Hindi
Houseful 3……Happy hours!
MUMBAI: Houseful 3 follows Sajid Nadiadwala’s Houseful (2010) and Houseful 2 (2012), both of which saw varying degrees of success. This instalment too follows the same pattern of many characters filling the screen with silly gags and actions that are meant to keep the viewer occupied. In short, it is a leave-your-brain-at-home film that does not require a script.
Boman Irani is a kind of shipping tycoon based in UK with three daughters, Jacqueline Fernandez, Nargis Fakhri and Lisa Haydon who he assumes to be simple, sanskari girls living according to their names: Ganga, Jamuna and Saraswati. He has some superstition about women in his family marrying because there are instances of bad happenings in the aftermath.
However, unknown to Boman as well as to each other, all three sisters have a man in their life. These are Akshay Kumar, Abhishek Bachchan and Riteish Deshmukh. These three pretend to be in love but their real aim is to pocket many millions of wealth that vests between these three sisters.
Boman has sought the help of Chunky Pandey, playing Aakhri Pasta in all the films, who comes dressed as a fortuneteller and predicts that the marriage of each girl bodes ill for Boman, who will die the moment the each sister’s man sets eyes on him, or steps into the house or utters the first word to Boman, respectively.
For the comedy and buffoonery to happen, most of the characters have to be under one roof. The girls and guys devise a plan. Akshay, an aspiring footballer, comes over on a wheel chair, he is incapable of stepping down or walking so Boman is safe on that count. Abhishek, dreaming of becoming a rapper, enters the house as a mute so there is no question of uttering a word to Boman. Riteish, who is raring to become a formula one driver, pretends to be blind; he can’t set eyes on Boman and hence even the third bad omen is ineffective.
Now enter three more suitors for these girls in Nikitin Dheer, Sameer Kochhar and Arav Chowdhary. Just out of jail, they are presented as Boman’s choice for the girls. Jackie Shroff enters the scene. An ex-don of Mumbai, Jackie is also just out of jail and decides to meet his underling, Boman in London. When jailed, Jackie had transferred Boman along with all his wealth to London. He also agrees with Boman’s choice of boys.
For Dheer, Kochhar and Chowdhary, the hitch is that though Boman and Jackie prefer them for the girls, but the girls love Akshay, Abhishek and Riteish. After some more one-upmanship duels between the two groups, the good have to win over the evil. The idea is toraise some laughter and, hence, the battles have to be won with wit, not hand-to-hand fights.
The film does not have to adhere to a particular script. It resorts to gags to follow a loosely woven story and anything can be turned or twisted at will. On that count, Sajid and Farhad do a fair job. The film has passable musical score despite a number of lyric writers and composers; however, the choreography is executed in an entertaining manner. Photography captures lush London locations very well.
As for performances, Akshay Kumar, playing one with a split personality, excels in this film with his varied expressions and deadpan timing. Abhishek and Riteish play the perfect foils. Jacqueline, Nargis and Lisa add to the glamour quotient. Boman and Jackie do well. Of the three villains, Nikitin towers over the rest while Kochhar and Chowdhary are okay.
Houseful 3 is a fair entertainer to hit the cinemas after a long draught. The film caters to all kind of audience and should manage a decent stay at the box office.
Producer: Sajid Nadiadwala.
Directors: Sajid, Farhad.
Cast: Akshay Kumar, Abhishek Bachchan, Riteish Deshmukh, Jacqueline Fernandez, Nargis Fakhri, Lisa Haydon, Boman Irani, Jackie Shroff, Chunky Pandey, Nikitin Dheer, Sameer Kochhar, Arav Chowdhary.
Hindi
Abundantia and invideo join hands for Rs 100 crore AI films
Studio Aion and global video tech leader join forces for 5 AI-driven films over 3 years.
When Hollywood meets artificial intelligence, the credits might soon read “Directed by Algorithm” but Abundantia Entertainment wants to keep the human spark in the frame. The Mumbai-based studio’s AI-powered division Aion has teamed up with generative-video pioneer invideo in a Rs 100 crore strategic partnership, billed as India’s largest structured commitment to AI-driven filmmaking to date.
Announced at the India AI Film Festival (IAFF) beside the historic Qutb Minar in New Delhi on the sidelines of the India AI Impact Summit 2026, the alliance pools Abundantia’s creative and production muscle with invideo’s cutting-edge AI video tech. The duo will channel the Rs 100 crore development and production corpus into a slate of five AI-driven films over the next three years, blending human imagination with machine-powered tools to craft stories that aim to be both emotionally rich and technologically bold.
Abundantia Entertainment founder & CEO Vikram Malhotra framed the move as cinema’s next big leap, “AI in film-making is now real! Every major leap in cinema from sound to colour to digital has expanded storytelling possibility. AI represents the next inflection point. With Abundantia Aion, we are building a future where AI strengthens and amplifies the filmmaker’s voice, not substitutes it.”
Invideo founder & CEO Sanket Shah echoed the sentiment: “At invideo our mission has always been to democratize high-quality video creation through AI. Partnering with a top-notch studio like Abundantia Entertainment enables us to extend this capability into the world of high-quality filmmaking by building tools and workflows that allow creators to move from idea to cinematic expression faster and more freely than ever before.”
The collaboration already has momentum. Abundantia Aion is developing India’s first AI-generated Hindi feature film, Chiranjeevi Hanuman, slated for release in 2026, alongside its next AI-powered project, Jai Santoshi Mata, as part of a broader slate. The partnership will explore OpenAI-style workflows, advanced generative pipelines (bolstered by invideo’s recent Google Cloud tie-up), and new ways to accelerate everything from concept to final cut.
Backed by Tiger Global and Peak XV, invideo brings deep generative-video expertise to the table, while Abundantia’s track record in storytelling ensures the tech serves the narrative rather than stealing the show. In a year when AI is rewriting rules across industries, this Rs 100 crore bet signals India’s ambition to shape not just follow the future of cinema. Lights, camera, algorithm… action.






