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Google gets festive with smarter searches through new AI Mode

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MUMBAI: Move over Khans and Kapoors, there’s a new star making its big-screen debut this festive season, and it answers to Hey Google. As India dives head-first into Diwali chaos and cinematic emotions, Google’s AI Mode on Search arrives like a filmy hero with perfect timing armed not with dance moves, but with data.

Picture this: instead of scrolling through a dozen links, you toss Google a question that’s as layered as a family drama and out comes a full-blown, conversational answer that ties it all together. That’s AI Mode for you: your all-knowing, never-judging, eternally patient sidekick who remembers everything you say. Think of it as the Jeeves to your Kabhi Khushi Kabhie Gham moments.

And because no Indian launch is complete without a dose of filmi flair, Google has rolled out a two-part digital film campaign conceptualised by the clever minds at Bare Bones Collective, the same team behind the viral GenZ Chudail and Gangoogly campaigns. This time, they’ve turned everyday dilemmas into high drama with a tongue-in-cheek tribute to the Bollywood tropes we love (and love to laugh at).

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The first film, released just as the country entered festive overdrive, follows a young man on a mission to win over his girlfriend’s father, every rom-com’s biggest villain-turned-softie. When his attempts at decorating the house flop harder than a box-office dud, he turns to AI Mode for step-by-step guidance. With its clever prompts, he transforms the chaos into a picture-perfect home, earning both the father’s nod and a new nickname: Festihul Tyohari.

The second film flips the script with a “heroine ki entry” moment worthy of a Karan Johar production. Enter Riya, who lights up a festive party with a dazzling look all curated with help from AI Mode. From outfit inspo to accessory suggestions, Google plays stylist, ensuring her grand entrance is nothing short of a blockbuster reveal.

Then comes the delightful cameo nobody saw coming: Farah Khan. In a hilariously meta moment, the choreographer-filmmaker trades banter with veteran actor Dilipji, only to have AI Mode jump in and “manage” the kitchen chaos better than any sous-chef. If only all family gatherings came with that feature.

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Launched right as India plunges into the most chaotic, colourful, and emotionally charged time of year, the campaign cleverly reimagines Google Search as the go-to problem-solver for the season helping users plan smarter, shop faster, decorate better, and celebrate calmer. From “how to impress an angry father” to “best last-minute Diwali gifts,” AI Mode doesn’t just give you answers, it gives you peace of mind (and a cinematic sense of timing).

Bare Bones Collective nails the tone playful, self-aware, and oh-so-desi while giving Search the spotlight it deserves. The films blend humour with heart, showing how technology can keep up with India’s most dramatic, high-stakes, and glitter-coated time of year.

Because when it comes to over-the-top emotions and even more over-the-top solutions, let’s be honest no one does drama quite like us. And this Diwali, Google’s AI Mode is ready for its hero shot.

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MAM

Shah Raza returns full-time as NDTV national revenue head – government

Raza resumes leadership in government sales after a brief part-time stint

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NEW DELHI: Shah Raza has resumed his full-time role as national revenue head – government at NDTV, after working part-time for a few months due to personal commitments.

Raza has been with NDTV since 2013, overseeing government sales across India. He brings extensive experience in media and broadcast, having previously served as vice president at TV18 Broadcast Limited, account director at IBN 18, and senior manager at Bennett Coleman & Co. Ltd. (Times Group).

A graduate of Aligarh Muslim University with an MBA, Raza has spent over a decade building a strong track record in government sales and driving NDTV’s revenue growth.

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With his return to full-time responsibilities, Raza will continue to lead NDTV’s efforts in government sales, combining long-standing experience with an understanding of the evolving media landscape.

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