast of using an occasion, which celebrates children to highlight their suffering, will make the bitter truth come to light more strongly. It is my hope that with more people understanding the message of the film, they will raise their voices against child labour, and help usher in change.”
Ramaswamy shared that the My Choices Foundation wanted the world to note that there are too many children who still do not enjoy full rights and free choices. “The problem is, we all feel sad when we see a child working for a living, but nobody reports such instances. They wanted to bring to notice the violence, abuse, and exploitation these children go through,” she said.
She further elaborated that every single situation depicted in the film is inspired by real life. The child labour problem in our country is because of child protection laws, organisations cannot ask people to click pictures or geotag the location, etc. “The only way is to urge people not to walk away. Not just empathise and feel pity, but to report. Every one of us needs to report such instances. In the last few days, a lot of eminent people have shared this film. The message is definitely being noticed. We cannot change the entire society, but even if a few people start reporting, I would like to believe our efforts paid off,” she shared.
My Choices Foundation’s aim is to see the transformation of India into a safe place for children, and hope this film will help them do that.
MAM
India’s experience economy grows as live events market hits Rs 17,000 crore
EY-Parthenon and BookMyShow report finds 78 per cent Indians prefer experiences over products
MUMBAI: India’s live entertainment scene is no longer just about music, comedy or festivals. It is increasingly becoming a powerful stage for brands seeking deeper connections with consumers.
A new report titled Beyond Attention, Into Immersion by EY-Parthenon and BookMyShow suggests that India’s experience economy is entering a strong growth phase, driven by consumers who are choosing memorable moments over material purchases.
According to the study, the country’s live events ecosystem, which includes concerts, comedy tours, festivals and immersive exhibitions, is estimated to reach around Rs 17,000 crore in 2025. The growth reflects a broader cultural shift in how Indians spend their time and money.
The report finds that 78 per cent of Indian consumers now prefer spending on experiences rather than physical products. From attending concerts and festivals to participating in interactive brand installations, audiences are increasingly seeking engagement, community and shareable moments.
This change in consumer behaviour is particularly evident among younger audiences who want to participate rather than simply watch. Instead of passively consuming entertainment, many now look for experiences that allow them to interact, express themselves and connect with like minded communities.
For marketers, this shift has turned experiential marketing into a strategic priority rather than a promotional add on. Brands are moving away from interruption driven advertising and towards immersive formats that allow consumers to discover, test and emotionally connect with products.
The report suggests that experiential marketing now plays a role across the entire consumer journey. It can spark brand discovery, strengthen storytelling, encourage product trials and ultimately influence purchase decisions and loyalty.
The impact is already visible. Post event surveys conducted among 7,450 attendees at major events including Lollapalooza India and concerts by Ed Sheeran and Guns N’ Roses highlight the effectiveness of these experiences.
Around 59 per cent of attendees recalled brands they interacted with during the events, while 55 per cent said those interactions increased their likelihood of purchasing from the brand. A further 63 per cent reported that brand activations actually enhanced their event experience rather than distracting from it. Nearly 29 per cent also said the interaction improved their perception of the brand.
Brands are also changing the way they approach events. Instead of simply putting logos on stages or banners, companies are building experiences into the fabric of the event itself.
Financial services brands, for example, are offering early ticket access, exclusive lounges and curated event experiences for cardholders. Fashion and beauty companies are using festivals to showcase products through pop ups, interactive installations and social media friendly spaces that encourage visitors to share their experiences online.
The scope of experiential marketing now stretches far beyond live entertainment. Retailers are designing experiential stores where customers can explore products in lifelike environments. Entertainment platforms are extending popular intellectual properties into immersive exhibitions and fan events. Technology is also playing a growing role through augmented reality and virtual try on tools that blend digital discovery with physical interaction.
Cultural festivals remain one of the most powerful platforms for such engagement in India. Celebrations such as Navratri and Holi bring together large communities, emotional participation and heightened consumer spending. For brands, these moments offer an opportunity to become part of the celebration rather than simply advertise around it.
Despite the momentum, the report notes that some companies still hesitate to adopt experiential marketing at scale. Budget constraints, limited expertise and uncertainty around measuring return on investment remain common concerns.
However, the growing body of data around consumer engagement and brand impact is gradually addressing these challenges. More marketers are expected to allocate a larger share of their budgets to experiential formats over the coming years.
Taken together, the findings point to a clear trend. As consumers seek meaning, memories and moments worth sharing, live experiences are emerging as one of the most powerful ways for brands to stay relevant in a crowded media landscape.
