GECs
Endemol posts 24% growth in turnover
MUMBAI: Televison format creator and distributor Endemol has announced its results for 2006.
It recorded a turnover of 1,117.4 million euros. This was a 24.1 per cent growth compared to 2005. Organic growth was 20.9 per cent.
Net income attributable to the shareholders was 96.8 million euros which is 8.7 per cent of the turnover. This marks a 17.2 per cent growth compared to 2005.
Earnings per share was 0.77 euros compared to 0.66 euros in 2005. The company says that there was growth in all genres. There was a 22.2 per cent gain in non-scripted, 8.5 per cent growth in scripted and 65.3 per cent rise in digital media. Growth, it says, took place in almost all territories. The standout performers were the UK, US, Italy and Spain.
Endemol CEO Elías Rodríguez-Viña said, “In the last year we have managed to grow in all areas of our business activities, as well as in almost every territory. We are especially pleased with the performance of Deal or No Deal, which has climbed to second place in our Top 10 formats, and which we believe has a very promising future.
” We are also confident about the future prospects of other game shows launched following the success of Dond. For example, 1vs100, a revamped game show from our library, is now being produced in eight countries, and continues to roll out worldwide following successful launches in the US and the U.K.
“Our creative strength and worldwide distribution network are key assets for creating local and global hits, expanding our business and adding value to our company. The acquisition of Endemol France is expected to be earnings enhancing, before acquisition-related amortization, for Endemol from the first year. With Endemol France back into the Group we are looking forward to another year of strong growth in 2007.”
Under expected market circumstances, we forecast to grow organically by 5-7 per cent. Including the reintegration of Endemol France turnover is expected to grow by more than 20 per cent in total in 2007.
GECs
Zee scales syndication with global tie-ups, 350 plus channel MCN
Vertical, dubbed and audio formats boost digital reach
MUMBAI: Zee Entertainment Enterprises Ltd. is giving its content library a fresh passport. The company has stepped up its syndication push, signing global partnerships, experimenting with new-age formats and building a multi-channel network that now spans more than 350 channels.
With the newly secured MCN licence, Zee can manage, distribute and monetise content across leading digital platforms at scale, strengthening its presence in the fast-growing creator and short-form ecosystem.
To keep pace with changing viewing habits, the company is also reshaping its content into formats built for the small screen in your hand. In a tie-up with micro-drama platform Story TV, select titles are being reworked into vertical, short-duration episodes tailored for mobile-first audiences.
Beyond India, the syndication team is widening its global footprint with foreign-language dubbing and regional partnerships across Europe, Africa and Latin America, opening up fresh markets for Indian stories.
Zee is also tapping into the audio boom. It has begun licensing audio remake rights for legacy properties such as Zee Horror Show, with several more titles lined up for audio-first adaptations.
On the digital front, the company has made progress in monetising non-exclusive rights for library films, while converting select shows and movies from horizontal to vertical formats to improve discoverability on short-form platforms.
Zee Entertainment Enterprises Ltd. business head syndication Vinod Johri, said syndication has emerged as a strong growth lever for the company. He noted that the combination of a large MCN network, global partnerships and new formats such as vertical video and audio is helping build a future-ready engine that extracts more value from the content library.
Together, these moves signal a platform-agnostic approach to storytelling, as Zee repackages, localises and redistributes its IP across geographies, formats and screens, ensuring its catalogue keeps working long after the first broadcast.
