MAM
TCSRD launches para-sport training program in Porbandar
Mumbai: TCSRD, the corporate social responsibility arm of Tata Chemicals Ltd announced a pioneering para-sport training program in Porbandar today. This initiative has been launched in collaboration with renowned Bhima Khunti, who has personally overcome physical challenges to pursue his passion for sports. Bhima is a part of the Indian wheelchair cricket team, captain of the Gujarat wheelchair cricket team, and a state-level gold medallist in the wheelchair hurdle race, discus throw, and shotput.
The event witnessed the presence of key dignitaries including, Manish Kumar Jilaniya – district sports office Porbandar; and sports enthusiast Jesal Kadchha, who joined in celebrating this momentous occasion. The program emphasised on inclusivity and support for para-sports reflecting TCSRD’s commitment to fostering opportunities and enabling individuals like Bhima Khunti to showcase their exceptional abilities.
In a succinct six-month initiative, TCSRD’s para-sport training program in Porbandar aims to train 20 local youth for National and International competitions. This transformative endeavour will provide comprehensive support, including essential equipment, expert coaching, and mentoring. Bhima Khunti, the inspirational athlete at the heart of this initiative, symbolises resilience, determination, and an unwavering passion for sports. His remarkable journey aligns well with Tata Chemicals’ broader vision to elevate the quality of life within communities.
Tata Chemicals Ltd’s chief manufacturing office & plant head (Mithapur) N Kamath said, “We recognise the imperative to extend desired attention and acclaim to para-sports and the multitude of talents within our nation. Through this program, we aspire to cultivate a culture of inclusivity in sports. Despite para-athletes emerging as ambassadors for national campaigns, significant challenges persist, including the scarcity of academies for para-athletes, coaches, and infrastructure, besides battling societal stigma. There exists a crucial need for heightened awareness, inclusion, and recognition of para-sports in India, coupled with increased investments and innovations in this domain.”
“Welcoming sportsman Bhima Khunti aboard, this mission is a substantial step towards championing this cause. His esteemed stature and remarkable accomplishments will inspire many. We are steadfast in our commitment to contribute to the global recognition of Indian para players, making them a formidable force on the international stage.” he added.
In recent years, India’s para-sports scene has witnessed significant growth. In the 2023 Asian Para Games, India crossed the 100-medal mark and bagged 111 medals – 29 gold, 31 silver and 51 bronze. In Tokyo Paralympics 2021, India bagged 19 medals, including five golds.
Sharing his enthusiasm, Bhima Khunti commented, “I am thrilled and deeply honoured to embark on this transformative journey with TCSRD. This association goes beyond just a training program; it is a testament to the power of perseverance and the belief that sports can break barriers. Tata Chemicals’ commitment to para-sport aligns seamlessly with my own journey, and I am grateful for the opportunity to contribute to the empowerment of youth in Porbandar. Together, we aim to inspire, overcome challenges, and redefine possibilities in the world of para-sport. I look forward to a fruitful partnership that not only enhances sporting skills but also fosters a sense of community and inclusivity.”
TCSRD, the social responsibility wing of Tata Chemicals Ltd is committed to creating positive societal impacts through innovative initiatives, aligning with the organisation’s broader vision of responsible corporate citizenship.
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
