Hindi
Satyagraha ends with Rs 32.5 crore for opening weekend
MUMBAI: Prakash Jha’s preachy socio-political film Satyagraha lost the plot as it came into its later part which refused to move and marred the film. The mass single screen cinemas were the first to reject the film. At high end multiplexes the film did well over Saturday and Sunday as its solo release status and face value propped it up and the film ended its opening weekend with Rs 32.5 crore.
This is Prakash Jha’s yet another attempt at addressing the citizens of India to rise up and bring about a revolution. The film has an ensemble cast: Amitabh Bachchan, Ajay Devgn, Manoj Bajpayee, Arjun Ramphal, Kareena Kapoor and Amrita Rao among others.
Madras Café starring John Abraham and Nargis Fakhri has not worked with the audience as, after a weekend of Rs 18 crore, the film has settled for Rs 31.45 crore for the first week. The makers of the film are now planning to request for tax exemption considering the message being delivered by the film.
Once Upon A Time In Mumbai Dobara the sequel to Once Upon A Time In Mumbaai starring Akshay Kumar, Imran Khan and Sonakshi Sinha has done a little over 10 per cent of its first week collection by adding Rs 5.75 crore and taking its two week tally to Rs 54.55 crore.
Chennai Express that paired Shah Rukh Khan and Deepika Padukone once again after Om Shanti Om has done fairly well in its third week by collecting Rs 16 crore to take its three week total to Rs 194.7 crore.
B.A. Pass has collected Rs 35 lakh for its fourth week to take the total to Rs 7.4 crore.
Bhaag Milkha Bhaag the biopic on the great Indian athlete Milkha Singh starring Farhan Akhtar and Sonam Kapoor has added Rs 50 lakh in its seventh week to take its seven week total to Rs 106.85 crore.
Hindi
Government backs film production through DCDFC, co-production push
Scheme funds cinema, WAVES 2025 boosts global ties and industry growth.
MUMBAI: Lights, camera… policy action. As India’s screens glow brighter at home and abroad, the government is quietly scripting a bigger role behind the scenes funding films, fuelling collaborations and nudging the country closer to its “create for the world” ambition. At the centre of this effort is the Development, Communication & Dissemination of Filmic Content (DCDFC) scheme, a 100 per cent centrally funded initiative designed to support film production across the country. Through this scheme, the government provides direct financial backing to projects, aiming to strengthen both mainstream and alternative storytelling ecosystems while encouraging cinematic excellence.
The implementation runs through the National Film Development Corporation (NFDC), which plays a key role in facilitating film production, including regional cinema and documentaries. Beyond the screen, the scheme also feeds into the broader economy creating jobs for local technicians, artists and service providers, and strengthening grassroots production networks across states.
The push, however, is not limited to funding alone. India’s ambition to position itself as a global content powerhouse was on display at the World Audio Visual & Entertainment Summit 2025 held in Mumbai, which brought together creators, producers, startups and global stakeholders from over 100 countries. The summit acted as a convergence point for Indian storytelling and international capital, with OTT platforms, investors and technology leaders exploring partnerships in a rapidly evolving content economy.
Complementing this is the government’s focus on audio-visual co-production agreements, which effectively operate on a public-private partnership model. By enabling Indian and international producers to collaborate, these agreements are designed to bring in investment, global expertise and advanced filmmaking practices while also giving Indian stories a wider global footprint.
Support also extends to film culture and preservation. Grants are provided for domestic film festivals recommended by state governments, alongside curated film packages, masterclasses and workshops to nurture talent and audience engagement. The NFDC further collaborates with State Film Development Corporations, offering technical expertise across the filmmaking value chain and supporting the preservation of local film heritage.
Many states, in parallel, are encouraging the development of film infrastructure including production studios often through public-private partnership models, signalling a coordinated push to build a more robust audiovisual ecosystem.
The update was shared in Parliament by Ashwini Vaishnaw in response to a query from Thirumaavalavan Tholkappiyan, outlining a multi-layered approach that blends funding, infrastructure, policy and global outreach.
Taken together, the message is clear: India is not just telling more stories, it is building the machinery to tell them bigger, better and to the world.
