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| Interview with Sri
Adhikari Brothers Television Network Ltd president - sales and marketing
Kanta Advani |
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"Humour
is the central theme and the backbone of our programming thrust"
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| Posted
on 15 May 2003 |
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Right time, right place! She has assumed charge of a three-year
old channel which has a unique positioning and one, which experts
say, will definitely gain in the post-conditional access scenario.
The newly appointed president sales and marketing - Kanta Advani,
who joined Sri Adhikari Brothers Television Network Ltd (SAB TV)
on 3 April 2003, could be the right person to steer the broadcaster
during these challenging times. Advani has spent more than 22 years
in the industry - most of them with The Times of India group and
the Zee group.
Advani
loves being involved with the medium of television which she says
has a certain mystique attached to it. She feels that creating TV
commercials is much more difficult given the shorter span of time;
as against print ads, which she says, last longer and can be preserved
longer for future reference. Advani has completed five weeks in
the organization and has already initiated some changes along with
the actively involved promoters.
Advani
spoke to indiantelevision.com's Ashwin
Kotian
and voiced her views on various SAB TV related and industry related
issues. Excerpts:
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How
does it feel to be in a place like SAB TV?
I suppose five weeks is a sufficient time period to realize that
SAB TV is a nice place to be in. It has got the right ingredients
- brand recognition, loyal niche viewership, long lasting advertisers
and a strong software programming side to the active involvement
of the well-known promoters (Markhand and Gautam). They have a natural
flair for recognising a good product as well as for conceiving the
right mix.
One
of the plus points that SAB TV has is the fact that our content
and programming department is pretty strong - with their vast experience,
the promoters have a very good idea of what works and what doesn't.
Due to the vast experience and high success rate, the failure rate
is minimal.
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What
kind of a feedback have you received from the market about the channel?
I have spent the first few days meeting clients and customers; and
have received positive feedback from all of them. Every one watches
SAB TV at some point of time and there is no one who claims not
to have ever watched the channel. There are programmes such as Office
Office, Yes Boss, Shriman Shrimati which have etched a place
for themselves in the mind of the viewer.
There
is a unique audience for the kind of fare which SAB offers and ample
scope for incremental reach. However, at the same time, it is important
to remember that the channel is still at a nascent state (merely
three years old) as compared to the other mass entertainment channels.
SAB
TV has managed to attain a reach of 75-80 per cent of that of the
other mass entertainment channels. During the one day blackout in
March 2003, SAB TV's viewership's increased by 600 per cent. This
is a good enough yardstick to claim that the channel has been successful
and will certainly do well in the post CAS scenario. Now is the
time for consolidation. We have already embarked upon the process.
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"Our
endeavour is to ensure that we put forth intellectual humour,
thought-provoking, satire, pure comedy, something which helps
one to unwind. It shouldn't be inane, black comedy aimed at
making fun of people or of issues"
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Immediately
after you joined, we have already seen a change in positioning.
What is the rationale behind the changes?
Our
recent positioning of "Only Smiles, No tears" has helped
us embark upon the process of consolidation. Humour is the central
theme and the backbone of our programming thrust. Our major emphasis
will be on ensuring that we are known as the humour channel.
Between
the 8-10 pm slot, we will offer "relief" to viewers -
relief from strife, stress, war, negativity so on and so forth.
The US-Iraq conflict happened around the same time and there was
lot of negativity in the air. Nobody wished for the war but it happened
and this coincided with the time we were ready with our new fare.
People were more open to our offerings. We believe that there is
a need to bring laughter into households.
Our
endeavour is to ensure that we put forth intellectual humour, though-provoking,
satire, pure comedy, something which helps one to unwind. It shouldn't
be inane, black comedy aimed at making fun of people of issues.
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What
are new offerings as part of the restructuring?
We
have lined up four new programmes in the above mentioned genre -
Dabba Junction with Jaspal Bhatti; Bade Miyaa Chote Miyaa
in which Shekhar Suman plays a double role for the first time in
his TV career; Hasi Who Phasi which is about dentists; Saheb
Biwi aur Ghulam which is about three sons-in-law who live with
their dictatorial mother-in-law. These programmes will definitely
bring smiles to the faces of viewers.
Even
during the afternoon slots, we show repeats of the above mentioned
programmes. Very soon, we shall be launching an afternoon show Diiil
Se with Smruti Malhotra of Kyunki Saas Bhi.. fame. Malhotra's
show will deal with problems of women - issues such as molestation
and incest; coping up with not being able to conceive a male child;
joint finances with spouse so on and so forth. There will be panel
discussions and ample scope for interaction for the viewers with
the host.
The
intention is to extend the concepts in different time bands and
consolidate the positioning across different day parts. In addition
to the above mentioned four programmes (in the humour segment) and
the Smruti Malhotra one, we are offering a variety of programmes
in different genres - soaps, serials, horror/thriller, drama.
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The
current affairs programmes in the post 10 pm band seems to be out
of sync with the "humour" positioning. What do you have
to say?
If
you look at it TV viewing is a habit - it is debatable whether the
habit is long term or short term. Viewers take a reasonable amount
of time to get hooked on to any particular programme but once they
do they are pretty loyal.
Well,
our current affairs band post 10 pm has a very loyal audience. We
have conducted research and found out that the programmes hosted
by eminent personalities such as Vir Sanghvi, Karan Thapar, Pratibha
Advani are watched by discerning viewers. I myself used to watch
them even before I joined SAB TV. The shows offer insights into
the current issues that we as Indians face today. It also has celebrities
and "real" achievers from various walks of life.
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| "We
are looking at advertisers who can add value to the channel
and those who we can add value to" |
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What
is the profile of advertisers that you will target? Are there any
plans to expand your sales network?
It is interesting to note that some of the brands have been with
SAB TV since inception. We have managed to rope in all the top advertisers
- Nirma, Cinthol, P&G, Nestle, Cadbury's, Maruti, Yamaha and
Philips. There are smaller brands such as Priya Gold, Lancer and
Rajdhani.
We
are looking at advertisers who can add value to the channel platform;
and those who we can add value. It is a two-way process. The
key is to expand the market by roping in first time advertisers
and giving them a taste of the response which they can get.
I still
remember, when I used to work with The Economic Times business-2-business
publications, we had clients who didn't even have an artwork or
logo. We used to provide them with those services. Now, TV channels'
airtime sellers have to get more involved in the complexities and
rope in creative shops in order to provide an entire gamut of services
to these first time advertisers.
We
have offices in Mumbai and Delhi and there are plans to open branches
in Kolkata and south India. We believe in having a smaller team.
The responsibility of collections rest with the sales team as there
are a lot of business intricacies involved. This helps in building
long lasting relationships with the clients.
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If
some of the programmes aren't delivering the goods in terms of TRPs
or advertising, will you phase them out?
One
of the advantages that SAB TV has is the fact that our content and
programming department is pretty strong - with their vast experience,
the promoters have a very good idea of what works and what doesn't.
Due to the vast experience and high success rate, the failure rate
is minimal. We have to ensure that we are in touch with the consumers
and understand their likes and distaste. At the end of the day,
if there are programmes which don't seem to be working, one has
to take a business call to persist with them or chuck them out.
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Are
there any differences in the way in which advertisers and ad/media
agencies look at the broadcasting business now as compared to earlier
when you joined the business?
The
competition is more pronounced as far as clients and agencies are
concerned. Clients have started getting actively involved with TV
campaigns and this is some kind of a check on the media planners.
The consumption of TV airtime is also increasing and the recent
surveys have confirmed that C&S channels have grown. In agencies,
planners have become more statistics oriented and having access
to technology has definitely helped. However, they should bear in
mind that the research studies and ratings are merely a representative
of the universe and not the universe itself. However, it is our
responsibility to provide them with qualitative insights. As far
as ratings are concerned, it is an industry norm and the only yardstick/currency
which the industry can use. In life, nothing is foolproof.
Yes,
it helps a lot to have strong relationships with agency people.
However, we shall get business only by a combination of qualititative
insights, quantitative insights and relationships. At the end of
the day, the clients and agencies must get a good response. Only
then will they come back for a repeat. They have to see value in
what we offer. It is a two way process.
The
consolidation of media agencies is a good sign. I feel that buying
agencies shouldn't push for agency deals because it is detrimental
to the interests of the client, agency and broadcasters. Remember,
our business is unique - it is a business where the agency and the
airtime sellers are working at cross purposes. One wants to get
lower rates and the other wants to get higher rates for offerings.
We need to build partnerships in which everyone benefits.
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"When
Zee was No.1, agency people used to say that there is no such
thing as channel loyalty... Now, after Star, the same people
are saying that the platform is more important than the programme"
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Karisma
Kapoor was the brand ambassadress for SAB TV earlier. The channel
has been airing the promos recently. Will Sahara's 'Karishma-The
Miracles of Destiny' be the next 'KBC'? What is the next winning
formula?
Let
us wait and watch! Anybody who thinks that they can predict TV related
habits is being pretty optimistic.
When
Zee was No.1, agency people used to say that there is no such thing
as a good platform or channel loyalty; the programmes are omnipotent
and omniscient. Now after Star Plus has become No.1, the same people
are saying that the platform is more important than the programme.
Our country is so diversified that it is difficult to create something
which can appeal to a large cross section of society.
Currently,
I feel that the saas-bahu kind of programmes have reached
a certain saturation point. Everybody is sick and tired of the same
old routine that they have started looking awful. At Zee, we had
made the same mistake with Amaanat - we didn't listen to
customer and market feedback. We should have discontinued the serial
then.
Amongst
the new genres, I feel that reality TV will not succeed. Our everyday
lives are so stressful and full of problems that we need to escape
through television and other forms of entertainment.
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Do
you feel that innovation is the name of the future game? What do
you feel about publication houses selling editorial space?
Today, we have Star India on one side and all the other channels/bouquets
can be put on the other side. But, on the second side, there is
so much competition. Innovations have to happen in order to ensure
survival. In the print business, a publication house can control
the number of pages depending on the advertising support.
The
publication house doesn't promise the readers that it would carry
a fixed number of pages everyday. In the television business, every
second of airtime which remains unsold is wasted for forever and
the broadcaster can't decide to reduce the number of airtime hours.
Therefore,
innovating is a must and we need to find new ways of ensuring that
every second of airtime becomes an attractive and marketable. In
fact, I don't disagree with the Times of India group's approach
of selling editorial space. People don't read the Bombay Times in
all seriousness - it is all about light reading, fun and excitement.
If
the newspaper still carries readable news, how should it matter
whether it is sold news or unsold news. I don't understand this
hue and cry.
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| "After
spending 15 years with The Times of India, I met a lady who
changed my entire life - Meenakshi Madhvani" |
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You
keep referring to The Times of India and Zee. Tell us about your
experiences while working with the two organizations?
When
I look back, I feel that I really enjoyed long stints with two organization
which shaped my career and my personality. I used to enjoy myself
working with these two organizations.
I joined
The Times of India as a marketing trainee way back in 1980 and was
responsible for dailies and publications such as Evening News. My
portfolio gradually increased and she started handling other publications.
My only regret is the fact that I didn't get a chance to handle
the colour magazines although I handled colour versions of dailies
- in fact I started Navbharat Times colour edition.
After
spending nearly 15 years with The Times of India, I met a lady who
changed my entire life - Meenakshi Madhvani. I had gone to meet
her and sell some of our publications. She asked me whether I would
like to join Zee TV. My first reaction was to reject the offer because
I wasn't confident as TV and print were very different from each
other. I felt that selling air time was like selling colour magazines.
I had done a stint with Times TV but I was short on confidence.
Madhvani
coaxed me into accepting the offer and I relented. Thus started
my six and a half year stint with Zee TV. My first assignment was
Zee Cinema - which was India's first pay channel. I thoroughly enjoyed
myself because the channel as well I grew with each other. Both
of us contributed to the development of ourselves.
We
managed to rope in founder clients such as P&G, HLL, Shaw Wallace
amongst others. The channel had a lot of possibilities and there
was a lot of cooperation between the programming, marketing and
distribution teams. It was sheer magic and all of us played our
part in making it the most viewable and watchable channel within
the Zee bouquet.
Later
on, I was given responsibility for Zee TV's southern sales office
and for Zee Music (then called Music Asia). I ended up climbing
the ladder and heading the channel's national operations eventually.
I am a person who needs to enjoy myself while working - or rather
spending each waking hour at work. Only then, can I contribute to
the organization. In both these places, I have relished every moment.
I wish them both the very best.
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