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SET maxing with MAX

A look at Max' success story

By HETAL ADESARA
(Posted on 17 July 2004)

Sony Entertainment Television's (SET) movies and special events channel - Max is keeping true to its name by providing maximum entertainment to its viewers since it launched in 1999. By constantly evolving and reinventing through the years Max has now truly emerged as Challenger Brand and has carved a niche for itself by treading into territory that others are apprehensive to penetrate into.

One thing that has been constant at the channel is the use of unconventional and innovative strategies that have been undertaken for optimum brand recall. What with the likes of Kapil Dev and the oh-so-vivacious Mandira Bedi being roped in by the channel, Max has sure come a long way from the time when it was launched.

Beating the likes of ESPN Star Sports and Zee Cinema who were the big players in the sports and movies arena respectively, Max maximised its efforts to be at par with the top in the league. The channel has been challenging and changing the very rule of the game and is redefining the entertainment paradigm in India. With a clear focus of 'doing things differently' and its tagline of 'Deewana Bana De', Max has turned its underdog status into a winning combination.

The when, where and who of Max
Though Max made its debut in the Indian sky in 1999 with a promise of combining two potent genres of Hindi movies and events, yet, the promise of the channel remained largely unfulfilled for quite some time. What with the increasing fragmentation in C&S viewership and introduction of subscription revenues, having a strong bouquet of channels became imperative for any network and that was when Sony started planning a big thrust for Max. Rajat Jain, who was in charge of business development, was entrusted with the responsibility to revamp the channel and develop it as a spearhead channel for the Sony's future bouquet. Jain had a small but competent team under him - Tushar Shah as the marketing head, PS Parasuram the programming head and Sneha Rajani was at the helm of acquisition. Once a core team was established, each team leader was given the manifesto to build their team in shortest possible time and roll.

A passionate proposition
Under the guidance of Jain, a business idea was developed that could take this channel to a high and fast growth track both in terms of rating, perception and revenue. With a view to quickly move from the introductory phase to a growth phase, Max capitalised on its acquisition of all ICC Cricket one day internationals (ODI) up till 2007. The strategy adopted by the channel was - 'Expand with cricket and consolidate with films.'

This done; the challenge was to develop content and proposition for the channel that would navigate the channel profitable with a mix of two different non-complementary genres of programming - cricket and movies and identify a platform for the channel on which - both cricket and Hindi movies programming could fuse without creating conflict.

'Passion' was zeroed in on as a core platform that bound the two genres and Euro RSCG helped Max build on that premise after which 'Deewana Bana De' became the core proposition and positioning statement of the channel.

Ad guru Prahalad Kakkar was instrumental in giving a face to the Gully Cricket ad for Max with brand ambassador Kapil Dev. The objective of the ad campaign was to create an expectation from the channel. Moreover, the campaign has won accolades at a whole lot of award functions at the national and international levels.

The Big Gamble
With the acquisition of the ICC cricket ODIs will 2007 which included two World Cups, three Champions trophies and three Under 19 World Cups, Max had set the ball rolling for itself. After paying an unheard amount for the rights' acquisitions, the next step was to device ways to generate ROI (return on investment) for the channel. One key promise that Sony made to ICC was that it would expand the viewership base of cricket in India by broadening its appeal.

Since ESPN Star Sports had already carved a niche for itself as far as cricket telecast in India was concerned, it was particularly difficult for Max to come at par with them. Out of the box thinking to deliver a differential experience for the viewers and advertisers was what set the channel apart form the rest.

So the challenge Max faced was multiple fold:

  • To enhance the appeal of cricket amongst existing as well as the uninitiated and the fence sitters (read women and families), thus expanding the audience base for cricket on Max which would in turn lead to increased ad revenues.
  • To use the increased viewership base as a platform to introduce brand promise.
  • To reinforce the dual offering of the challenge: movies and events.
  • To funnel cricket viewership into movies and events viewership.
  • To increase subscription revenues with increased distribution.

To achieve this end goal, the Max team injected an element of passion in every sphere of its activity, product development, marketing, promo designing and the core value of passion became its guiding light in all its endeavors. Also instrumental in ideating for Max to redefine the hitherto standard telecast were biggies like Kapil Dev, O&M chairman and national creative director Piyush Pandey, ad man Prahalad Kakkar, Femina editor Satya Saran and Bombay Times editor Ayaz Memon. These luminaries gave Extraaa Innings its final shape that was meant to break the convention and tap new market opportunities.

That extraaa bit of promise
With an aim to give people a flavour of the new Max even before the tournament started, the Max team sprung the idea of Gully Cricket with Kapil Dev. Max's brand ambassador went from city to city and played cricket with the people in the lanes of the cities. With this Max literally took the brand and its promise of passion to the streets and gullies of various Indian cities. And it doesn't need telling that this activity of creating a brand experience was a super duper success.

The latest on the Gully Cricket front is that now Mandira has been promoting the forthcoming ICC Champions Trophy due to be held in England later this year. The 'Himalaya Protein Shampoo Gully Cricket' with Mandira has been undertaken with the sole purpose of involving women in cricket.

In this promotion, Max and Mandira will visit eight cities and get women out into their gullies to play cricket.

Cricket telecast with a difference
On 12 September 2002, when the ICC Champions Trophy was aired on Max; the channel not only delivered on its promise by redefining the way cricket was telecast but also provided viewers with an all new experience - pre, post match and during the lunch break with Extraaa Innings.

With a right mix of elements for the purist as well as the novice and the fence sitters, Extraaa Innings combined academic cricket with mainstream entertainment like never before. A whopping 50 per cent increase in average rating of Indian matches and 37 per cent increase in the rating of non-India matches, reaching out to a record 78 per cent of the Indian audiences in C&S homes. More importantly the female gross reach grew by an unprecedented 261 per cent. Those were the astounding statistics that Max delivered.

And the saga continued…
After the ICC Champions Trophy, came the biggie - the ICC Cricket World Cup. The target was to achieve revenue targets for the World Cup and also to create new levels of experience in watching movies at home. And true to its credo, Max delivered on both occasions as the ICC Cricket World Cup brought record revenues and ratings for the channel and movies got Max reached the top of the ladder in the Hindi movie space. After the huge success of Extraaa Innings, Max incorporated the same formula to movies with Extraaa Shots presented by Mandira Bedi.

Facts
Max's demographic target is all individuals in the age group of 15- 34 years in the Sec A, B and C homes across India.

Says Jain, "This attitude is all pervasive in today's society and is ably captured by the boy who is not overtly in awe of a celebrity even of Kapil's stature and stands tall in his conduct. He is respectful, yet has tremendous self respect too.

While the last as of Gully Cricket portrays the attitude of a confident young winner waiting for magic to happen, the present film is a sequel of the same and shows how fast magic can happen. "These two films capture this journey, which is relevant to each of our viewers passing through various stages in finding their magical moment in life," says Jain.

He goes on to explain, "The underlying thought is simple: passion makes life magical, just as passion on our channel makes entertainment magical. Further, from the channel point of view, the second ad cleverly brings in an element of movies and cricket together, showcasing the twin passions that are the pillars of our programming - i.e., Movies and special events like cricket."

With the new ad campaign for the channel, Max has taken its deewanapan to the next level. The channel rolled out a national multimedia campaign comprising a TVC, outdoor, print and Internet campaign. "Although Max's quality content has cemented the channel's position in the market, as a company, we firmly believe that brands have to be invested in, developed and nurtured, because in a cluttered marketplace, your brand can be a unique differentiator," says Jain.

Going on to explain the need for the new ad campaign even though the channel has been on a high ever since the ICC Cricket World Cup 2003, Jain said, "Although MAX's quality content has cemented the channel's position in the market, as a company, we firmly believe that brands have to be invested in, developed and nurtured, because in a cluttered marketplace, your brand can be a unique differentiator."

Also read:
Max into top 100 with 'Hollywood Hungama'

After gully cricket... it's the time to disco


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