How has the Indian viewer of long-content evolved?

How has the Indian viewer of long-content evolved?

The long form content viewer today has broken away from traditional.

Santosh Kher

Mumbai: A decade ago, Indian television was dominated by soap operas and family dramas. The limited choice and often repetitive content left viewers wanting more. This frustration paved the way for the streaming revolution. Platforms like Netflix, Amazon Prime, Disney+ Hotstar, and others entered the Indian market, offering a plethora of options across genres and languages.

The Indian viewers, once bound by rigid TV schedules, suddenly had the freedom to watch what they wanted, when they wanted. This marked the beginning of a seismic shift in the consumption of long-form content. The audience was no longer tethered to the living room; they could watch their favourite shows and movies on their smartphones, tablets, or laptops. One of the most significant changes in the Indian viewer's preferences has been the diversification of content. While family dramas and sitcoms still hold a special place in our hearts, viewers have grown more inclined towards exploring diverse genres. Crime thrillers, historical dramas, sci-fi series, and international content have found a dedicated fan base. Here are some more evolutions of the long form content consumer

Nuanced storytelling

The long form content viewer today has broken away from traditional, run of the mill concepts which were mass favourites. Traditional entertainment often followed familiar and predictable formulas. For example, many television shows and movies relied on standard plotlines, character archetypes, and storytelling techniques that had proven successful. Today more and more viewers are shifting are demanding nuanced and complex storylines to keep them hooked. This means they want narratives that challenge them intellectually, emotionally, and morally. They want characters with depth and development, intricate plot twists, and thought-provoking themes. This demand has led to the creation of content that explores a wide range of topics and genres.

Binge watching

Binge-watching has transformed the way audiences consume content. In the past, viewers were limited by TV schedules and movie timings, but now, with long-form content readily accessible, binge-watching has become a common phenomenon. It involves viewers becoming deeply engrossed in a show, series, or movie, often watching multiple seasons or episodes in one sitting due to content availability. Many proudly admit to being binge-watchers. This surge in binge-watching has created a higher demand for content, as consumption accelerates, prompting content creators to produce more to meet viewers' insatiable appetite for continuous, immersive storytelling

Watching content from different regions

Most long form content had restricted distribution due to language issues. However, today, global accessibility, including subtitles and dubbing, has cultivated enthusiastic fans worldwide. The popularity of Turkish serials and K-dramas in India stands testament to this fact. The pandemic accelerated language-agnostic viewing as viewers sought compelling content through digital streaming, uncovering gems from various regions. Now, the focus is on the content's concept and storyline, transcending language and cultural origins. This shift has expanded markets for long-form content creators.

Passive to active consumers

Today's social media natives aren't passive consumers of long-form content; they're active and engaged fans. They form fan clubs, create pages for celebrities and characters, drive trending hashtags, and participate in content discussions on platforms like Reddit. This involvement sparks spin-offs, alternate storylines, and direct feedback loops with writers, influencing the creative process

Over the years, the Indian viewer's journey has undergone a remarkable transformation, as they have played a pivotal role in shaping and driving numerous changes within the long form content market.

The author of this article is Creative Viibe founder Santosh Kher.