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Ad commercial shooting resumes after Covid2019 lull

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NEW DELHI: With more relaxations in Unlock 2.0, productions houses are currently trying to adjust to the new style of doing business, with reduced crew members on the set and strict protocols. TV commercial shooting, too, has commenced in full swing and is strictly adhering to the safety measures given by the Association of Advertising Producers (ASAP).

Recently, ASAP laid down a list of extensive measures to be adopted for shoots. It advised that all work environments must have hand sanitisers and handwashing facilities with soap while offices are encouraged to install sensor-based sanitisers to ensure hands-free dispensing and manually operated dispensers must be kept handy at all times. Furthermore, it suggests that workplaces should have Covid2019 risk assessments and plans in place, leave of absence must be insisted if anyone has symptoms of illness even if it is regular influenza or cough and safe transport of all employees, freelance or otherwise, must be provided.

ASAP honorary general secretary and Corcoise Films executive producer Cyrus Pagdiwala says that personal interactions are out and even scripts are written keeping in mind the current situation. “We are not doing more than 10 shoots a day; it is not like the old days. The government has passed the order that only 33 per cent crew will be used currently, so everyone is trying to shoot in residential spaces. We are trying to make survival possible within the budget clients have. Each production house had at least one or two projects lined up during March-April. Thousands of films have been shelved due to the onset of the pandemic, but it will be difficult to get a figure for the other months because April-June was completely washed out.”

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According to sources, the industry has lost around Rs 300 crore potentially due to the pandemic and now, budgets have been cut down by 30-50 per cent.

Cutawayy Films executive producer Gaurrav Dhar says that it has reduced the group count, asking food partners to follow a strict guideline and insured its crew members in case they test positive for Covid2019.

“We have shot commercials for Maggi and Crompton and during the shooting, both clients and agencies worked on remote access. We were flashing the live footage to the agency and the client. After every shot, the director used to ask their approvals. We took care of the sanitisation process. A company called COVID Sanitization Squad took care of hygiene and kept everyone safe on the sets. From oxygen level to temperature check, we took care of everything,” he shares.

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Although Dhar says that the output has not been affected, the process is still time-consuming. Working on video calls is slow. “15-minute meetings are taking 40 minutes for simple approvals. Otherwise, it has been a smooth transition as we are saving a lot of money and time. I think video call is a boon and an enemy as well,” he says.

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10 films executive producer Shovik Basu says that budgets have reduced. He has made commercials with brands including Amazon, Hotstar, Disney and McDonald’s during this time.

Basu says, “One of the setbacks, we are facing is to get people to come for shoots because not everyone is agreeing and in situations where there are multiple people in the same scene, it becomes difficult to execute keeping all the precautionary measures in mind. We are trying to find out a new way to do this, with a minimum crew, sanitising the entire place, etc. For agencies and clients, we are setting up a live video field, wherein they can supervise the entire shoot from home and if they have any comments we can implement them immediately.”

Firecracker director Harsh Dave shared that it too has started shooting in extremely strict conditions. “It’s tough to shoot during these times, travelling to a different location is a problem, a lot of models don’t want to be touched by make-up artists. Being in India, I don’t think we have understood the concept of personal space, so it’s tricky. We have got ourselves Covid2019 marshals and PPE suits are given. Everything is happening on Zoom calls, from client meeting to agency meetings. Chinese whispers take place but a lot is lost in translation. But this pandemic is not getting over anytime soon so I think it only makes sense for us to take precautionary measures to keep the show up and running.”

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The government’s move to allow the sale of non-essential products on e-commerce and the reopening of retail stores in safe zones have given brands an opportunity to introduce fresh campaigns. E-commerce brands, video-streaming services, digital payments, health and wellness brands and delivery aggregators, too, are making a splash. Slowly but steadily, clients have started coming in, though not at a rapid pace.

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Advertising Rocks Season 4 returns to Goafest 2026 with musical flair

Industry talent takes centre stage as music meets creativity at Goafest

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MUMBAI: The spotlight is back on music and marketing as Advertising Rocks Season 4 gears up for a high-energy return at Goafest 2026, promising a louder and more vibrant celebration of creative talent within the industry.

Now in its fourth edition, the platform continues to carve a niche as a space where professionals from advertising, media and marketing step beyond boardrooms to showcase their musical side. Open to solo and duet performers, the competition will unfold across multiple rounds before culminating in a live finale at the festival. Shortlisted participants will also receive complimentary access to Goafest, adding to the appeal.

Each category will feature four finalists, with winners decided through a mix of jury evaluation and audience votes, making the experience interactive as well as competitive. The stakes are equally compelling, with cash prizes ranging from Rs 25,000 to Rs 1,00,000 across categories.

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Reflecting on the journey so far, BBH former CEO Subhash Kamath said, “This will be the 4th edition of Advertising Rocks and every year, it’s become better and better. We have some amazing musical talent in our industry and what better stage to perform than at Goafest. I hope we get more entries this time and I’m really looking forward to hearing some fabulous talent.”

Echoing the sentiment, Havas Media Network India chief executive officer Mohit Joshi said, “Season 4 of Advertising Rocks perfectly captures the spirit of our industry, where creativity doesn’t end at the workplace, it finds expression in many forms. At Goafest 2026, we are excited to bring back Season 4, bigger and more vibrant, giving professionals a platform to showcase their musical talent.”

Registrations for the competition are currently open, with entries accepted until April 30. Participants are invited to submit their performances and take a shot at the stage.

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Co-hosted by the Advertising Agencies Association of India and The Advertising Club, Goafest 2026 will be held from May 20 to 22 in Goa. With Advertising Rocks returning to the lineup, the festival is set to strike a chord that goes well beyond advertising, blending ideas with rhythm and a touch of showmanship.

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