Hindi
Laurent Lafitte to be Master of Ceremonies at 69th Festival de Cannes
New Delhi, 11 March: Actor Laurent Lafitte has agreed to be Master of Ceremonies throughout the 69th Festival de Cannes being held from 11 to 22 May under the presidency of Australian director George Miller.
The actor and comedian will host the Opening Ceremony on 11 May and the prize giving during the Closing Ceremony on 22 May.
A pensionnaire of the Comédie-Française since 2012, Laurent Lafitte began his career in the 1990s. After a triumphant one-man-show entitled “Laurent Lafitte, comme son nom l’indique”, he embarked on a career in film and theatre. In 2011, he was Master of Ceremony for the 25 Nuit des Molières.
He has excelled in a range of registers from comedy (The Other Side of the Tracks, 16 ans… ou presque, Papa ou maman, etc.), to drama and arthouse film (Little White Lies, Bright Days Ahead, Tristesse Club, Boomerang).
Having appeared in Love Punch in 2013 alongside Pierce Brosnan and Emma Thompson, he has just finished filming Elle by Dutch director Paul Verhoeven and is currently working on Albert Dupontel’s latest film Au revoir là -haut. Lafitte will also star with Uma Thurman in the cast of Marjane Satrapi’s next film – an adaptation of novel by Romain Puértolas: “The Extraordinary Journey of the Fakir who got Trapped in an IKEA Wardrobe”.
Laurent Lafitte succeeds Lambert Wilson who emceed in Cannes in 2014 and 2015. The ceremonies are produced and broadcast on free-to-air Canal+.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
