Event Coverage
Frames discusses ‘changing face’ of news channels
MUMBAI:The Ficci Frames panel discussion on ‘The Changing Face of News in India‘ elicited both optimism and calculated caution from the panelists who included BBC World Wide (Hindi Service) Sanjeev Srivastava, TV Today executive director and CEO G Krishnan, Times Now CEO Sunil Lulla and Alessandro Ferino from DoC Italy. The session was moderated by Pankaj Pachauri who started the session with some very encouraging numbers for the news media.Pachauri started the session by bringing to the audience‘ notice the Times of India cartoon for the day by RK Laxman which features the common man flipping through the channels , watching static images and noting that this is by far more entertaining than the fare actually dished out on television. This attitude could be one of the biggest concerns for news broadcasters in India he noted.
Although the numbers for news media are encouraging, the content and quality of news content came under sharp focus by the panelists. According to Pachouri all news room discussion revolves around the 4 Cs – Cricket, crime, cinema and crisis. The industry is now facing a question of how to better the quality of their product and move beyond the obvious issues that hog the headlines.
G Krishanan, the first speaker at the discussion candidly shared that it wasn‘t easy to set up or build the TV Today network in the late 1990‘s when the banks were unwilling to help financially and there were critics galore who insisted that ‘we don‘t need a third news channel, we already have two‘. There was a general consensus then that advertisers won‘t pay a premium and news was a loss making proposition.
Illustrating how he had been introduced to the new face of streaming mobile video at the Frames seminar Krishnan noted, “It is not the changing face of news but the changing face of India which has brought things into sharp focus. News of course is a micro part of the whole discussion. It is the changing technology and changing nature of demographics that has really helped chart the success story of media and news media in the country.”
Speaking about the challenges faced by news channels Krishnan said, “Most television news channels are clones of each other. We don‘t need more crime news with scary anchors.” He emphasized the need to build a super brand through ‘differentiation‘ with factors like “art of story telling, look and feel of news and technological advancement playing a big role.”
He concluded by saying, “there was a need to create multiple touch points for news- radio, mobile, OOH, in-flight entertainment and video streaming on mobile and internet. The idea is to create a brand instead of just a commodity.”
BBC World Service‘ Srivastava chose to speak on the phenomenon of “infotainment” and question if there is a methodical research to check what viewers want. “There is an increasing feeling that there is more entertainment and less information while the idea of infotainment was to present information in an entertaining manner.”
As a British public broadcaster who has also had an India presence for long and has actually seen “the changing face of news in India from an half hour telecast to the mushrooming of 24 hour news channels to the present scenario where there is a need to create differentiated, quality news programming,” Srivastav still believes that despite all the news coverage on television the common man is not getting his dues.
“The man on the periphery loses out in this news game. He‘s not part of the middle class or the consumer class and therefore he has no stand. News ends up disappointing him.” Despite what he calls ‘his old fashioned misgivings‘, Srivastava insisted that news channels would have to wake up to their social responsibilities soon. The television networks have to be responsible to both the market and to the Indian consumer, he said.
Alessandro presented the Italian news media view where he explained that the country had the bigger corporate giants like telecom and other industries launching news channels. The state of Vatican also had its own news channel. But the country was increasingly facing a situation of “one source news” which was perhaps balanced only by the excellent work done by independent documentary film makers.
Times Now‘ Lulla had a very specific point to make stating that the business of television news was “highly undervalued”. “There is a big money involved in running a 24 hour news channel. The constant on air product, technology and infrastructure involve big costs.”
Replying to the constant refrain of audiences and panelists on news leaning towards entertainment Lulla pointed out, “Films, corporates and brands – they turn to news channels to promote themselves because they still view us as a credible source of information.”
The panelists were confident that the various news channels coming up in India would find ‘its place in the sun‘ and there was no need to hit the panic button on a cluttered market.However, all the panelists also believed that the reason the topic was chosen was to primarily point out that the “change” was still a continuous process and news channels were still evolving.
Event Coverage
Anime India announces Amazon MX Player as co-presenting partner for Anime India Kolkata 2026
MUMBAI: Riding high on the success of its blockbuster Mumbai debut, Anime India is accelerating its nationwide expansion with the announcement of Amazon MX Player as the co-presenting partner for Anime India Kolkata. The partnership marks a significant step forward in the festival’s mission to deliver large-scale, accessible, and fan-first anime experiences across the country.
Scheduled for 14 and 15 February 2026 at the iconic Biswa Bangla Mela Prangan, Anime India Kolkata will launch the first regional chapter of what is set to be a year-long, multi-city tour. As the curtain-raiser for the 2026 circuit, the Kolkata edition aims to fuse the energy of global Japanese pop culture with India’s fast-growing community of anime, manga, and pop-culture fans.
A household name in digital entertainment, Amazon MX Player brings unmatched reach and cultural relevance to the Anime India platform. With its expanding focus on anime and youth-driven content, Amazon MX Player’s involvement as co-presenting partner reinforces Anime India’s vision of making anime culture more inclusive breaking barriers of language, geography, and accessibility to connect with fans nationwide.
Anime India Kolkata 2026 will showcase cosplay competitions, interactive zones led by the Indian Gunpla Community, India-39 Vocaloid Community, The Japan Curry, and Adda-o-Otaku by The Otaku Guild. Fans can join tournaments across fighting games, Pokémon VGC, and more. Acclaimed Japanese director Susumu Mitsunaka (Haikyu!!) will attend as guest of honour, appearing in panels and live sessions. Positioned as an immersive celebration of fan culture and industry collaboration, the Kolkata edition marks the beginning of Anime India’s nationwide expansion.
Sharing their perspective on the partnership, Amazon MX Player director Aruna Daryanani expressed, “Anime in India has evolved from a niche interest into a mainstream cultural movement, driven by an increasingly engaged and passionate fanbase. At Amazon MX Player, our focus is on expanding access by bringing anime to audiences across the country for free and in multiple local languages. Our association with Anime India reflects our commitment to supporting the growth of anime in India and deepening connections with fans, while continuing to build Amazon MX Player as a trusted destination for free, high-quality entertainment.”
“Anime India Kolkata is a celebration of how anime has grown beyond entertainment into a powerful cultural and creative force. By bringing fans, creators, and industry leaders onto one shared platform, the festival is helping define the future of pop culture in India,” said Anime India co-founder and director Neha Mehta.
The debut edition of Anime India 2025 in Mumbai attracted over 29,000 fans, quickly cementing its status as a landmark celebration of anime and Japanese pop culture. Riding on this overwhelming response, the Kolkata chapter is projected to draw more than 40,000 visitors across two days, positioning it as one of the biggest anime conventions ever held in eastern India.
Anime India is focused on bringing together fans from across the country to create a truly pan-India celebration of anime, manga, cosplay, gaming, and Japanese culture. With plans to expand into four key metropolitan hubs in 2026—east (Kolkata), north (Delhi), west (Mumbai), and south (Hyderabad)—the festival seeks to deliver globally benchmarked experiences while supporting and uplifting creators, artists, and fan communities throughout India.









