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| Indiantelevision.com's
interview with Avid country head Krishan Sanghi |
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'We
expect that HD will arrive in India with sports and
general entertainment'
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| Posted
on 10 March 2008 |
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As
India
enters a digital environment with more delivery platforms
like direct-tohome (DTH) scheduled for launch this year, television
technology firms are looking to service broadcasters who will
face new challenges. One such firm is Avid. It offers products
and services for digital nonlinear media creation.
Indiantelevision.com's
Ashwin
Pinto caught up with Avid country head Krishan Sanghi
to find out more about the company's plans.
Excerpts:
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When Avid says that it is a pioneer in digital nonlinear media
creation, what does it mean?
Nonlinear media creation allows one to transfer all the
shot material or "rushes" onto a computer hard disk.
Unlike linear editing where editing can only be done in a
chronological order, the hard disk is a "random access"
device which can play your shots one after another regardless
of the order they were on your tape.
Through
its Unity storages and Interplay, Avid has pioneered this
further to allow multiple users to simultaneously work on
the same media and edit, modify and create them in a collaborative
environment. This allows processes to be conducted independent
of a particular sequence and is, therefore, nonlinear in nature.
This technology has revolutionised content creation in video,
audio, film, animation, gaming and TV broadcast industries.
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Could
you give me an overview of the products and solutions in Avid's
portfolio?
Our products are used to make television and news shows, commercials,
music videos and CDs, corporate/industrial productions and
major motion pictures. We deliver solutions that make, manage
and move media.
Avid
provides solutions in areas like video, news editing, film
editing, special effects for video and films. We also offer
integrated newsroom solutions as well as networked storages
for workgroup editing. Besides, we offer broadcast and playout
automation as well as on-air graphics and animation.
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What is the global broadcast technology market worth?
The global broadcast technology market is estimated to
be worth more than $10 billion, and is set to grow at an expected
rate of 11 per cent with the pace being set in Europe, Middle
East and Africa.
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What is Avid's share in this?
Avid has converted the highest number of broadcasters
to digital news workflows in the industry with more than 250
end-to-end news work group installations. Our broadcast and
cable customers include national and international broadcasters,
such as NBC, Reuters, CBS News, Fox Television, the BBC, NDTV,
CNBC, Times Now and DirectTV. Our clients also include network
affiliates, local independent television stations, web news
providers, and local and regional cable operators that produce
news programming.
We
are currently present in 22 countries including India, the
US, Canada, Japan and Korea.
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In
terms of revenue and business generation, how much do India
and Asia contribute?
India is part of the Middle East and Africa region in
Avid. Although we have been well represented here by our dealers,
it's only now that we have started to properly focus on the
region.
Our
customers, installed base and revenues have been steadily
growing, especially in the broadcast industry. Customers'
confidence in Avid's technology, products and services is
reflected in repeat orders for their new projects. We have
invested in trainings and have the best trained manpower in
broadcast support and as a result we are targeting a very
healthy growth.
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'It's
only now that we
have started to properly focus on the region. Our customers,
installed base and revenues have been steadily growing,
especially in the broadcast industry'
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What growth is being targeted from here?
A healthy and sustainable revenue growth is being targeted
and has been achieved. This has resulted in healthy demand
for people who are able to use our software and systems. So
it is not just a question of selling products for us. We are
also investing to ensure that training in Avid products is
available countrywide.
Till
date, Avid provides training which is available at more than
50 training institutes, a high percentage of which is part
of graduation in mass media. We expect to double this number
this year, and to achieve this we are partnering with leaders
in the IT industry.
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Who are Avid's major clients in India and could you give
me examples of how your solutions are being used by them?
Avid targets business solutions and not products alone.
Some of our major clients in India are NDTV, Star TV Network,
Network18, Neo Sports, Kalignar and Kasthuri.
These
customers use Avid's Unity Isis shared storage media networks
which is focussed on the real-time requirements of broadcast
production workflows. The new file system and storage architecture
combine to provide industry-leading availability, and dramatically
increase storage capacity, bandwidth, and client connectivity.
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In terms of providing technical support and servicing, what
does Avid offer its clients?
We ensure that our business partners are well trained
and we are proud that our Indian partner Real Image provides
support round the clock through its team of engineers. They
are in turn supported by our team of product and workflow
experts.
We
understand our responsibility to update the technical expertise
of the industry. We are, therefore, investing in providing
specialised trainings to technical resources available here
so that the project implementation is quick and economical.
Support
training on equipment requires a huge pile of equipment, and
that's why traditionally we have been imparting technical
support training only at our regional headquarters. However,
realising the regional need, we are bringing the experts and
required kits to the region at high costs in the second quarter
of this year. This will help add to the local knowledge and
expertise, and in turn improve the support level considerably.
This will be an opportunity for customers to train their own
team, and keep the equipment and workflow efficient, at a
fraction of traditional costs.
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Would you say that cost-effectiveness is an advantage that
Avid offers clients vis-à-vis competition?
Absolutely! All our efforts and products strive to increase
our customers' cost-effectiveness, which in itself is based
on broadly on three operating parameters. Our tools and processes
are aimed at enhancing the workflows efficiency and to address
the rising cost of manpower and facilities. We reduce the
operational cost by increasing efficiency of the employees.
Today, it is more important how people collaborate than calculate
on cost per machine.
At
the same time, we minimise the loss in revenues by building
resilience and reliability in the system and processes. Furthermore,
today it is important for media companies to market their
assets in more ways than one. We enable our customers monetise
their assets in multiple ways. For example, the film captured
for production can be easily re-purposed in TV, mobile, IPTV
and net, etc. Sharing the media across states and across nations
has become important, and Avid makes this possible and easy.
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The technical departments of channels globally often do not
understand fully the technology they have bought and its capabilities.
Does Avid face this problem vis-à-vis clients?
Today, the business has changed considerably. The technical
department needs to have a vision and understanding of the
business as a whole. Deciding on a product without looking
at the full workflow is being shortsighted. Many companies
fail to see the big picture.
Yes,
we face the challenge wherein the purchases are highly box
driven. Judicious customers look at the big picture and visualize,
and thereafter make provisions for growth in the very beginning.
If you will look around, you will find Avid customers whom
we have helped migrate technologically to the latest and are
now using their resources for multiple revenue streams. For
these companies, growth has been a painless process while
others are struggling with incompatible products or obsolete
technologies and have to bear the cost of running various
parallel operations.
It
is important for broadcasters to bear in mind that technology
is changing so fast that even experts may lack information.
Therefore, we educate companies in current technologies. Selecting
a right product is more important for small companies who
cannot afford to take a wrong step.
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Insofar as advancements in broadcast technology are concerned,
what are the trends noticeable in India and Asia?
Broadcast has gained a much wider meaning. Trends in India
and Asia are no different than the world. There is pressure
of quality as well as quantity. In all, it's a dynamic industry.
Broadcasters and people who have the strength to be flexible
and dynamic will survive on the technical front.
Traditional
broadcast is growing by leaps and bounds. Every broadcast
station is now a network of a few channels. We are seeing
that international content and participation is increasing.
We are also seeing a proliferation of small regional channels.
Sports
and entertainment are looking at HDTV. Compression will play
an important role here. Avid is the first company to have
solutions fully compliant with SMPTE VC3 that allows HD handling
at lower rates. News broadcasting will spread to the mobile
and internet as well.
Tape
will loose further ground with all acquisition and distribution
being digital. The post-production houses will be next to
use the digital wave.
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As we move towards a digital environment in India and Asia
where new platforms like online and mobile will emerge, what
are the challenges that broadcasters will face on the technical
front?
Reliability and resilience is the key to all technology
requirements for the broadcast industry and this is where
the biggest challenge lies. This is mainly because broadcast
businesses rely on stories and footage as their asset; so
the technology they adopt has to be reliable.
Speed
is another criterion that is a challenge as the news industry
depends on it. As seen in the World Trade Center bombing,
the news channels with modern workflows were faster than the
ones with traditional workflows. Sky News and Fox were the
first to broadcast the bombing and both use Avid solutions.
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Has
Avid signed deals with Indian broadcasters that are launching
new channels to create their on-air look, graphics, etc?
On-air looks and graphics reflect a channel's personality
and business space they are in. It is very individualistic.
We provide tools and technology to bring out thoughts and creativity.
However,
at the same time we do not recommend any particular on-air
look or feel. We have an on-air graphic solution called Deko,
which creates on-air graphics in real time.
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What
are the new solutions that Avid has recently introduced in India?
Avid constantly updates its products. Therefore, whenever
there is a version change, it is like a new product and we have
released new versions in 2007. Our highly expandable storage
system Isis and Interplay are recent introductions.
We
expect some more products to be announced in the near future.
The future is good.
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In
terms of the news genre, how do your solutions facilitate the
expanding roles of journalists?
Our newsroom solutions are used by journalists, producers,
assignment editors, reporters and presenters for researching,
creating, managing and delivering television news programmes.
Avid iNews newsroom computer systems give producers and assignment
editors control of an entire news production, including gathering
and reading wires, e-mail and other messages, organising assignments,
writing stories and preparing news programmes.
Another
product iNews Instinct is a storytelling tool with scriptwriting,
shot selection and video and audio editing specifically designed
for journalists.
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HD
is an area of intense focus for Avid. How long do you feel it
will take for HDTV to come to India?
Avid offers a complete HD workflow, and in fact is playing
a leading role. From ingest, storage to playout, Avid can handle
HD in all its forms. HDTV compression will play an important
role.
HD
has already taken off in a big way outside. However, in India
it may take a while. Our expectation is that HD will arrive
with sports and general entertainment.
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Could
you shed light on Avid's research and development (R&D)
facilities? How much investment goes into this activity?
Our R&D activities are focused on the development of
digital media content-creation tools and workgroup solutions
that operate primarily on the Macintosh and Windows platforms.
Avid is committed to delivering best-in-class video, film, 3D
animation, and audio editing systems to meet the professionals
in the television, film, music, broadcast news production, and
industrial post-production markets. We have always provided
path-breaking technologies and visions, and have patents on
a number of technologies.
Our
efforts also include networking and storage initiatives to
deliver standard-based media transfer and media asset management
tools, as well as stand-alone and network-attached media storage
systems for workgroups.
Avid
spends one of the largest percentages of its income, of any
company in the sector, on R&D. For instance, our R&D
expenditures for 2006 were $141.4 million.
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