Hindi
‘Tanu Weds Manu Returns’ on a barrier-breaking spree; collects Rs 69.85 crore
MUMBAI: Tanu Weds Manu Returns is on a barrier-breaking spree. Riding solely on Kangana Ranaut’s petite shoulders playing her double roles, the film is slated to set new benchmarks at the box office.
This is Ranaut’s hat trick after Tanu Weds Manu and Queen, all three being her personal triumphs and rewards of her outstanding talent. The film had a sort of tepid opening day but went on to consolidating over the weekend as well as taking a solid grip on the box office to end its first week with Rs 69.85 crore.
Welcome To Karachi, yet another attempt to launch Jackky Bhagnani in a home production, comes as a cropper. A poorly selected, mundane subject, unimaginative treatment and patchy making take their toll. Rather overconfidence of opening the film on Thursday evening for paid previews marred the film’s Friday prospects as the bad reports spread instantly. Resultantly, the film failed to attract viewers on Friday ending it with poor collections even as the following Saturday and Sunday could not lend any respectable figures to the opening weekend tally of Rs 5.55 crore.
P Se PM Tak, a script Kundan Shah had been working and reworking on for eons, released post undergoing a slaughter at the Censors and lack of promotion, fails miserably.
Ishqedarriyaan, a comeback vehicle for Mahakshay Chakraborty, son of Mithun Chakraborty, fails to find audience to avail of screenings. An also ran.
Bombay Velvet drops to about Rs 1 crore in its second week after a miserably devastating first week of Rs 21.65 crore. The film rates as the biggest disaster in last few decades and will lose almost all of its investment and some.
Piku managed to hold its own during its third week despite the Tanu Weds Manu Returns onslaught to put together a decent Rs 9.65 crore to take its three-week total to Rs 74.87 crore.
Gabbar Is Back collects Rs 1.45 crore in its fourth week taking its four-week total to Rs 79.25 crore and marginalizing its deficits.
Hindi
Jio Studios unveils AI-powered Krishna teaser at NAB Show 2026
Global first look of Krishna uses Galleri5 AI pipeline on Azure, Historyverse slate as Jio’s Dhurandhar crosses Rs 3,000cr worldwide.
MUMBAI: Krishna has just dropped a divine teaser and this time the gods are powered by silicon, not just scripture. Jio Studios and Collective Studios’ Historyverse stole the spotlight at the NAB Show 2026 in Las Vegas with the world’s first teaser for their upcoming theatrical feature Krishna, directed by Manu Anand. The big reveal happened during Microsoft’s keynote “Powering Intelligent Media, From AI Experimentation to Real-World Impact,” where the film’s AI-native production pipeline took centre stage alongside Collective Artists Network’s in-house platform, Galleri5.
At the heart of this mythological spectacle lies a fresh cinematic workflow built by Galleri5 on Microsoft Azure’s advanced AI and cloud infrastructure. Forget bolting AI onto traditional VFX or animation, this is an end-to-end, production-grade system woven into every layer: world-building, character creation, shot design and final output. Yet the storytelling remains firmly director-led, emphasising emotional depth, stillness, music and performance rather than pure spectacle. The result? Large-format theatrical cinema rooted in Indian history and culture, but conceived in ways that were simply not possible before.
Collective Artists Network runs Galleri5 natively on Azure, leveraging Microsoft Foundry and cutting-edge AI tools to handle film, episodic and advertising workflows in a secure enterprise environment. Microsoft highlighted Collective as a “Frontier” organisation successfully moving AI from pilot projects to real production-scale deployment in cinema. The technology is also on display at Microsoft’s NAB booth in the West Hall (Booth W1731).
Jio Studios (Media & Content Business, Reliance Industries), president Jyoti Deshpande said the project advances the studio’s mission to take Indian stories global with scale, ambition and authenticity, “With Krishna, we are embracing cutting-edge AI-led filmmaking while democratising these tools to make them more accessible, intuitive and cost-effective for storytellers everywhere.”
Collective Artists Network founder & group CEO Vijay Subramaniam added, “We’re using technology developed in India to carry our culture and history to audiences worldwide at a scale never seen before.”
Microsoft, vice president for telco media & entertainment, gaming Silvia Candiani noted that the media industry has reached an inflection point, “AI is no longer about experimentation but delivering real impact at production scale… By building AI-native creative systems on Microsoft Azure, Collective exemplifies how storytellers can unlock new formats, move faster and realise a true return on intelligence while keeping human creativity at the centre.”
Krishna forms part of Historyverse, Collective Studios’ ambitious slate of history and culture-driven IPs. The slate draws from iconic figures and traditions that shaped the Indian subcontinent, including stories inspired by Kali, Karna and Durga. It builds on the already-released Mahabharat: Ek Dharmayudh series, showing how ancient narratives can be reimagined for modern screens.
Jio Studios, India’s leading content studio and the media and content arm of Reliance Industries, continues its blockbuster run. The studio’s Dhurandhar franchise led by Dhurandhar and Dhurandhar: The Revenge has become the first Indian film series to cross Rs 3,000 crore worldwide. It also delivered three consecutive years of India’s highest-grossing Hindi films: Stree 2 (2024), Dhurandhar (2025) and Dhurandhar: The Revenge (2026). In just eight years, Jio Studios has assembled a library of over 160 films and series, with more than 60 titles winning over 500 awards. Other notable successes include Laapataa Ladies (India’s official Oscar entry 2025), Stree, Article 370, Shaitaan and Mrs.
The NAB unveiling marks another step in Jio Studios and Collective’s push to blend Indian storytelling talent with frontier technology proving that the future of cinema may well be both ancient in spirit and thoroughly modern in execution. For audiences who love epic tales with a fresh twist, Krishna promises to deliver divine drama, this time with a little help from the cloud.
