iWorld
Need to revisit licensing framework for broadband, broadcasting & IT sector: Trai’s chairman P D Vaghela
Mumbai: Telecom Regulatory Authority of India (Trai) chairman P D Vaghela recently in a conclave said that there is a need to revisit the licensing framework and governance structure of broadband, broadcasting and IT sector,
Vaghela was addressing a conclave organised by the Indian Institute of Technology (IIT) Kanpur and Telecommunications Standards Development Society, India (TSDSI).
He remarked that the boundaries between broadcasting and telecom industries have blurred due to the advent of digital media. The revised licensing framework should be light-touch, formulated and the government should intervene only if required.
The chairman highlighted that multiple authorities are involved for permission in the broadcast and telecommunications sector leading to the overlapping of functions. For example, internet protocol television (IPTV) permissions are granted by the department of telecommunications (DoT) as well as the ministry of information and broadcasting (MIB). For policy decisions, there are multiple authorities such as DoT, MIB, the ministry of electronics and IT and the department of space.
Vaghela stated that there was a need for redefining the role of market players such as service providers, infrastructure providers and cable operators in the new market structure.
He said, “In addition to telecom and broadcasting, the over-the-top (OTT) world may also have to be factored in while carrying out required reforms. A robust and holistic technology-neutral regulatory and policy framework is required to regulate the newly converged environment of broadcasting and broadband services. The policy should also align the corresponding business processes with regard to the issuance of all broadcasting and cable service licences for better synergy and ease of doing business.”
With technological advancement, it is now possible for broadband networks to offer broadcasting services and vice versa. “With content consumption in India shifting to smartphones and video consumption becoming a key driver of mobile data growth, it becomes imperative to bring direct broadcasting capabilities to mobile phones. It is anticipated that broadcast capable smartphones and mobile phones will be able to stream multiple high-quality video and audio services optimally utilising valuable spectrum and easing the burden on our cellular networks,” he concluded.
iWorld
Prime Video unveils biggest India originals slate yet
Nearly 55 titles across languages signal deeper push into films, series
MUMBAI: Prime Video is turning up the volume on Indian storytelling, unveiling its largest-ever Originals slate at the ‘Prime Video Presents’ showcase, with close to 55 series and films spanning languages, genres and formats.
The new lineup, which stretches across Hindi, Tamil and Telugu, signals a clear intent: go bigger, go wider, and meet audiences wherever they are watching, whether on streaming screens or in cinemas. Alongside Originals, the platform also announced a fresh theatrical slate under Amazon MGM Studios, marking a deeper step into the big-screen business.
Among the headline acts is The Revolutionaries, a large-scale drama from Nikkhil Advani starring Bhuvan Bam and Rohit Saraf. The slate also features Matka King with Vijay Varma, Raakh starring Ali Fazal and Sonali Bendre, and Lukkhe, which marks rapper King’s acting debut. Adding a genre twist is Vansh – The Kalyug Warriors, positioned as India’s first homegrown Hindi superhero series for streaming.
Familiar favourites are also making a return, with new seasons of Farzi, Panchayat, Call Me Bae, Dupahiya, Dahaad and The Traitors in the pipeline, reinforcing the platform’s bet on established franchises.
Regional storytelling gets a notable push. Highlights include a Telugu adaptation of The Traitors hosted by Teja Sajja, the drama Guvvala Cheruvu Ghat, and Tamil titles such as Exam and returning seasons of Vadhandhi and Inspector Rishi.
The slate also opens new creative partnerships. Hrithik Roshan’s HRX Films steps into streaming with Storm and Mess, while Alia Bhatt’s Eternal Sunshine Productions backs Don’t Be Shy. Production houses including Excel Entertainment, Tiger Baby Films and The Viral Fever further deepen the creative bench.
On the theatrical front, the platform is lining up five films, including Raftaar starring Rajkummar Rao and Keerthy Suresh, VIBE directed by Kunal Kemmu, Dilkashi with music by A. R. Rahman, Nayyi Navelli featuring Yami Gautam, and Kuku Ki Kundli starring Wamiqa Gabbi.
According to Prime Video India director and head of Svod business Shilangi Mukherji, India remains central to the platform’s global growth, ranking among its top markets for new subscribers. She noted that nearly two-thirds of users watch content in more than four languages, underlining a growing appetite for diverse storytelling.
Prime Video India director and head of originals Nikhil Madhok, said the new slate reflects a continued push towards bold, culturally rooted narratives with global appeal.
In short, Prime Video is not just adding titles, it is widening the lens. From small-town dramas to superhero sagas and cinema-ready spectacles, the message is simple: more stories, more voices, and far more ways to watch them.
