Hindi
Poor show by new releases
Of the three new releases last Friday, Waiting happened to be the one people looked forward to thanks to Naseeruddin Shah in the lead. Alas, the box office collections did not show any appreciation in Shah and the film remained a very limited grosser barely managing to cross the Rscrore mark in its opening weekend. It collected Rs1.3 crore.
Phobia, a less publicized film blending horror with Agoraphobia, stayed poor. It managed just about Rs1.4 crore for its opening weekend.
Veerappan, an outdated story about the sandalwood mafia run by Veerappan in the jungles of Mysore, finds some footfalls at single screens. The film has collectedRs4.75 crore for its first weekend.
Fredrick passed unnoticed.
Sarbjit has not been able to make a mark with an inconclusive account of the life of an Indian in a Pakistani jail. There was not much relevance of the story for the moviegoer. The film has collected Rs19.4 crore in its first week.
Azhar has added Rs2.7 crore in its second week to take its two week total to Rs31.65 crore.
1920 London has collected Rs40 lakh in its third week to take its three week tally to Rs14.6 crore.
*Traffic has collected 20 lakh in its third week to take its three week total to 3.7 crore.
Baaghi has added Rs45 lakh in fourth week to take its four week tally to Rs78.05 crore.
The Jungle Book continues its stronghold on the box office. The film has added Rs2.7 crore in its seventh week taking its seven week tally to Rs182.65 crore.
Hindi
Abundantia and invideo join hands for Rs 100 crore AI films
Studio Aion and global video tech leader join forces for 5 AI-driven films over 3 years.
When Hollywood meets artificial intelligence, the credits might soon read “Directed by Algorithm” but Abundantia Entertainment wants to keep the human spark in the frame. The Mumbai-based studio’s AI-powered division Aion has teamed up with generative-video pioneer invideo in a Rs 100 crore strategic partnership, billed as India’s largest structured commitment to AI-driven filmmaking to date.
Announced at the India AI Film Festival (IAFF) beside the historic Qutb Minar in New Delhi on the sidelines of the India AI Impact Summit 2026, the alliance pools Abundantia’s creative and production muscle with invideo’s cutting-edge AI video tech. The duo will channel the Rs 100 crore development and production corpus into a slate of five AI-driven films over the next three years, blending human imagination with machine-powered tools to craft stories that aim to be both emotionally rich and technologically bold.
Abundantia Entertainment founder & CEO Vikram Malhotra framed the move as cinema’s next big leap, “AI in film-making is now real! Every major leap in cinema from sound to colour to digital has expanded storytelling possibility. AI represents the next inflection point. With Abundantia Aion, we are building a future where AI strengthens and amplifies the filmmaker’s voice, not substitutes it.”
Invideo founder & CEO Sanket Shah echoed the sentiment: “At invideo our mission has always been to democratize high-quality video creation through AI. Partnering with a top-notch studio like Abundantia Entertainment enables us to extend this capability into the world of high-quality filmmaking by building tools and workflows that allow creators to move from idea to cinematic expression faster and more freely than ever before.”
The collaboration already has momentum. Abundantia Aion is developing India’s first AI-generated Hindi feature film, Chiranjeevi Hanuman, slated for release in 2026, alongside its next AI-powered project, Jai Santoshi Mata, as part of a broader slate. The partnership will explore OpenAI-style workflows, advanced generative pipelines (bolstered by invideo’s recent Google Cloud tie-up), and new ways to accelerate everything from concept to final cut.
Backed by Tiger Global and Peak XV, invideo brings deep generative-video expertise to the table, while Abundantia’s track record in storytelling ensures the tech serves the narrative rather than stealing the show. In a year when AI is rewriting rules across industries, this Rs 100 crore bet signals India’s ambition to shape not just follow the future of cinema. Lights, camera, algorithm… action.
