MAM
Public policy & corporate affairs advisory firm Ideavore Advisory LLP launched
Mumbai: Ideavore Advisory LLP, a new venture led by industry leaders Rohit Adya, Arvind Salunke, Amit Dogra, Proful Lall, and Manish Shyam has announced its official launch. The firm is dedicated to empowering businesses with strategies to thrive in the ever-changing Indian public policy landscape.
Ideavore Advisory LLP is a pioneering public policy and corporate affairs advisory firm that helps corporates navigate the complexities of the Indian public policy process and build strong stakeholder relationships. The firm’s team of experienced professionals deeply understands the Indian public policy process and the key stakeholders involved.
Ideavore is a term used to describe people who are passionate about generating new ideas and bringing them to life. Ideavores are constantly brainstorming, experimenting, and prototyping new ways of doing things. They are not afraid to challenge the status quo and think outside the box. That’s what each one of us is and walk the talk of our values which we as a team will create this valuable respected organisation.
“We are excited to launch Ideavore Advisory LLP, which aims to provide bespoke strategies tailored to meet the unique needs of each business,” said Rohit Adya, Founder Chairman of Ideavore Advisory LLP. “Our team is committed to cultivating lasting relationships with our clients and stakeholders, ensuring a seamless experience and sustainable outcomes.”
Ideavore Advisory LLP founder director Arvind Salunke added “At Ideavore we are focussing towards empowering seamless business operations with strategic corporate affairs solutions for our clients for a stronger, more connected business future.
Ideavore Advisory LLP director -North, Proful Lall added” “Delighted to be a part of Ideavore as we embark on our journey. Looking forward to delivering what Ideavore stands for – passionate about generating new ideas, and solutions and bringing them to life!”
Ideavore Advisory LLP, director -West, Amit Dogra added, excited to be a part of the great team, where we work with our clients as partners to brainstorming and experiment with new ways to work the right things for their business expansion.
Ideavore Advisory LLP director -South, Manish Shyamadded “Am delighted to be a part of Ideavore Advisory, a firm dedicated to understanding and influencing the forces that shape industries and communities. Together, we look forward to driving meaningful change and creating lasting impact.”
The firm offers various services, including public policy and corporate affairs strategies, advocacy and planning, stakeholder engagement and management, corporate social responsibility advisory, and crisis communication and management. With a deep understanding of the evolving dynamics of the Indian public policy and corporate affairs space, Ideavore Advisory LLP is well-equipped to help businesses navigate the complexities of this space.
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
