Hindi
French participation at IFFI
MUMBAI: More than 15 long features and co-productions, representing the diversity of French cinema, will be showcased at the IFFI this year.
“Among the countries where cinema has played a role in cultural life, France and India occupy indeed a very special place. From the very inception of this new form of art, more than a century ago, both countries felt a strong inclination for what was to be commonly known as the Seventh art,” says Jérôme Bonnafont, Ambassador of France in India.
Among them, the French Oscar entry ‘‘Orchestra Seats” (“Fauteuils d‘orchestre”), the box-office hit “TAXI 4” and three of the most awaited films of this year : “99 francs” (a film adaptation of a best-seller book), “The second wind” (a remake of one of finest film in French cinema history) and the mindblowing “Intimate ennemy” (a first of its kind look at the Algerian struggle for independence), whose directors will do us the honour to participate to IFFI and interact with the Indian audience and media during this celebration of cinema.
The 6 films “Living together” collection prepared by the French Ministry of Foreign Affairs are modern-day fables about French society and its divides which convey the vital need to learn how to get to know and understand each other, while the Film heritage section, co-organised by the Thomson Foundation, will be the occasion to see among the masterpieces of the history of World Cinema.
Veteran and respected filmaker and indophile Alain Corneau will be leading the French delegation comprising Florent-Emilio Siri, Jan Kounen, and talented young actress Fanny Valette as well as the Thomson Foundation team, the European Club of Producers, Samira Zaibat of the International critic‘s week in Cannes, and Fabien Westerhoff participating in the NFDC organised Film Bazaar section.
Retrospective “Living Together” : 6 films
1) Samia by Philippe Faucon
2) When you come down from Heaven (Quand tu descendras du cie) by Eric Guirard
3) What’s going on (Wesh, Wesh, qu‘est ce qui se passe ?) by Rabah Ameur-Za?meche
4) My neighbours (Voisins, voisines) by Malik Chibane
5) Zim & Co by Pierre Jolivet
6) Forgetting Cheyenne (Oublier Cheyenne) by Valérie Minetto
World Cinema :
1) The Second Wind (Le 2?me souffle) by Alain Corneau (2007)
2) The Intimate Enemy (L’ennemi intime) by Florent Emilio Siri (2007)
3) 99 Francs by Jan Kounen (2007)
4) Change of address (Changement d’adresse) by Emmanuel Mouret (2006)
5) TAXI 4 by Gérard Krawczyk (2007)
6) Orchestra Seats (Les Fauteuils d’orchestre) by Dani?le Thomson (2006)
7) The Songs of Love (Les Chansons d‘amour) by Christophe Honoré (2007)
8) The Page turner (La Tourneuse de pages) by Denis Dercourt (2005)
9) The Other (L’Autre) by Ariel Rotter (co-production / 2007)
10) Goodbye Bafana by Bille August (co-production / 2007)
Hindi
Jio Studios unveils AI-powered Krishna teaser at NAB Show 2026
Global first look of Krishna uses Galleri5 AI pipeline on Azure, Historyverse slate as Jio’s Dhurandhar crosses Rs 3,000cr worldwide.
MUMBAI: Krishna has just dropped a divine teaser and this time the gods are powered by silicon, not just scripture. Jio Studios and Collective Studios’ Historyverse stole the spotlight at the NAB Show 2026 in Las Vegas with the world’s first teaser for their upcoming theatrical feature Krishna, directed by Manu Anand. The big reveal happened during Microsoft’s keynote “Powering Intelligent Media, From AI Experimentation to Real-World Impact,” where the film’s AI-native production pipeline took centre stage alongside Collective Artists Network’s in-house platform, Galleri5.
At the heart of this mythological spectacle lies a fresh cinematic workflow built by Galleri5 on Microsoft Azure’s advanced AI and cloud infrastructure. Forget bolting AI onto traditional VFX or animation, this is an end-to-end, production-grade system woven into every layer: world-building, character creation, shot design and final output. Yet the storytelling remains firmly director-led, emphasising emotional depth, stillness, music and performance rather than pure spectacle. The result? Large-format theatrical cinema rooted in Indian history and culture, but conceived in ways that were simply not possible before.
Collective Artists Network runs Galleri5 natively on Azure, leveraging Microsoft Foundry and cutting-edge AI tools to handle film, episodic and advertising workflows in a secure enterprise environment. Microsoft highlighted Collective as a “Frontier” organisation successfully moving AI from pilot projects to real production-scale deployment in cinema. The technology is also on display at Microsoft’s NAB booth in the West Hall (Booth W1731).
Jio Studios (Media & Content Business, Reliance Industries), president Jyoti Deshpande said the project advances the studio’s mission to take Indian stories global with scale, ambition and authenticity, “With Krishna, we are embracing cutting-edge AI-led filmmaking while democratising these tools to make them more accessible, intuitive and cost-effective for storytellers everywhere.”
Collective Artists Network founder & group CEO Vijay Subramaniam added, “We’re using technology developed in India to carry our culture and history to audiences worldwide at a scale never seen before.”
Microsoft, vice president for telco media & entertainment, gaming Silvia Candiani noted that the media industry has reached an inflection point, “AI is no longer about experimentation but delivering real impact at production scale… By building AI-native creative systems on Microsoft Azure, Collective exemplifies how storytellers can unlock new formats, move faster and realise a true return on intelligence while keeping human creativity at the centre.”
Krishna forms part of Historyverse, Collective Studios’ ambitious slate of history and culture-driven IPs. The slate draws from iconic figures and traditions that shaped the Indian subcontinent, including stories inspired by Kali, Karna and Durga. It builds on the already-released Mahabharat: Ek Dharmayudh series, showing how ancient narratives can be reimagined for modern screens.
Jio Studios, India’s leading content studio and the media and content arm of Reliance Industries, continues its blockbuster run. The studio’s Dhurandhar franchise led by Dhurandhar and Dhurandhar: The Revenge has become the first Indian film series to cross Rs 3,000 crore worldwide. It also delivered three consecutive years of India’s highest-grossing Hindi films: Stree 2 (2024), Dhurandhar (2025) and Dhurandhar: The Revenge (2026). In just eight years, Jio Studios has assembled a library of over 160 films and series, with more than 60 titles winning over 500 awards. Other notable successes include Laapataa Ladies (India’s official Oscar entry 2025), Stree, Article 370, Shaitaan and Mrs.
The NAB unveiling marks another step in Jio Studios and Collective’s push to blend Indian storytelling talent with frontier technology proving that the future of cinema may well be both ancient in spirit and thoroughly modern in execution. For audiences who love epic tales with a fresh twist, Krishna promises to deliver divine drama, this time with a little help from the cloud.
