MAM
Instream largest video ad inventory on the net
MUMBAI: US video ad network Instream has announced that it has emerged from its Beta period as one of the largest sources of managed video advertising inventory on the Internet.
Instream president and CEO Tom MacIsaac says, “Some have said there is a shortage of quality in-stream video ad inventory on the Internet — the truth is there is a shortage of quality managed video ad inventory. Instream aggregates high quality Internet video sites onto the leading video advertising technology platform, forming a new, high quality, high reach, single source for brand advertisers embracing video advertising. We believe that, after the major portals, Instream is the single biggest source of managed video ad inventory on the Internet.”
The company says that when advertisers venture beyond the few places with sophisticated in-stream video ad management capabilities, such as the major portals and a handful of other leading video internet sites, they have little control over the delivery of their ad campaigns in terms of targetting, frequency capping, session management, ad unit standardisation (such as a synchronised IAB banner) and other requirements.The reporting they receive back is equally limited.
Advertisers who buy the Instream network can receive not only state- of-the-art ad delivery but also get consolidated, rolled up reporting including the enhanced reporting requirements emerging for Internet video such as closed loop auditing and per cent-of-ad-played reporting.
Instream says that it is able to deliver such highly managed inventory because its technology platform is built on the best-of-breed Lightningcast video advertising platform, which is also used by AOL, Microsoft, ABC News, Scripps Networks, A&E Networks, The Employment and Career Channel and others.
As a result, Instream has the opportunity to leverage the Lightningcast network to provide remnant inventory sales for Lightningcast technology customers.This platform also enables dynamic ad insertion into live streams and downloaded content as well as on-demand streams.
Instream claims to have experienced strong demand from publishers and advertisers. Since the launch of the Publisher Beta in July, Instream has been delivering more than 100 million video streams per month and anticipates total monthly volume of more than 500 million monthly streams by early 2006.
Since the launch of the Advertiser Beta in September, Instream claims to have been embraced by major brand advertisers, and has more than a dozen other advertiser campaigns planned for Q4 2005 and 2006.
Carat Fusion media supervisor Christine Peterson said, “Video advertising has become an important part of our clients’ digital media strategy. We are excited about the growth in high quality managed video advertising inventory such as that amassed by Instream”.
Digital
Galleri5 launches India’s first AI cinema OS at India AI Summit
Collective Artists Network unveils end-to-end production platform powering Mahabharat series and Hanuman teaser.
MUMBAI: India’s cinema just got an AI operating system upgrade because why settle for tools when you can have a full production command centre? Collective Artists Network and Galleri5 today unveiled Galleri5 AI Studio at the India AI Impact Summit in New Delhi, billing it as the country’s first cinema-native production technology platform. Launched on 20 February 2026, the system acts as an end-to-end orchestration layer for film and television, integrating generative AI, LoRA-driven character architecture, controlled shot pipelines, 3D/VFX tools, lip-sync, upscaling, quality control, and delivery, all tuned for theatrical and broadcast standards.
Unlike piecemeal AI tools, Galleri5 controls the entire stack from script and world-building to final master output. Filmmakers retain creative authorship, continuity, and IP security while slashing timelines from years to months.
The platform is already in live use at scale. Mahabharat: Ek Dharmayudh, an AI-powered series produced under Collective’s Historyverse banner, is airing on Star Plus and streaming on JioHotstar, ranking among the top-watched shows in its slot. Meanwhile, Chiranjeevi Hanuman – The Eternal (produced by Star Studios 18) dropped its teaser on IMAX screens, leveraging Galleri5’s infrastructure for the visuals.
Collective Artists Network founder and group CEO Vijay Subramaniam said, “For India to lead in the next era of storytelling, we have to think beyond tools and start building systems. This is about putting durable production infrastructure in place so creators can dream bigger, producers can execute faster, and our stories can travel further.”
Galleri5 partner at Collective and CEO Rahul Regulapati added, “Cinema requires precision, repeatability, and control. Off-the-shelf AI doesn’t solve that. Orchestration does. We built an operating system where technology bends to filmmaking, not the other way around.”
Under Historyverse, Collective Studios is developing a slate including Hanuman, Krishna, Shiva, and Shivaji blending advanced AI systems with traditional craft. The summit session featured directors from Hanuman, Krishna, and Shiva alongside Collective leaders, diving into real-world case studies: what delivers on screen, what glitches, and how production economics are shifting.
At a summit packed with global tech brass and policymakers, Galleri5 stakes a bold claim, cinema’s future belongs to integrated systems, not isolated gadgets and India is building one right now. Whether you’re a filmmaker eyeing faster workflows or just curious about AI remaking epics, this OS could be the script-flip the industry didn’t see coming.
