| This
is the tale of television viewers, Mr And Mrs Simpleton - conservative
laymen (but notches above cartoonist RK Laxman's version of the common
man) who have always considered 'being fashionable' to be the exclusive
domain of pristine socialites, celebrities and page three types. Even,
when Mr Simpleton watches FTV furtively and Trendz even more surreptitiously
(whenever Mrs Simpleton goes off to sleep), he never harbours visions
that he would ever transform himself or his life to the surreal fashionable
types. Although Mrs Simpleton (who holds the key to advertising mega-spends
due to her constant TV fixation) still fancies herself to be an aspirant
to high temples of fashion, but doesn't know where to begin.
Now,
Sony Entertainment Television (SET), the 'broad'caster that acquired
the exclusive official rights of the recently concluded Lakme India
Fashion Week with Liberty shoes (LIFWL) 2003, plans to change the
lives of Mr and Mrs Simpleton. In its efforts to kick off the drive
to facilitate the 'mass' creation of the fashion conscious 'next
generation viewers', SET will showcase the event on 10, 17 and 24
August 2003 (all Sundays) at 9 pm. It would interesting to see how
SET combines chic with brands such as Chik (a shampoo brand) and
chikan!
SET
has already undertaken promotional efforts to popularise the shows.
But if the channel's fashion cum programming consultants had cared
to conduct a tête-à-tête with the Simpletons,
the discussions might have gone something like this...
Mr
and Mrs Simpleton: How do you plan to broaden the base of fashion
and make it touch our lives?
We will use the footage of the LIFWL 2003 to develop three special
one-hour capsules. The intent is to make sure that the 'fashion
revolution' reaches people in different parts of the country. After
all, SET has a strong distribution post-World Cup cricket 2003.
 |
| Simone
'Heena' Singh |
Consultants:
Our analysis shows that there is a gap in weekend programming. We
lead the pack with thriller genre shows such as Kya Haadsa Kya
Haqeeqat and the ideal way to change the mood is to introduce
shows and serials revolving around fashion.
Of
course, we shall make sure that all the regular Sony faces such
as Simone Singh (Heena), Rahul Bhatt (Heena), Nausheen
Ali Sardar (Kkusum) and Anuj Suvarna introduce fashion concepts
and unravel the mysteries of the ramp and designer outfits. You
will definitely become a part and parcel of the world of glamour
and extravaganza.
During
the SET LIFW capsules, will you really explain the difficult concepts
such as prêt, haute couture, ethnic wear amongst others? We
tried to ask some of the fashion journalists present at the LIFW
venue but none of them seemed to have a clue!
Each of the three one-hour episodes will have different themes and
will adopt a magazine style storytelling format interspersed by
'fashion messages' by popular television icons. For instance, the
first episode on 10 August titled "Pret" with Simone Singh
(her dress sense often seen in Heena is cool) will focus
on ramp prêt that has made it to Bollywood with a focus on
top designers.
Fashion
touches our lives through Bollywood films. Remember, the fascinating
Aishwarya Rai's costumes in the blockbuster Devdas (shown
on our sister channel MAX) that were designed by Abu Jani-Sandeep
Khosla and Neeta Lulla amongst others. Similarly, the episode on
17 August will revolve around "ethnic make over" and Nafisa
Joseph (the svelte model has sacrificed western casuals and will
wear ethnic stuff with zardosi for the shoot) will take you
through the various nuances of Indian ethnicity.
The
third episode on 24 August will feature Rahul Bhatt (notwithstanding
his false bald wig in a flop Bollywood film called Nayee Padosan)
giving style tips on fashion trends in Bollywood. The idea is to
maintain the tempo and sustain interest in fashion even after the
LIFWL 2003 comes to an end.
All
this is fine but we want you to explain about weird things that
happened during the LIFW shows. For instance, why did the male models
wear red tikka or sindoor on their foreheads while
walking the ramp for Rohit Bal's show?
During the LIFWL 2003 collections, Rohit Bal plundered India's heritage
treasure trove as well as the nomadic folk art cultures of Asia
- right from Bosphorus to Mount Fujiyama. In fact, the Trans Asiad
Nomad collection is targeted at the cool and confident man.
Our
advisory committee team members feel that this ploy of using the
red tikka was a masterstroke. By using this, Bal managed
to create a unique identity for his creations amidst the clutter
of 54 designers. The young studs with bare-chested torsos and with
red tikka on their foreheads really made their mark on/off
the ramp. The dumbest of nerds who somehow managed to break through
the security cordon and walked in late for the LIFW show, knew that
it was a Rohit Bal 'Balance collection'.
Why
did designer Ritu Kumar use some Lucknow gharana nautch girl
type songs instead of the regular westernised sound tracks that
we hear on fashion channels (we always prefer fashion channels to
music channels when it comes to listening to music)?
One of India's foremost designers, Kumar reflects the ancient traditions
of Indian craftsmanship in a modernistic setting. Our ramp consultant
says that Ritu Kumar tried various eccentric things to set herself
apart from the rest of the pack of fashion designers.
For
instance - instead of lone models walking on to the ramp right at
the beginning of each collection, all the models were present at
the backstage end of the ramp right at the outset. Kumar also started
off with asymmetrical forms and the models had exquisitely designed
yellow gold plates around their necks. Our figure-conscious consultant
opined that this was more dangerous - but definitely a fashion statement
- than tight female tops that choke breathing but accentuate other
accessories. Jewellery brands can definitely make an impact on the
saas-bahu sagas through such elaborate ideas and brand placements
in TV serials.
Kumar
also made the models wear headdresses - they reminded one of the
Saudi Airlines or Gulf Air airhostesses. Kumar also used denim with
gold tops and the plated neck jewellery plates.
Not
many women wear gold with denims and Kumar's idea was revolutionary.
There is an opportunity for jewellery brands to conduct in serial
placements with women characters in non-saas bahu sagas -
modernistic women characters who don't wear saris but prefer jeans.
Yes,
the icing on the cake was the brilliant Hindustani classics such
as "Wah wah Rang Sajan Ki Hoor" and "Moh Se Naina
Milaye Ke". Our advertising consultant says that Kumar is targeting
SEC (socio economic class) A types - filthy rich connoisseurs who
don't work but still live in the 'British Raj' and 'Nawab-Raja Maharaja'
age.
However,
our ratings research expert says we shouldn't restrict ourselves
to this target audience but move down the levels. Therefore, we
are presenting Ritu Kumar even to SEC B and lower SECs such as your
family. After all, marketers claim that lower SEC consumers buy
all the goods whereas SEC A market is saturated.
The
Tarun Tahiliani show began after a delay of nearly one-and-a-half
hours but lasted less than an hour. Well, we agree that celebrity
actors Kareena Kapoor and Fardeen Khan deserved to be seated in
the front row but Hindustan Lever Limited chairman (principal sponsor)
Vindi Banga had to push, plead, protect his wife in order to make
his way there? Why were all these movers and shakers so
in awe of the foreign management degree holder-turned-designer Tahiliani?
You are right when you say that the celebrities and audiences were
enthralled by the T factor. A palette of colours ruled the roost.
In
keeping with his 'ideal for marriage' positioning, Tahiliani actually
used the song "Bade dino ke baad mehendi ki raat aayi"
very effectively. You must have noticed the broad smile on "Miss
Snow White" Simi Garewal's face when the whites were showcased.
Our consultants flipped when the mandarin outfits (blacks and maroons
with red flowers) came out while the audio programming expert had
the time of his LIFW-stint with all the heavy metal guitar riffs
onstage.
The
parrot green, orange and yellow lustrous sarees; the diamond studded
straps used as blouses and gowns provided our creative directors
with inspired inputs that can be used in our shows.
What
about the Arun Nayyar connection with Malini Ramani's show and the
party at Mumbai's hotspot Athena? The poor lady got embroiled more
in the controversy than being given a chance to conduct business
with prospects post-LIFW?
Nayyar, it seems had been scouting for costumes to cover Hurley
(you know that she has always been spotted in various stages of
undress or minimal garments) in the traditional Indian ishytle.
LIFW was an ideal venue to undertake this exercise.
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| Arun
Nayyar and Liz Hurley |
You
see, Malini Ramani hit the fashion scene with her 'Rock star meets
Indian princess' look only four years ago. She has tried her hand
at a number of ventures such as nightclubs, designing and even television.
When one thinks of Ramani, one thinks of the "Millennium Indian
Love Goddess". Naturally, she will offer stiff competition
to Hollywood-UK oomph goddess Liz Hurley.
Just
as Hurley claimed to be maturing with years, Ramani (in her press
note) stated that her LIFW 2003 collections (Jet Set, Magical Mughal
Mistress and Warrior princess) were a little more mature and bizarre.
Anyway, Ramani got a lot of publicity before she finally offered
clarifications after some journalist traced her in Goa. If Nayyar
finally selects a Ramani collection to drape Hurley, it will be
an ideal icing on the cake.
We
now hear that SET will also launch a soap revolving around fashion
but isn't this a bit of overkill? Our daughter and daughter-in-law
get enough fashion insights from the saas bahu soaps they
are glued to. What more will you offer them?
Well,
the channel is working on a drama, fiction based on the popular
South American TV show named Betty La Fea. The show created
hysteria in different parts of the world - comparable to the likes
of Ramayan and KBC in India. It was talked about everywhere
- from public buses and canteens, to beauty parlors and barbershops,
and even in posh pubs in five-star hotels. Housewives stopped doing
their chores just to catch the show. Some office workers instructed
their helpers at home to tape each episode. A jeep driver bunked
work to reach home at 11 in the morning just to watch his favorite
teleserial. On a worldwide level, the show's popularity has risen
to stratospheric heights, reaching some 80 million viewers worldwide.
This
drama is about a lowly, ugly and awkward accountant who metamorphosed
into a sophisticated woman and even became president of the company
that once kicked her out? Websites were also designed to show a
photo gallery of how the Colombian actress Ana Maria Orozco, who
plays the title role of Beatrice Pinzon Solano, was able to transform
her TV character from an ugly and insecure office worker into a
woman of grace and substance.
Female
viewers says that the show proved that beauty is all about empowerment.
From a male's point of view, its unique appeal lies in its being
able to portray life in the corporate world. Others said that they
loved the love angle between Betty and her handsome boss, Armando
Mendoza. Still others say that Betty, a brilliant accountant, got
respect when she became beautiful.
It
will definitely capture Indian hearts. Irrespective of whether LIFWL
2003 generated business or not, we are expecting this show to do
wonders for us!
Also
read:
SET to air Fashion Week
1-hour capsules on Sundays in August
Even
as new-look Indian fashion channels up tempo, advertisers cool
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