Hollywood
Sony mulls alternate distribution options for ‘The Interview’
NEW DELHI: Sony Pictures is still considering options for distributing controversial comedy The Interview following the decision to pull its theatrical release in the wake of a rumoured North Korean hacking attack.
David Boies, speaking on NBC’s Meet the Press, said Sony had “only delayed” any release. “Sony has been fighting to get this picture distributed. It will be distributed,” Boies claimed. “How it’s going to be distributed, I don’t think anybody knows quite yet, but it’s going to be distributed.”
Midweek, following the theatres owners’ decision not to screen the movie, Sony Pictures said it had “no further release plans for the film,” and company representatives declined to elaborate on Boies’ remarks.
Nevertheless, Sony did refute a New York Post report that it was seeking to release the film for free via ad-supported online video site Crackle, which it owns. “No decisions have been made. Sony is still exploring options for distribution,” said a spokesman.
Sony Entertainment CEO Michael Lynton told CNN on Friday 19 December that the studio had not “given in” to pressure from hackers and was still considering ways to distribute the movie.
Hollywood
Utopai Studios partners Huace to deploy PAI for long form content
Deal includes revenue sharing as Huace adopts AI engine across global ops
MUMBAI: Lights, camera… algorithm, the script just got a silicon co-writer. In a move that signals how storytelling itself is being re-engineered, U.S.-based Utopai Studios has partnered China’s Huace Film & TV Co. Ltd. to bring artificial general intelligence into the heart of long-form content creation.
At the centre of the deal is PAI, Utopai’s cinematic storytelling system, which Huace will deploy as a core engine across its production pipeline from development and creative iteration to global localisation. The partnership includes a large-scale annual usage commitment from Huace, alongside a usage-based revenue-sharing model, underscoring both ambition and commercial confidence on both sides.
For Huace, one of China’s largest film and television companies, the bet is not on automation alone but on scale with control. With distribution spanning over 200 countries and a presence across more than 20 international platforms, including Netflix and YouTube, the company brings a vast content ecosystem where even marginal efficiency gains can translate into significant output shifts. Its extensive TV IP library further positions it as fertile ground for AI-assisted storytelling workflows.
The choice of PAI follows what Huace described as a rigorous evaluation of existing AI tools, many of which remain limited to fragmented use cases such as video generation or editing. What tipped the scales, according to the company, was PAI’s ability to handle long-form narrative complexity maintaining continuity, structure, and creative coherence across entire story arcs rather than isolated clips.
Utopai, for its part, is using the partnership to anchor its international expansion strategy, pitching PAI as an enterprise-ready system built for customisation, privacy, and regulatory adaptability across markets. That positioning becomes particularly relevant as global media companies increasingly scrutinise how AI integrates into proprietary workflows.
The timing is notable. Earlier this month, Utopai upgraded PAI to support three-minute 4K video generation and advanced multi-shot sequencing features designed to tackle one of AI storytelling’s biggest hurdles: consistency across scenes.
What emerges is not just another tech collaboration, but a glimpse into how the grammar of filmmaking could evolve. Because if stories were once crafted frame by frame, the next chapter might just be coded scene by scene.
