English Entertainment
‘With Revenge the studio, network and production company were all on the same page’ : Revenge executive producer Marty Bowen
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Next year Star World will air the show ‘Revenge‘. It is about a woman who returns to The Hamptons to seek revenge on those who were responsible for her father‘s imprisonment and death.
Marty Bowen is one of the executive producers of the show. He spent many years as an agent representing talent like Charlie Kaufman and James Gandolfini before surprising the industry and leaving UTA to pursue a career in producing in 2006. Bowen partnered with veteran producer Wyck Godfrey, to create their own production company, Temple Hill Entertainment. 
Their first film was ‘The Nativity Story‘ but the big break came in 2008 when they embarked with Summit Entertainment on production of the ‘Twilight‘ movie franchise. The films have made well over $1 billion at the box office.
Temple Hill Entertainment has gone on to make a television show ‘Revenge‘, created by Mike Kelley and starring Emily VanCamp, Madeleine Stowe and Henry Czerny. It is currently airing in the US on ABC.
Known in Hollywood for his solid work ethic Bowen is very much hands on during the production process. This includes the casting decisions. Indiantelevision.com‘s Ashwin Pinto caught up with Bowen to find out more about ‘Revenge‘ as well as the challenges of being a producer in Hollywood
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How did the idea for ‘Revenge‘ come about?
It is an area where very wealthy people go to for their vacations. It was a world that we wanted to explore. We loved the idea of having rich people coming for the summer interacting with the people who live there the year round. We thought that there was really interesting drama to explore. ABC continued to challenge us to find an interesting story engine that might make it really compelling to have audiences go watch. Through a process of elimination we thought that it might be interesting to loosely use the structure of The Count of Monte Cristo to do that. |
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You have had a huge amount of success with ‘Twilight‘. What were the learnings from that which you incorporated into this show?
I don‘t know if I want to be more specific than that but certainly there is a reason why audiences that see ‘Twilight‘ like to see it with groups of people. There is a reason why they enjoy that collective consciousness. We try to learn from that and try to instill the show with some of our elements.
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The television landscape is crowded with shows vying for attention. What separates ‘Revenge‘ from the rest of the pack?
The shows that I grew up with included ‘Dynasty‘, ‘Dallas‘ and all those fun soap opera from the 1980s. I think people nostalgically want to tune in to ‘Revenge‘ as they miss those kinds of programmes. At the same time our storytelling remains modern enough to have audiences seem to want to come back again and gain. |
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As a producer how hands on were you in the casting and creative process for the show?
But at a certain point once your baby learns to walk, you have to let them bump into furniture on their own. So we tried to keep a healthy distance to allow our writers to generate stories and write their teleplays in the best environment they can while at the same time steering the ship in the right direction. |
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Was it a challenge to stick to the budget and production schedule? |
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Could you talk about the talent involved with the show?
I saw how good his writing was and how good that show was. When this idea came about he was literally at the top of our list of people who we thought could do the show. Actor Emily VanCamp is someone who is sympathetic. She is likeable but is also someone that you believe is capable of vengeance. Phillip Noyce made the pilot and he is one of the finest directors in Hollywood. He has made movies like ‘Salt‘. |
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As a producer how many scripts and ideas come your way in a month and what qualities do you look for?
That is the nature of our business. We have a handful of very smart people at our company who constantly throw ideas against the wall to see if something sticks. |
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This year some high profile shows like ‘Charlie‘s Angels‘ bit the dust after a few episodes. What separates a successful show from a failure?
But you ultimately have to be engaged in what the characters are doing. I cannot speak about ‘Charlies Angels‘ as I did not watch the show but this factor is what separates great storytelling from average storytelling. |
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Why are channels impatient in terms of letting a show find its feet?
Some of my favourite television series are shows where the networks believed in the show but which the audience did not get at first. Later on the audiences went on to love those shows. I think that it goes both ways. |
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In terms of how the production process works what is the difference between film and television? |
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In 2006 you left your job to establish a producing partnership. What prompted you to shift track? |
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How did you get your break with ‘Twilight‘? |
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As a producer what is the main challenge you face?
Assembling a project is a challenge. The different pieces have to come together in the way that you want it to. ‘Revenge‘ was one of those times where the studio, the network and the production company were all on the same page. It was a true collaboration. |
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How challenging is it to juggle different projects at once? |
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Do you keep the family audience in mind before giving the nod to a project? |
English Entertainment
ZEE5 UK partners Narrative Entertainment to add UK channels
Six FAST channels added as platform sharpens hybrid play in Britain
LONDON: ZEE5 UK struck a first-of-its-kind deal with Narrative Entertainment, bringing mainstream UK television channels onto an Indian streaming platform as it pushes to deepen its footprint in a crowded, mature market.
The partnership adds six of Narrative’s FAST channels to the service, including Great! Movies, Great! Romance, Great! Mystery and kids brands POP, Tiny Pop and POP UP, widening ZEE5 UK’s appeal across genres and age groups.
The move reflects a clear shift in strategy. ZEE5 UK is betting on a hybrid model that blends on-demand content with curated, always-on channels to drive discovery and increase time spent on the platform.
“This partnership represents a meaningful evolution in how we serve audiences in mature markets like the UK, where viewers are defined by habits, convenience and choice rather than geography or language alone,” said Parul Goel, territory head, Europe, Zee Entertainment. “By bringing trusted mainstream UK channels together with our premium originals, movies and kids’ content, we are building a more consumer-centric platform that simplifies viewing while increasing depth and relevance.”
Fateha Begum, commercial director, Narrative Entertainment, said the tie-up would fuel growth for both sides. “Our portfolio of quality programming, with such wide and enduring appeal, is a perfect complement to ZEE5 UK. This is a strong partnership that will support growth for both parties, and we share Zee Entertainment’s vision of an increasingly partnership-led future for the industry.”
ZEE5’s global library spans over 4,000 films and more than 500 originals, with over 130 new titles added annually. The addition of Narrative’s channels strengthens its kids offering and introduces genre-led linear experiences alongside its on-demand catalogue.
The deal also gives Narrative access to ZEE5 UK’s fast-growing user base, extending reach without diluting brand identity, while reinforcing ZEE5 UK’s network of more than 40 live channels.
As streaming wars intensify, ZEE5 UK is widening its playbook, blending content, convenience and partnerships in a bid to win screen time in one of the world’s toughest markets.
