Executive Dossier
“Sahara never denied me a thing”
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He has opened an editing studio in his lavish penthouse apartment in suburban Mumbai and spends every spare moment examining each frame and plotting the next episode with his ever expanding team of writers and visualisers. Akashdeep has never had it so good. A director known more for flops like Boyfriend, Akashdeep is today the creative advisor for Sahara and the force behind its most lavish production to date. Yet, he admits to bouts of nerves and sleeplessness. “I don’t think I have arrived till Karishma clicks…” he says as he squeezed in a half hour for a chat with indiantelevision’s Aparna Joshi and Trupti Ghag last week, before the copyright infringement suit put a stay on the telecast of the show, earlier scheduled for a launch tonight. |
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How was ‘Karishma’ born? I spoke with Sumit Roy and the concept was ready in less than a week. Within months, everything was finalized and we were ready to shoot by October. Initially, Ramesh Sippy was to be involved, but then he realized he wouldn’t be able to give the time for a daily. I had known and seen Anurag Basu’s works and brought him in. It was Anurag’s idea that a daily would need at least two directors, that’s how Siddharth Sengupta and later Talat Jani entered the picture. I had initially thought of getting theatre artistes to act alongside Karisma, but it was she who pointed out that we would be selling images as large as that of a film star like Karisma. We would need equally wellknown faces to act with her. That’s when the others were approached and thankfully, they all agreed thanks to my old friendship with them. And I must say that Sahara never denied me a thing. |
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What is shooting for ‘Karishma’ like? We have shot in Amby Valley, New Zealand and now have permanent studios in Mumbai, apart from the proposed shoots in Spain in June and Dubai in May. I don’t want to compromise on anything…. We shoot a nine to nine shift. There’s nothing like channel interference. We have a two month bank of episodes, but keeping in mind the dates of the stars, it is a tight rope walk that’s going to be more difficult as the serial launches. |
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What will you doing on Monday night (when the serial was originally scheduled for launch? |
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Executive Dossier
Game on, fame on as Good Game hunts India’s first global gaming star
MUMBAI: Game faces on, pressure high India’s gaming ambitions are levelling up. Good Game, billed as the world’s first as-live global gaming reality show, has officially launched in India with a bold mission: to crown the country’s first Global Gaming Superstar.
Blending esports with mainstream entertainment, the show brings together competitive gaming, creativity and on-camera performance in a format that tests more than just joystick skills. Contestants will be judged on gameplay, screen presence and their ability to perform under pressure, reflecting how gaming has evolved from pastime to profession and pop culture currency.
Fronting the show are three high-profile ambassadors: actor and entrepreneur Samantha Ruth Prabhu, Indian cricket star Rishabh Pant, and gaming creator Ujjwal Chaurasia. The winner will take home Rs 1 crore ($100,000) among the largest prize pools for any Indian reality show along with the chance to represent India on a global stage.
Backed by a planned annual investment of up to Rs 100 crore, Good Game is also courting brand partners, promising a minimum reach of 500 million among India’s core youth audience. The creators position the show as a bridge between entertainment and interactive culture, offering long-format content, community engagement and commercial scale.
Auditions are now open to Indian citizens aged 18 and above, inviting amateur and professional gamers, creators and performers alike. Shortlisted candidates will be called for in-person auditions in Mumbai on 14 and 15 February, and in Delhi on 28 February and 1 March 2026.
With big money, big names and even bigger ambition, Good Game signals a shift in how India views gaming not just as play, but as performance, profession and prime-time spectacle.






