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| Indiantelevision.com's
interview with Radio One VP programming and brand Vishnu Athreya |
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'We
are an urban metro player and will be operating in seven
crucial markets'
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| Posted
on 9 July 2007 |
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Radio
One has changed its positioning from a niche to a mass station.
With help from BBC which picked up a 20 per cent stake in
the venture, the focus now is to have a presence in seven
big markets - Delhi, Mumbai, Chennai, Bangalore, Kolkata,
Pune and Ahmedabad.
Introducing
the 'masti fatafaat recipe,' Radio One has introduced a 20-20
format with the promise of quick masti delivered through 20
minutes of infotainment.
In
an interview with Indiantelevision.com's Nasrin Sultana,
Radio One VP programming and brand Vishnu Athreya elucidates
that this is not a mere 'winning the number' strategy but
would provide differentiation from rival stations.
Excerpts:
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Why did Radio One shift its position from being a niche to
a mass station?
We were the single station providing only English music.
It allowed Radio Mid-Day (later renamed Radio One) to be the
niche and differentiated station in the market. But we were
catering to only a segment of the listeners and were operating
only in Mumbai. When we acquired license for seven stations,
we thought why not go for the mass station positioning so
that we can cater to the needs of all the people.
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What does Radio One stand for now?
We are an urban metro player and will be operating in
seven crucial markets. And we have built the young, fun element
to it. We were well received in Mumbai. In Bangalore, we were
the first station to have a Kannada platform and tasted great
success. We took some amount of time in Delhi which is a different
market and has a high rate of loyal listeners, making it difficult
for new entrants.
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How has BBC helped in evolving a strategy for Radio One?
They have contributed at multiple levels - as investors
with 20 per cent stake and in providing content. They are
also involved strategically with the venture.
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What has BBC's contribution been in terms of content?
BBC content definitely acts a push-up for us. They provide
us BBC Ek Minute and BBC EK Mulaqat. While BBC
Ek Minute provides infotainment every 20 minutes in the
new 20-20 format that we have introduced, BBC Ek Mulaqat
has Sanjeev Srivastava, the Hindi news editor of BBC, conduct
interviews of famous personalities who are not just Bollywood
celebrities.
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Could
you tell us more about how you arrived at your current format?
We conducted a detailed study of the market and found
out that listeners know how to differentiate between qualitative
and quantitative content. We designed the format according
to the requirements of the listeners' information, humour,
music and RJ talk/contest. The new 20-20 format with the tagline
'Masti Fataafat' is really a mixture of fun, information and
music. Listeners will get to hear two to three hit songs (including
a classic), humour capsules of Lallan Talkies, Ehsaan
Faramosh and Hema Aunty Ke Tips and a one-minute
break away of infotainment news from BBC. Besides, there is
the regular jock talk and contest. What we promise is a 20
minute of refreshment. We are not saying that this is the
best format. But, yes, we are experimenting with the format
based on our research. We are clearly differentiated.
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Why is it that all the FM stations are suddenly hooking on
to the fun element?
I think we are all stressed out in our work. What everybody
needs is refreshment and fun. When somebody tunes into FM,
he expects to get refreshed.
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Do you think listeners tune in to a particular station
because that station provides him a particular format?
Listeners get accustomed to the kind of music and content
that a station provides. This is the biggest differentiator.
We, for instance, got Srivastava to interview Rahul Dravid
during the cricket match in BBC Ek Mulaqat. And we
got good response from all over the place.
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'The
new 20-20 format with the tagline 'Masti Fataafat' is
a mixture of fun, information and music. With this positioning,
we are confident that the growth cycle will be good
for us'
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Has BBC's participation made a difference to Radio One in
terms of listenership and ad revenues?
The industry is still at a nascent stage and the market
has just started to grow. But I am not the right person to
comment on our revenues. We are definitely growing as a product
and this is getting reflected in our rapid growth in listenership
base. With the new format and the `Masti Fataafat' positioning,
we are confident that the growth cycle will be good for us.
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Could you elaborate on your popular shows BPO Nites
and Kahani Ghar Ghar Ki?
BPO Nites and Kahani Ghar Ghar Ki introduced
in Delhi station got us huge listeners. BPO nites is a late
night show. The RJ visits a particular spot in Delhi and hosts
the show live. The Delhi-Gurgaon -Noida belt is inundated
with BPOs and call centres. Our show caters to these listeners.
It gives them this feeling that somebody is still awake to
talk and listen to them.
Kahani
Ghar Ghar Ki was initially launched to meet the need of
estate-agents. Now our contracts with the agents, who were
sponsoring the show, are running out. But we will continue
with the show. It is unique in that it talks about the current
real estate scenario in Delhi. Real-estate agents give tips
on when to invest and when to sell property.
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Do you think that the music industry is charging too high
for the content?
Till date, we have no complaints.
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Almost all the FM stations are positioned as CHR (contemporary-hits-station).
Do you think this boosts up the sales of music industry and
music gadgets like ipod?
People of the music industry claim that FM stations have
eaten up their market because we provide them with the contemporary
hits. But I do not agree to this. In fact we boost up their
sales. Films like Jhoom Barabaar Jhoom, Tara Rum
Pum have performed badly at the box office but the music
has done good business. The credit for this should also go
to the FM radio stations. We conduct contests, air songs and
promos and have hot interviews with celebrities which pull
listeners to the music of the film. The music industry in
India is tremendously benefited by us.
FM
stations have made youth develop a liking for Indian music.
Earlier the college goers and music lovers would always go
back to the western music. Now FM stations provide an option.
Music lovers are contended with Bollywood music. Why go to
Britney or Jlo when they get a better option? FM stations
should be credited for popularising Bollywood music in India.
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Do you agree that the programming in all the radio stations
is cluttered?
There is a great need for differentiation in the content.
What all of us are providing is music. The listener is not
even bothered about the station he is listening to. Down south,
when I asked a couple of people which FM station they were
listening to, they weren't able to say which one. So it is
the broadcaster's responsibility to create differentiated
and unique content.
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The
current ILT (Indian listenership track) report by MRUC says
that the listenership growth has stagnated. What do you think
of this?
I am aware that the growth is not so high. Please consider
that this is a completely new industry in India. We are just
five-six years old. Some of us are much younger than that. We
will need some time to grow and mature. You can't compare it
with the robust TV or the film industry in terms of consumers.
If
you go through the ILT report and compare the last two waves,
you will notice that Radio One has gained listeners as compared
to other stations. We have lost a good amount of listeners
when we had to shift our frequency to 94.3 FM. Now we are
gaining as the ILT data shows.
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When
are you launching your three remaining stations?
We will soon launch in Ahmedabad, Kolkata and Pune to complete
our network of seven stations. |
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