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‘The Help’ director Tate Taylor to helm DreamWorks’ ‘Girl on the Train’

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MUMBAI: Tate Taylor, who directed DreamWorks Studios’ Oscar-winning film, The Help, returns to direct its adaptation of the New York Times bestselling novel, The Girl on the Train.

 

DreamWorks acquired the rights to Paula Hawkins’ debut thriller in 2014, prior to the novel’s publication, and set Erin Cressida Wilson to adapt for the screen. Marc Platt will produce the film, while Jared LeBoff of Marc Platt Productions will serve as executive producer.

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In The Girl on the Train, Rachel, who is devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds.

 

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“With The Help, Tate deftly adapted a beloved novel into a compelling film that stayed true to its origin while pleasing fans and moviegoers alike. We are excited to have Tate back at DreamWorks and thrilled that he’s joining us on this journey as we bring another bestseller to theaters,” said DreamWorks Studios president of production Holly Bario.

 

“Bringing rich material to the screen in the filmmaker friendly environment DreamWorks provides is a director’s dream. I’m honored to be a part of this,” added Taylor.

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The Girl on the Train, is the fastest selling adult novel in history with over two million copies sold in the United States alone since it was published in January by Riverhead Books. It landed in the top spot on the New York Times bestsellers list its first week and has remained on there for the past 17 weeks straight.

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Hollywood

Remembering Chuck Norris: the man, the myth, the legend at 86

From martial arts legend to internet folklore, fans honour his final level up

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KAUAI: The world lost a legend on 19 March 2026, when Chuck Norris died aged 86. For a man long treated as immortal in internet folklore, the news felt almost unreal. Yet in true Norris fashion, the farewell has been less about mourning and more about myth-making.

Just days before his passing, on his 86th birthday, Norris shared a video from Kauaʻi, Hawaii, showing him sparring under the sun. His caption was characteristically wry: “I don’t age. I level up.” It now reads like a final wink to fans who had spent years elevating him to near-superhuman status.

His death followed a sudden medical emergency while on holiday. He passed away peacefully, surrounded by family, who described him not just as a global symbol of strength, but as a devoted husband, father and grandfather.

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Online, grief quickly gave way to tribute in the language Norris helped popularise. Social media filled with one last wave of “Chuck Norris Facts”, the tongue-in-cheek myths that turned him into a digital demigod. The jokes wrote themselves, as always. Death did not take Norris, it finally dared to meet him.

Behind the humour, however, lies a formidable real-world legacy.

Long before the memes, Norris was Carlos Ray Norris, a decorated martial artist. After serving in the US Air Force, he rose to become a six-time world professional middleweight karate champion. His on-screen duel with Bruce Lee in Way of the Dragon remains one of cinema’s most iconic fight sequences.

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Through the 1980s, he became the face of action cinema with films such as Missing in Action and The Delta Force, embodying a stoic, no-nonsense hero. In the 1990s, he reached living rooms worldwide as Cordell Walker in Walker, Texas Ranger, blending Western grit with martial arts flair.

Off-screen, his work carried equal weight. His foundation, Kickstart Kids, continues to teach martial arts to at-risk youth, focusing on discipline and self-worth. He also founded Chun Kuk Do, a martial arts system that trained thousands.

What made Norris unique was not just his strength, but his willingness to laugh at it. When the internet transformed him into an exaggerated symbol of invincibility, he embraced the joke. In doing so, he bridged generations, from cinema-goers to meme-makers.

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His passing marks more than the loss of an action star. It signals the fading of a rare cultural crossover, where genuine athletic prowess met Hollywood heroism and early internet humour.

For many, remembering Chuck Norris means recalling a time when heroes were simple, punches were decisive and the internet still felt like a playground of shared jokes.

And if the myths are to be believed, this is not quite the end. It is simply Chuck Norris moving on to his next level.

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