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Indian filmmaker among eleven receiving Hubert Bals Fund for script development

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NEW DELHI: Filmmaker Bikas Ranjan Mishra has beenselected to receive the Hubert Bals Fund for script development from the International Film Festival Rotterdam for his film Wild Fire.

The Fund selected 11 projects from nine countries in Asia, Africa and Latin America.

Wild Fire was also selected for Cinemart, the international co-production market of the Festival in January this year.

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A selection of film projects supported by the HBF will also participate in Boost!, the coaching trajectory of the HBF, CineMart and Rotterdam Lab, in cooperation with Binger FilmLab.

Three new partners will join the initiative this year, including the National Film Development Corporation of India. The others are Fundacion TyPA in Argentina and the Durban FilmMart in South Africa.

Supported by MEDIA Mundus, every year five HBF-supported filmmakers are given the possibility to further develop their scripts at Binger Filmlab. Additionally these projects participate in co-production markets and workshops in India, Argentina or South Africa, after which they take part in CineMart or Rotterdam Lab during IFFR 2014. The selection of Boost! 2013 will be announced soon.

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Kridhan Infra enters film production with AI-led feature film

Infra firm debuts AI-powered film marking RSS centenary

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MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.

With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.

The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.

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For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.

The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.

India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.

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“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”

From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.

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