Executive Dossier
“By October, I will opt out of either Kahaani… or Kasautii”
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He is taking a short nap, as I enter his make-up room on the sets of Kasautii Zindagii Kay. Frankly, I don’t recognize him at first glance. I last saw him minus his moustache when he was shooting for Kahanii Ghar Ghar Kii. But he is sharp and alert. The noise of the door turning open (mind you, it did not even creak) wakes him up immediately and he says, “Hi, how are you doing?”
In a flash, he is ready for a free-wheeling interview. “Ask me anything. I am game,” he quips. “But why don’t we have some tea first?” he adds. Over hot cups of tea, he slowly opens his heart. Even before the interview has begun, I have developed an immense respect for him.
Meet Dipak Kazir aka Babuji of |
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How did acting get into you? |
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Interesting. Please continue. |
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You started in films with Kundan Shah’s ‘Jaane Bhi Do Yaaron’? |
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And then came ‘Karamchand’? |
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Wow! You used to direct in theatre? |
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Which other serials did you do along the way? |
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What happened to the serial ‘Dhadkan’ on Sony TV wherein you were playing an obssessive father? |
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How important is the director to you? |
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| Do you feel we have enough on TV? Aren’t we sort of stuck with the ‘saas bahu’ types? There is a lack of novelty, no doubt. As for the ‘saas-bahu’ serials, well, of course they are dragging. I personally feel the audience will put an end to it, one day. But… (pauses) |
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But what? |
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You see so many youngsters around you. Are they professional enough in their demeanour? |
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Even though ‘Kahanii…’ is not No.1 on TRP ratings, it is consistently among the top three. What makes this serial tick? At first, I did not give him too much importance. But slowly, when I looked into his eyes, I realised that he was about to break down. Through me, who is the head of the family in Kahanii..., he was feeling within himself about how nice it would have been if his real life was similar to my reel life. |
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| You said you are working towards becoming a director. Who is writing the script? Well, I myself am writing it. Let me tell you that directng a film is my ultimate goal. I would prefer starting by directing a play, then a serial, eventually a film. I don’t want to be an also-ran. |
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But what if a great role on television comes up? |
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Going back to ‘Karamchand’. Why don’t they make thrillers like that anymore? |
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What is your opinion about comedy on television? |
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So what is the reason of this malaise- no thrillers, no comedy, why do you think it’s such a sad scenario on Indian television? |
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Which serials do you personally like? |
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Is television taxing at this age? |
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How much has television helped you monetarily? |
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| Tell me something about your personal life if you don’t mind. Presently, I am single. I was a married man, but we parted ways amicably. Thereafter, I have been into relationships. Down the line, I have learnt a very blatant fact of life. You are all alone in this world, even if you have multiplied your family as much as you want. |
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Executive Dossier
Game on, fame on as Good Game hunts India’s first global gaming star
MUMBAI: Game faces on, pressure high India’s gaming ambitions are levelling up. Good Game, billed as the world’s first as-live global gaming reality show, has officially launched in India with a bold mission: to crown the country’s first Global Gaming Superstar.
Blending esports with mainstream entertainment, the show brings together competitive gaming, creativity and on-camera performance in a format that tests more than just joystick skills. Contestants will be judged on gameplay, screen presence and their ability to perform under pressure, reflecting how gaming has evolved from pastime to profession and pop culture currency.
Fronting the show are three high-profile ambassadors: actor and entrepreneur Samantha Ruth Prabhu, Indian cricket star Rishabh Pant, and gaming creator Ujjwal Chaurasia. The winner will take home Rs 1 crore ($100,000) among the largest prize pools for any Indian reality show along with the chance to represent India on a global stage.
Backed by a planned annual investment of up to Rs 100 crore, Good Game is also courting brand partners, promising a minimum reach of 500 million among India’s core youth audience. The creators position the show as a bridge between entertainment and interactive culture, offering long-format content, community engagement and commercial scale.
Auditions are now open to Indian citizens aged 18 and above, inviting amateur and professional gamers, creators and performers alike. Shortlisted candidates will be called for in-person auditions in Mumbai on 14 and 15 February, and in Delhi on 28 February and 1 March 2026.
With big money, big names and even bigger ambition, Good Game signals a shift in how India views gaming not just as play, but as performance, profession and prime-time spectacle.












