English Entertainment
HBO, Star Movies start to feel blackout pinch
MUMBAI: It has been two weeks since English film channels HBO and Star Movies have been off air in Mumbai. While the Hindi film channels have returned with the undertaking not to air ‘A’ rated films, the problem with the above mentioned two channels is that they do not have enough films rated U and U/A to put on air for 24 hours.
In Mumbai, Hathway and InCable, which control 55 per cent of the cable homes in Mumbai, have not resumed telecast of these two channels. Even some other areas of Mumbai that have other service providers are not getting them. The first problem is that a significant percentage of the viewership for English movie channels (around 15 per cent) each week, comes from Mumbai.
The second difficulty is that the channels have to get their films cleared by the Censor Board. A Star official says that the channel is in the process of submitting the films. He was non committal when asked as to when the channel was expected to be back on air.
HBO too, has a significant backlog to be cleared. While attempts to contact HBO proved unsuccessful, a Zee Turner official says that it is looking to help HBO in the process. The repercussions of the blackout are already starting to show however.
On the ad revenue front, information available with Indiantelevision.com indicates that agencies will ask for some kind of compensation if the problem is not resolved soon. The amount of course will depend on the delay in getting the channels back on the air.
On the distribution front though, the Zee Turner official says that the cable fraternity has been cooperative and understanding of the situation. Of course subscribers in Mumbai will continue to pay for HBO. So there is no loss there in the absence of addressability.
The longer this drags on the better it is for the likes of Zee Studio and Pix. While the ratings are not yet out they would have benefitted to some extent as some viewers who would normally watch HBO and Star Movies tune in to them.
What is interesting though is that Zee spokesperson Ashish Kaul says that the blackout is too restrictive to be a reason for the channel to do anything drastic like push forward its planned marketing campaign. “Had it been a nationwide blackout, the situation would have been different. While more people in Mumbai will tune in to us we need to push ourselves more for them to stay with the channel once HBO and Star Movies come back on. We will be launching new properties and a campaign in around three weeks time. If the blackout is still on (which looks likely) then we will certainly see more visibility.
“However we recognise that the blackout is temporary and to get viewership in the long term we need to create better visibility for ourselves. It is important that our brand position of being a channel for the movie connoisseur be clear.”
Another beneficiary from the blackout would be DVD libraries. A spokesperson from a library says that more English movie DVDs are being rented on the weekends. The blackout does not affect rentals the weekdays as people in any case do not have the time, he says. On weekends though the number of English film DVDs being rented is up by around 15 per cent over the past couple of weeks.
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.
