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AI, angst and applause: Goafest day three blends bold ideas with brave tech in storytelling

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MUMBAI: Day three at Goafest 2025 opened not with a whisper but a roar. Under the theme Ignite Hungama, Indian playback singer Javed Ali lit up the morning with a rousing set, presented by Mahindra Auto and Mahindra Electric Origin SUV in association with Bingo! What followed was a cocktail of courage, code, and craft.

Marcel France CCO & CEO Youri Guerassimov delivered a punchy keynote on ‘Creativity That Dares to Disrupt’ – presented by Youtube under the theme Ignite Bravery. He challenged the room to get comfortable with discomfort. “Fear is temporary. Regret lasts far longer”, he said, quoting campaigns like Nike’s Colin Kaepernick ad and Marcel’s own ‘Inglorious Fruits and Vegetables’. Guerassimov pointed out that 86 per cent of consumers expect brands to take a stand, and 66 per cent are willing to jump ship if they don’t.

Next, the session ‘How AI is Rewriting the Language of Visual Storytelling’ took centre stage. Amazing Indian Stories founder & CEO Vivek Anchalia demonstrated how AI was bulldozing old production paradigms. From replacing animatics to cutting the need for bloated crews and locations, AI was making storytelling faster, cheaper, and sharper. His upcoming AI-powered film Naisha will feature machine-generated drone shots of Uttarakhand. In the fireside chat that followed, Landor president-APAC Lulu Raghavan summed it up: “AI is underhyped. Master it early, lead the next wave”.

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Anchalia added nuance: while AI could mimic drone pans and 3D shots, it couldn’t replace emotional tonality in sound or a filmmaker’s rhythm. He also advised self-learning over formal AI education, hailing online creative communities as the real labs of experimentation.

Meanwhile, the Bioscope – The Cinema ran a series of sessions under the theme ‘What Ignited the Jury Room?’. Havas Creative India CCO & JMD Anupama Ramaswamy insisted the jury prioritised the power of creative ideas over just causes. Famous Innovations founder & CCO Raj Kamble brought his signature candour, likening case studies to ads that must hook judges in seven seconds. VML India CCO Senthil Kumar reminded the room: “If a film makes you want to watch it again, it’s doing its job”. Youri Guerassimov rounded off the jury talks, reiterating that creativity must remain consistent across platforms.

Adding a personal note, The Advertising Club COO Bipin Pandit launched his book presented by Amazon MX Player and powered by Mediakart. From a viral Linkedin post to a deadline set by AdClub president Rana Barua, the book’s origin story was as compelling as its content. It featured a foreword by Piyush Pandey and an article by Prasoon Joshi. A microsite, www.bipinpandit.com, was launched, along with a Walk of Work display at Cascade.

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Day three also served up a buffet of masterclasses. Gowthaman Ragothaman led a session on data, privacy and intelligence, followed by Vijay Singh’s take on game commerce. Nick Eagleton of D&AD unpacked creative liberation with ‘Ideas Unlocked’. Sana Shaikh from Flipkart Ads outlined their latest innovations. Amogh Dusad from Amazon MX Player guided attendees on seamless brand integration. Meanwhile, Krishnendu Dutta and Vara Prasad of MRSI demystified AI’s impact on consumer insights.

Lunch was hosted by Vijayavani, wrapping up a first half that balanced firebrand ideas with futuristic tech.

 

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Microsoft shifts global media account from Dentsu to Publicis Groupe: Reports

Closed review ends decade-long tie-up; Xbox remit may remain with Dentsu

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MUMBAI: Microsoft has reassigned its global media planning and buying business to Publicis Groupe, according to media reports, ending Dentsu’s long-standing stewardship of one of the advertising industry’s biggest accounts.

The move follows a closed review and marks a notable shake-up in the global media landscape. Dentsu, which managed the account through Carat, had held the mandate since 2014 and successfully defended it in a 2018 review.

While the broader business is shifting, Dentsu is expected to retain media responsibilities for Xbox, according to media reports, though the exact contours of that arrangement remain unclear. None of the parties involved have publicly outlined the transition timeline or the full structure of the handover.

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The scale of the account underscores the significance of the change. Estimates from COMvergence, cited by Ad Age, peg Microsoft’s global media spend at roughly $700 million last year.

For Publicis Groupe, the win deepens an already expanding relationship with the tech giant. Earlier this year, Microsoft Advertising partnered with Publicis Media Exchange and Epsilon to integrate Epsilon’s data into its platform, aiming to sharpen targeting across search, native and display formats.

The decision reflects a broader industry shift, as large advertisers increasingly favour agency partners with strong first-party data capabilities, AI integration and platform-led solutions. Publicis Groupe has been leaning into this model, positioning its data assets and technology stack as a central differentiator.

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For Dentsu, the loss is significant. Media remains a core pillar of its global business, and the development comes close on the heels of leadership changes, including the appointment of Takeshi Sano as global chief executive officer.

The shift also carries a touch of irony. Microsoft and Dentsu have worked closely beyond the client-agency relationship, including collaborations around AI tools such as Copilot to support media and creative workflows.

As the dust settles, the message is clear: in today’s data-driven, AI-powered media world, relationships may be long, but they are rarely permanent.

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