MAM
How brands can skip being ‘ad blocked’
MUMBAI: Imagine a future without advertising! Not a pretty sight, is it? If that ever happens it would lead to major agencies and brands shutting down because they won’t be able to create awareness about their products and market themselves correctly. But with increasing usage of “ad-blocker” and rising consumer irritation with ads before content, it wouldn’t hurt to imagine the worst.
Sparrow Digital Holdings principal Ana Milicevic spoke at Zee Melt about what the future of advertising would look like if we didn’t rectify our communication now. Her company is a digital advisor with extensive operational experience specialising in advertising and marketing technology, programmatic advertising, data management, analytics, strategy, product development and go-to-market positioning.
Although the ad industry today is worth over $600 billion, Milicevic thinks that we are in deep trouble because most people today don’t consider ads useful and informative but find it rather annoying. Even ad blockers now have ads and that’s funny and ironical. 30 per cent of all digital consumers use ad blockers in North America which is the highest rate globally.
Milicevic mentioned that the consumer behaviour has changed over the years where today’s consumer lives on his mobile phone which wasn’t the case 20 years ago. The expectations of consumers have changed and they expect a lot from the brand and hence need communication which is true and honest and not something that is too glossy and comes across as artificial.
Traditionally, brands create a campaign or communication and push it to a large set of audience at once (mass marketing). But that has changed and now brands are actively investing in creating personal and semi-personal communication with each consumer depending on their likes and mood.
A key problem with the industry today is that since it is cheaper to run a blanket campaign, most brands just go with it rather than creating customised content for the audience. She pointed out that the industry has so many channels and opportunities to talk to people but it doesn’t.
Brands need to look into what is important to consumers and create content accordingly. They need to create personalised content or the consumer would just lose his interest in the brand. Brands also need to show immediacy while dealing with customers, be it fast delivery or quick response on call or a social message page.
In future, every interaction will become advertising as every conversation with consumers will become advertising. She concluded by saying that the industry needs to re-evaluate itself and the way it is communicating with the audience today “or we will risk getting skipped”.
MAM
Microdrama Specialist COL Group International Builds Out With Narativ, Rock Networks & BlingWood Deals
MUMBAI: Microdrama powerhouse COL Group International is building out its distribution network, with its CEO saying vertical video is about to enter its “next competitive chapter.”
The microdrama arm of publicly-listed Chinese company COL Group appointed Narativ Media as its official distributor in the Middle East and North Africa (MENA) and CIS regions and Africa, and a struck new content deal with a new Dubai-based microdrama platform.
The deals were unveiled this morning at MIP London, and also included Rock Networks as its exclusive Southeast Asia telco distribution partner for its app, FlareFlow. MIP London is now into its second day at the Savoy Hotel and adjoining IET London complex.
The deals come soon after COL appointed Harbour Rights to represent its titles in Europe and Latin America, as we reported yesterday in our extended feature on microdrama distribution.
COL’s Singapore-based microdrama unit says its “coordinated global distribution architecture and significantly expanded international content slate” would help to scale its catalogue to more than 1,700 microdrama titles worldwide. These hail from South Korea, Japan, Africa, the Middle East, Southeast Asia and the UK and roll out across Sereal+, FlareFlow and 17K.
A deal with Dubai-based BlingWood, which recently launched as an OTT platform, will expand COL’s access to Middle Eastern and Indian microdramas, and includes a broader pipeline of Indian series from storytelling platform Pratilipi, Korean titles from BeLive Studios and British reality-led formats from Tattle TV — the UK’s first dedicated microdrama app, including titles such as Dog Dates.
“Microdrama is entering its next competitive chapter, where quality, retention and monetization standards are increasingly shaped by data and operational discipline,” said Timothy Oh, General Manager of COL Group International.
“As pioneers in both China and the U.S., scaling some of the world’s leading platforms in this space, we understand what it truly takes to win sustainably. Our role is not simply to offer catalogue volume, but to help partners select, position and scale the right content for their platform and audience. By bringing together a broad, constantly refreshed slate from across regions, we enable smarter curation, clearer differentiation and long-term growth for serious industry players.”
Narativ deal
COL and UAE-based Narativ described their deal as a “strategic expansion of premium vertical content distribution across high-growth emerging markets,” and comes as the microdrama continues to boom financially. The growth of the medium will be among the key topics of conversation today at MIP London, where COL chief Oh will be speaking.
The pact extends beyond content representation and is being billed as part of a more “structured micro-drama distribution infrastructure.”
Narativ will spearhead market development, platform alliances, broadcaster relationships and digital monetization frameworks across the MENA and CIS regions and Africa, where they have identified “rapid mobile-first consumption growth and strong demand for short-form, high-engagement storytelling formats.”
“Micro-dramas are reshaping global viewing habits, particularly across mobile-first markets like MENA, Africa and CIS,” said Manjyot Sandhu, CEO and co-founder of Narativ. “Our appointment as official distributor for COL Group in these territories reflects Narativ’s strategy to build sustainable distribution architecture.
“A key pillar of the collaboration includes integration with FlareFlow, enabling strategic telco partnerships, bundled carrier offerings, and alternative monetization pathways designed to accelerate scale across mobile ecosystems and OTT platforms.”
Oh added: “We are building more than a content slate – we are building the global infrastructure for microdrama. With hundreds of new titles launching every quarter, scale and regional strength are critical. Narativ with its deep foothold in MENA, Africa CIS and other key markets makes them a natural strategic partner as we expand FlareFlow and bring microdrama to new platforms, telcos and audiences.
Narativ, which is joint venture Sandhu operates with Copyright Capital, manages around 7,000 hours of content and has a digital network spanning 150 million subscribers across 21 language.
COL Group has emerged as one of the biggest microdrama platforms, running platforms such as FlareFow. It is also a part-owner of ReelShort.
