Here is a treat for your taste-buds. Why not try something "Lebanese" this weekend?

Ingredients:

  . Chicken Thigh (Boneless) - 500gms

  . Yogurt - 250 gms

  . Potatoes - 250 gms 

  . Lettuce - 1 Bunch

  . Garlic Cloves - 10 to 12

  . Black Pepper - 2 Tablespoons

  . Olive Oil - 1 Tablespoon

  . Vinegar - 1 Tablespoon

  . Cardamom powder - ? Teaspoon

  . Lebanese White Bread - 4 nos.

Hummus:

   . White Chickpeas - 250gms

   . Tahini Paste - 1 Tablespoon

   . Lemon Juice - 1 Tablespoon

   . Chickpea Water - 3 Teaspoons

   . Salt - 2 Teaspoons

   . Olive Oil - 3 Tablespoons

Yogurt Tahini Sauce:

   . Yogurt - 250gms

   . Tahini Paste - 1 Tablespoon

   . Lemon Juice - 1 Teaspoon

   . Salt - 1 Teaspoons

   . Olive Oil - 1 Tablespoon

   . Black pepper Powder - ? Teaspoon

Method:

    . Marination: In a bowl mix 250gms of yogurt, minced garlic cloves, seven spices, vinegar, black pepper, olive oil, cardamom powder. Then, add the chicken thigh boneless pieces to the yogurt mixture and let it marinate overnight so that all the flavors soak in.

    . Hummus: Soak the chickpeas overnight. Boil them the next day and save the chickpea water. In a food processor combine boiled chickpeas, tahini pasta and a garlic clove. When the machine is running slowly pour the olive oil till the mixture smoothens. Add salt, lemon juice in the end and mix again to combine all ingredients.  

   . Yogurt Tahini Sauce: In a bowl mix 250gms of yogurt, 1 tablespoon of tahini sauce, olive oil, lemon juice, black pepper powder, salt to taste and minced garlic. Mix all the ingredients and let it sit in the refrigerator for 30 minutes so that the yogurt thickens.

   . Now, grill the chicken till it is char grilled and cooked completely.

   . For assembling the Shawarma roll, cut the grilled chicken into thin strips, thinly chop the lettuce leaves, deep fry the thinly slice potatoes till golden brown. Take the Lebanese white bread spread hummus over it, spread the lettuce leaves, potato fries, chicken strips and top it with yogurt tahini sauce and serve it immediately.

For the first time ever Disney presented the timeless classic Beauty and the Beast to the Indian stage. Based on the Academy Award-winning animated feature film, this classic musical love story was presented to Indian audiences on the same scale as the mega-productions seen on New York?s Broadway and on London?s West End.

Over 100 of the best musical theatre performers in India presented the story of Beauty and the Beast alive on stage, with world class production values, lavish sets and gorgeous costumes. Having won hearts across 28 countries, the Beauty and the Beast musical was completely developed locally in India, while retaining the original script and memorable music of the Broadway show. The production was in English at 130 minutes in duration, with select shows across Mumbai and Delhi from October to December 2015.

Disney?s Beauty and the Beast is the classic story of Belle, a young woman in a provincial town, and the Beast, who is really a young prince trapped in a spell placed by an enchantress. If the Beast can learn to love and be loved, the curse will end and he will be transformed to his former self. But time is running out. If the Beast does not learn his lesson soon, he and his household will be doomed for all eternity.

By Papri Das

The resonating beats of ?dhak,? the clear blue skies of autumn, the alluring essence of ?shiuli? and the decked up streets with creative pandals spell out the festive fervour that the five days of Durga Puja brings to every Bengali. Be it big puja associations hatching cutting edge concepts for pandals, ladies planning weeks in advance on what to wear for the five days, or youngsters lapping up stories from the ?pujor shankha? editions of magazines -- these five days transform Kolkata as a city, and see the people of Bengal hailing Maa Durga in all her glory.

However, some don?t have the luxury of celebrating their roots in its true essence at home. They are called ?Probashi Bengalis? or Bengalis who live away from Bengal. And if you are part of the media industry, you are bound to come across quite a few of them. 

As Kolkata gears up for the five festive days, Exec Lifestyle caught up with several Bengalis in the media industry to find out how they are living it up this year. Here?s what they had to say:

Anita Kaul Basu

Durga pujo is very special to our family, Siddharth (Basu) being a hard core Bengali. We usually celebrate the festival together every year, but this year seems a bit uncertain with both of us travelling. We are a bit all over the place this year. Usually we get decked in traditional clothes and visit the pandals, including some of the biggest like Mukherjee family pandal in Andheri. The whole day goes in catching up with friends and family and other bongs within the industry. Then trying all the delicacies is part of the fun.

Pratap Bose

I am not the type of Bengali who goes overboard with Durga Pujo. I like to keep things simple and real as much as possible. For me, the Durga Pujo is not the hustle and bustle of Kolkata. It in the smaller pockets where the community is more interlocked and bonded. For example places like Midnapore and Jamshedpur, where the pandals are smaller and less but the puja is done with more passion. There aren?t too many pandals to go pandal hopping, but just the serenity of the pujas appeals to me.

Having said that, for those who want to relish the true flavour of pujo and have a sense of belonging to their roots, migration to Kolkata, which is the mecca of festivities in these few days, is a must for every Bengali. But unlike me, there are a lot of Bengalis who can?t go back to Kolkata even if they wanted to. For them, wherever they are, even outside India, there is always a community that celebrates the festival in its own unique way.

In Mumbai, my wife and I are associated with the Pujo that is organised in Goregaon East, and we take part in the planning and arrangements.

Pratik Seal

I prefer the Durga pujo in Mumbai than Kolkata. As a probashi Bengali, I have no regrets. I don?t feel Durga pujo back in Kolkata is fun any more. It is very commercialised and money minded. It doesn?t feel your own, or as if you belong there. Most big pandals are owned by some political organisation or the other. I actually miss Delhi pujo more, where all the industry guys would arrange for the pujo themselves. There is a certain beauty in it.

This year, my wife and I plan to shut down our home kitchen for starters, as Durga puja mostly means eating out all the time. There is Durga pujo that happens next to our house in Mumbai, so we plan to spend most of our time there. Then maybe pandal hop a bit to Vashi, Navi Mumbai and Powai areas. Our plan is to basically chill with family and friends, have fun and roam around. 

Nivedita Basu

The Lahiris (Bappi and Bappa Lahiri) are family friends who have been organising one of the biggest Durga pujos in Mumbai along with the Mukherjees, and we have been ardent patrons of their pandals over the last few years. Our bong gang comprising me, Shumona, Kavita Kaushik, and a few others celebrate the puja with Kajol (Devgn) and her family. It?s fun to attend all the cultural activities and programs at night. For example, they would often organise an Usha Uthup night, that totally cheers us up. The best thing is the bhog that this particular puja serves, which people lap up after standing in line for hours. All thanks to the Mukherjees and Lahiris, who bring in a Bengali cook specially for these days.

I know there is a lot riding over fashion on the last three days in Durga specially in Kolkata, where preparations start over a month before. But for us, who hardly get time from our busy schedule our stylists and designer friends come to rescue. I plan to wear a saree on at least one of the days, mostly because my friends get after my life if I skip that ritual. My friend Roshini Chopra has designed a saree for me so I will probably wear that. For another day, I will be donning an outfit designed by Sabbah Sharma.

Sumonto Chattopadhyay

For me and my family, Durga Pujo has always meant mutton curry and rice on Ashtami (eighth day of the puja). That?s like the biggest thing to look forward to. I usually end up being in Bombay most of the years, but this year, my work might actually take me to Kolkata. If I do end up in Kolkata, I will make sure to check out some of the creatively done pandals. One of our clients have been organising ?Sharad Samman,? which basically acknowledges the artisans for their creative inputs in the pandals. I feel like checking that out this year.

It is interesting to note how the Durga pratima or idols have evolved from being very traditional to topical and even edgy these days. It?s more of an expression of art and social cry in some cases than just an idol you worship. So if I make it to the city, pandal hopping is definitely on my top agendas. Otherwise, I will definitely be eating very well (chuckles).

Pradeep Guha

I was born and brought up in Mumbai, so I guess my perception of Durga Puja and the excitement around it is a bit different. It was never a huge event in my life except that as a kid I would go buy new clothes for the occasion. I see many Probashi Bangalis organise Durga puja in Mumbai, and their passion really amazes me. Most of them have been in Kolkata and came and settled in Mumbai so it's natural they want to recreate the celebration here, and I am all for it too.

Having said that, I don't go all out during Durga puja. I do go and give 'anjali' on Ashtami at Ram Krishna Mission. That is my small way of celebrating the festival.

By Papri Das

?Stay relevant; Stay nervous? is the keynote that Pandeymonium strikes. That is the name of Indian ad guru Piyush Pandey?s new book on advertising.

Published by Penguin India, Pandeymonium released with great pomp and show on 13 October amidst the cr?me de la cr?me of the advertising and media fraternity. It wouldn?t be an exaggeration to say that no other book launch in recent times has seen such a remarkable turn out that Pandeymonium did -- almost a thousand people seated in the gallery of Jamshed Bhaba Theater at NCPA Mumbai lauded Pandey for his genius.

And why not, when icons like Amitabh Bachchan and Sachin Tendulkar are present under the same roof to enjoy an evening of reminiscence, camaraderie, poetry, elocution and thanksgiving.

Giving a clever twist to the word ?pandemonium?, which means ?free spirit,? Ogilvy & Mather India and South Asia chairman and creative director Piyush Pandey has interlaced the matter of the book with personal anecdotes.

Calling it his ?way of looking at life,? Pandey tells Indiantelevision.com?s Exec Life that Pandeymonium can also be looked upon as a guiding light for the upcoming generation of advertising and marketing enthusiasts. ?This book is what I have learnt the maximum from. People who like my way of working will get to know where I have picked up my creative ideas from,? says Pandey, before humbly adding that ?it's no rocket science.?

?Everyone has been more or less exposed to the things I have been exposed to. Through this book, I have tried to motivate people to enjoy their culture, family, society, language, and country.?

Through an informal back and forth between himself and Bachchan, who was the chief guest of the night, Pandey revealed the vital role his childhood and his family has played in sculpting him and his creative insight.

The powerful role that elocution and language played in his life is evident from the excerpt he reads from his book?s preface, which is infused with essence from his childhood in Jaipur.

?I think the maximum time anyone spends is with their family. And your growing up years, when you are not conditioned, is the time when you experience the most beautiful and pure things in life. Your family and friends are a big part of it. Your neighbours are a big part of it. I have underlined such people in my life and shared how I have learned from them,? he shares.

Pandey doesn?t consider it be a mark of insecurity if one consults their family and friends and run them through their ideas. ?Sometimes we are in the habit of holding onto ideas. It takes away from the creative process if we don?t entertain healthy criticism. I have always run my ideas through my sister and my friends,? he says, encouraging others to have soundboards for their ideas as well.

Pandey acknowledges that his bond with super star Amitabh Bachchan, who has graciously given a foreword to his book, has transcended its professional boundaries. They are friends and well wishers now, having collaborated with each on number of iconic ad campaigns like Cadbury, Polio?s ?Do Boond Zindagi Ke? campaign and Tourism of Gujarat.

?What will remain with me are the two months I spend with Mr Bachchan when we were travelling through Gujarat for their campaign for Tourism of Gujarat. I got to share amazing memories, make him laugh at my jokes and share insights on life. I must mention here that we both paid respects to our late mothers on the ghats of Sidhpur, the only place in India where you can do shraddha for your mothers,? reveals Pandey.

Of the campaigns that the two have done together, Polio?s stands out in Pandey?s memory as it has been the most successful, going by the result. By 2012, India has been completely eradicated of Polio, as per a UN survey. Pandey says the credit not only goes to Bachchan?s compelling power to move the viewers through his ?angry young man? image, but also the many doctors and medics who worked on field to ensure every village received the vaccine.

While discussing about responsible advertising, when asked his opinion on native advertising, Pandey shares, ?People will reject your story or the creative product if you try to be a salesman in disguise. Once the purpose of advertising is established to the public, I feel if you do not destroy the original and are able to blend it right, it's okay, otherwise it sticks out like a sore thumb.?

Pandey has been witness to the many a changes that the industry has been through -- from radio and print, to television broadcast and now digital and social media. Ask him if every change posed new challenges to him, he simply says, ?There are no new challenges, only new opportunities. If you have a great idea, now you have many a medium to channel them through. My words for the yesteryear's advertisers and new digital advertisers is to take it as an opportunity, not as a problem. Never forget that at the end of the day, you will need an idea.?

Appreciating the possibilities that the digital platform has introduced to advertisers, Pandey also warns not to rule out any medium either. ?New media is not even 20 per cent of the total advertising. It has only added a new paradigm. Do not write off anything ever, and do not be afraid to use new avenues,? the ad guru concludes.

By  Jigar Ganatra

The art of storytelling has been in the world for decades. In today?s dynamic world of literature, there are many eminent writers who have mastered this art of storytelling, excelled, made a mark and tasted success. One among them is Amish Tripathi, an IIM graduate, who gave up his fourteen-year-old career in financial services to focus on writing.

His journey as an author started with The Immortals of Meluha, a bestseller, which created a record as the top seller within a week of its launch. And since then, there?s been no looking back for Tripathi. His passion for history, mythology and philosophy clearly reflects in his work.

In a conversation with Indiantelevision.com?s Jigar Ganatra, this ?Eisenhower Fellow? shares his ideas and views as a renowned author and an established entrepreneur.

Excerpts from the conversation:

Tell us about your journey as a writer and choosing ?mythology? as the subject?

As a child, I was never creative. My interest was mostly into sports and I had never thought about writing. My parents and I were always passionate about books and we all have been voracious readers for a long time now. With time, I started to pen down my thoughts, which were appreciated and that is how the journey as a writer began.

As far as mythology is concerned, as a family, we?ve always been proud of our rich history and culture. My grandfather was a pandit, he taught me a lot about the subject. Besides that, my habit of reading has helped a lot. Mythology is an interesting subject and I enjoy sharing my views about it.

Are you trying to modernise and simplify mythology for the audience?

The concept of reinterpreting and modernising mythology has been present for thousands of years. I believe the essence of the story is vital and not the way of storytelling. So, yes, I?m just following the same tradition, culture and the process, thereby modernising and simplifying those stories for the audience today. I?m following the same concept, expressing my thoughts and making it available to my readers.

How important is it to inculcate mythology in today?s education? 

I?m not anti-western, but there is a lot we can learn from our ancient literature. I know Indian history and mythology is not extensively taught in the country, and that could be a flaw in the education system. It is strange that in India, we learn about Shakespeare or world literature more than educating ourselves about the rich Indian heritage, be it mythology, science or historical achievements that our ancestors have accomplished. Educating our children and ourselves about our own history is the need of the hour and I think it is time that the education system is redefined and improved.

Tell us more about Amish as an entrepreneur and now a brand.

The skills have come from education and my professional experience. I believe that every writer is an entrepreneur. It has been the literary scene for many years now. For example ? the great author Charles Dickens used to market his literary work.

Books are my product and once I have written them, I can?t change the product. The best way to make it available for the audience is marketing. My team and I work on different strategies and promote the book. I?m glad that my team has great expertise in branding and promotions. 

Would you like to see your work adapted as a movie or a digital series?

Yes, absolutely. In fact, I?m happy to announce that all the books from the ?Shiva Trilogy? are being made into a movie by Dharma Productions. I have got offers for the movie adaptation of my first book from the Ram Chandra series, but I?m not ready for that yet.

On the digital front, I believe these are early days and it is a new space for me to venture into. It is going to be a big part of the future and it does seem promising. Further, it is very interesting and there are many perks associated with it. In the years to come and with improving technology, it would have a strong presence, vast reach and better connectivity. I am certain that it will have a strong strategic impact and it is something all of us, from the creative world, will have to keep in mind.

How did you plan to link music and your work?

It was a clearly a marketing move, which happened due to a combination of two factors. Firstly, the credit goes to my management team. I have great advisors whom I have worked with. They give me great ideas and strategies to promote my books. Secondly, I think the budget and the scale, which we set for marketing and promotional activities, allows me to invest in music. We all decided on the idea and loved it, hence it happened. It is produced by a team of experienced musicians and I?m closely associated in the making. 

Do you have a library for the next two decades?

I have various project ideas in my mind and all are based on mythology. I want to tell my readers and followers that there are clues for my future work in the Shiva Trilogy. If my readers come back to Shiva trilogy, after reading any of my series, they would find the clues for my next work. An era or a civilisation that lasted for thousands of years is what links all my books and allows me to have such a vast library. This entire mythological universe is very interesting and clearly set in my mind.

Would you want to write books that address social issues?

I love fiction and I believe in conveying a message through storytelling. This art has been followed for many years and also makes it easy and interesting for the readers to follow the message. With regards to social issues, I may write in the future but there?s nothing in the pipeline.

Can you share some interesting reviews that you have received about your books?

I have received a lot of reviews from the books, which have been translated in foreign languages. I have noticed a mixed bunch of readers, both who believe in the mythology and those who don?t. But there have been instances where the readers are amused about the characters and have fallen in love with them, especially Shiva. It is interesting to know their opinion about it. All I can say is that I?m glad that the books and the art are being appreciated globally.

What advice would you give to budding writers?

I believe that the writers today are fortunate as they have the right to speak their mind. We are thankfully in a country where an individual can voice their thought. So, it would be nice to see the upcoming writers share their views, have a firm opinion about the subject and let their work speak.

Amish?s last book, Scion of Ikshvaku was released on 22 June, 2015. He is currently working on his second book from the Ram Chandra series. More information about his work can be found on www.authoramish.com

Have a taste of the excitement around ISL?s second season, as Talking Point?s host Papri Das chats up Gaurav Modwel, the CEO of ISL team FC Pune City and the CEO of Wadhawan Holdings which co-owns the team along with superstar Hritthik Roshan.

Modwel shares how tough it is to run a team, the prospect of football league as a business, having new players onboard each season and the question f the hour, should ISL merge with I League to form an extended football league in the country.