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| | | Indiantelevision.com's
interview with Red FM COO Abraham Thomas | | |
| 'In-house
researches are very questionable' |
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| | Posted
on 26 March 2007 | | |
| Sitting
in a make shift office with everything from 'superhit music' to the constant chatter
of the Red FM staff around thrown in, I sit down to interview Red FM COO Abraham
Thomas who mentions that the brand new FM station office will be up and ready
in a few weeks. The station has every reason to celebrate - the recently declared
ILT results show Red FM at number 2 in Delhi and number 3 in Mumbai. Indiantelevision.com's
Sujatha Sreedharan catches up with Abraham Thomas to understand the story
behind those numbers and what is up the Red sleeve for the year ahead. Excerpts: |
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The ILT 2007 Round 1 numbers threw up a surprise. Despite all the hype and hoopla
around radio players, the listenership has actually seen a decline. What do you
think are the reasons for this? Although the ILT numbers are more or less
in line with our in house research, I am clearly surprised as well that despite
all the high profile launches in Phase II, programming innovations and advertising
concepts, listenership has dropped by 6 to 7 points in Mumbai and Delhi. I don't
know whether it's the anomaly in sampling or data, but I would have expected it
to at best stay flat. There has been a lot of effort to increase listenership,
so these numbers have definitely come as a surprise. With
radio, the basic question that arises is about ILT and its methodology. I know
that people are suddenly distancing themselves from the results or abandoning
the data. But my point is that we shouldn't throw the baby out with the bath water.
There are shortcomings in the ILT - the MRUC has not really been proactive and
has not been looking at the broadcasters' concerns as they should. More
than a year ago, I had raised the issue of cross checks. A couple of suggestions
I had passed on included - a simple cross check whereby after the sampler is asked
'what radio station are you tuned in to', also ask him to give the name of a radio
jockey from that station or a radio show on the station he listens too. Even if
one of these questions is answered correctly, one can actually validate that data.
MRUC agreed and said that these suggestions would be implemented but again they
have gone back to their old ways. The
other suggestion we had made is that the IRS use mastheads in its survey. Radio
surveys can also include audio mastheads or get the users to identify a stations'
brand jingle or ask them to identify a station's logo id. It's not very difficult
to do such a survey. So I am extremely disappointed with the lack of any user
interactive activity. So
yes, there are shortcomings but I maintain that these are early days still. I've
always believed that the trend across the different waves tell a story. And it
is these trends that we should look at. |
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Are there other methodologies that we could look at? What works internationally?
We could look at some of the international methodology. Some of the players
are now advocating what is called 'diary method'. In this method the smaller player
might be at a slight advantage as the sampler who is impaneled is is forced to
maintain the dairy and is therefore more conscious of the radio listened to. However,
the shortfall here is that you are not capturing the information when you are
listening to it. You're filling in the data when someone comes to collect it.
So it still goes back to 'the top of the mind' function. But
I still believe it works because you are conscious of what you are listening to.
You can also tackle the shortcoming by collecting the diaries twice a week. It
will be that much closer to the point of listening and therefore the errors could
get eliminated. Like I mentioned, the small players might get some benefit since
they will be listed. All in all, I am saying that we have to have a more robust
method. | |
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You spoke about players who have disowned ILT and rely on their own listenership
tracks. Isn't that an unhealthy trend? I am not against in house research.
We do a lot of our own in house research for our programmes and to understand
our market. The fact is that when radio players disown a currency like ILT, it
is a short sighted approach and we are doing a lot of harm to the medium. If you
want advertisers to put in more money, you have to allow them to justify this
'more money'. For this you need a common currency. Overall in house researches
and listenership tracks are very questionable. You might call it Maruti or Indica
or whatever it is you call it, but bear in mind that you are doing more harm to
the medium than good. Because
of this emerging scenario, people tend to rubbish all the research. We have to
collectively arrive at one common industry currency and that is the only way to
grow the ad pie. In fact that is the only way all of us can survive. So
for a two-month-old player to disown a listenership track is very shortsighted.
I don't think they are doing justice to their own medium. |
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| The
branding story for Red FM with its 'baajate raho' attitude has worked for it.
Is aggressive branding a need for radio players to stand out from the cluttered
space? Has
the 'bajaate raho' branding worked for us? Yes, of course it has. But it's a combination
of different things. I think one of our hallmarks is that we are a 'mass player'
doing the same things as other stations but trying to do it differently. We've
been consistent with our music. We've been consistent with our attitude - both
on air and off air. Whether its our RJs or the aggressive on ground activity we
get into, they are all in sync with our branding. In fact on ground activation
has played a big role for us. We've been visible in local trains, buses, cabs,
at shopping malls or traffic signals- every time you've seen us there is that
single consistent thought on 'local issues' that has made us stand out. Our music
is consistently super hit. We don't play different music at different day parts.
This absolute consistency with the Bajaate Raho attitude - RJs, music, advertising-
on air and off air- has really been a driving point for us helping us stand out
from the clutter. Mumbai
plus Delhi - which are what the advertisers really look at at least for now- we
have managed to stay at a number two (Delhi) and close to the competition at number
three (Mumbai). In Delhi especially we lead the competition by at least 2 lakh
(200,000) listeners. We expect to increase that lead in the next wave. |
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'Packaging
by definition means discounting' | |
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The branding effort by radio players is evident; but when it comes to the differentiation
factor it becomes elusive? Adult Contemporary Hits (AC), Contemporary Hits Radio
(CHR), super hit only
.radio players may throw this in as differentiators.
But is this the only differentiation point we have? Firstly and strategically
as a brand we look at consumer benefit on two levels. At one level we are offering
them a very functional benefit - Entertainment. Music, cricket, Bollywood, music
and even the local programming all of these form part of mass entertainment that
we look at. In this stage we have decided to be a mass market player and therefore
we have decided to stick with content which is not very different from what others
are playing. Within
music, like I mentioned, 24 hours a day we play the same music. It's like a hot
water strategy, you open the hot water tap and that's what you get all the time.
There's no retro at night and house wife in the afternoon kind of music. We also
promise that every song we play is not just a hit, it is a super hit and we arrive
at that through our research. This
is very different from our competition which no doubt plays a variety of music
but it may be a hit song, or an unheard of before song or even a tomorrow's hit.
We are very clear that we play the super hits of today. We
also believe that there is an aggressive differentiation on the emotional level-
through content and packaging. That is the differentiation best exemplified by
our 'baajate raho' line. If there is a topic that touches or concerns a common
man in that city, we will play it, we will bajaao it. Clearly over the last year
and a half, bajaate raho has become a local parlance. We have Bollywood coming
on air and saying 'please don't bajaao us', we have cricketers saying 'you bajaaoed
us today'. We have on air properties like Angry Ganesan, Kamla ka Hamla and Sharmajis
'bajaaoing' different issues. We have created a personality around Red FM. This
functional and emotional benefit combined together is what sets us apart from
competition. We also believe that this is a rule of three. The top three players
will make most of the money. If you want to be in the top two or top three then
you have to be mass market. If
you are willing to be a niche, then you concentrate on different genres of music
and programming formats. So you have to decide whether you want to position yourself
as a mass player or a niche player. We clearly decided to be a mass player and
we are gunning for leadership. Niches can be profitable too, provided you find
your niche and market it aggressively. |
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In a three to four player market, radio stations staying 'mass' may have seemed
plausible. But in a multiple player city like Mumbai and Delhi, will it help to
stay 'mass'. In our case, we've consciously tried to build personalities
within the radio with RJs like Malishka and Nitin who are likely to bajaao you
if you meet them on the streets or within the studio. So our RJs, music, cricket
will help us stay mass and we will try and build a personality for our station
to stand out. | |
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There are format radios coming up that claim more music less talk or on the other
hand talk radio. What's in store for these stations? There are radio stations
that are looking to play Hindi plus English music and for sure they will get their
audience. You can go entirely English or play regional music - Punjabi, Gujarati,
Marathi - you can differentiate on the context of language. You can also create
a differentiation in terms of the content - for example talk radio. It
is possible that these players might struggle in the beginning to monetize their
content. While the top three will run away with all the money, the rest will find
it better to define their target and then it depends on how well you service your
segment. You
can be a comfortable niche and make money. I believe that within a year or two
radio stations and their audiences will get more defined. People will know where
to go for what kind of music. One thing is very clear. You cannot be all things
to all people. The leader who came into the market first, positioned himself very
consciously. The
radio entrants now will be forced to sharply focus their audience. The flip side
of focus is that you have to give away one part. You decide your turf and then
you focus. Within the mass space - 70 to 80 percent of the ad pie will be
taken away by the top three. | |
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With the sheer number of players entering the markets, is there a fear that the
space is getting cluttered or there are chances of a consolidation happening anytime
soon? That is not what international trends show us. There are other cities
in the world which have a number of stations catering to different tastes. There
is a space for more stations to come up. But one of the reasons why we are still
not getting a sense of differentiation is also because it is not possible to have
more than one brand in the same city. When stations are allowed that there will
be greater branding as well more genres of radio operating in the space. For now,
since you are allowed only one station you want to be the biggest and the best. |
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Given these constraints, where do you go from here? We have decided to
be an entertainment station and if we have decided to be in the entertainment
space then we have to work around these parameters. If we want to get into news
and current affairs, then those are additional avenues. If cricket commentary
was to be allowed tomorrow and I want to carry it on my existing station, I would
have to do that at the cost of my music. There will be incremental new players
who will come in and take those slots. But
currently we look at a void in Bollywood entertainment and we are filling up that
space. But the regulatory policies are fairly good and we are happy the way we
are progressing for now. | |
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Almost every radio player says that - very happy with the way things are
If you were part of the Phase I, paying those exorbitant fees, you would be
very happy with the playing field today as well. |
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Non traditional advertising or activation units may be the new mantra but radio
players have identified its benefits pretty early on. But where does it go from
here? If you look at the three media- print, television and radio - there
is a very distinct line dividing content and advertising. In television, you might
blur these lines with programme placement and contests but in radio it is a seamless
medium. Advertisers
have been asking to be included into radio content a lot more, without being too
obtrusive. Advertisers then started asking us to help them with 360 degree solutions
for some of their products. We had a Ford Fiesta come to us and say that we have
a car parked at a mall, can you have an RJ come down and do some gig around it. More
and more people are asking that extra bang for the buck. This is the genesis of
activation. It has also helped that advertisers have complained that there is
a lack of a single, credible agency to carry out its promotions nationally. This
is where we step in. Red
Activ works on two premises- we build properties on which multiple brands can
be built. The 93.5 Car rally worked that way. We also do single brand activation,
where we look at solutions for clients. It is a natural extension for us and our
medium is used to drive footfall for the client. |
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In
this advertiser driven scenario, do you think having a station presence across
the country would help. Would you look at scaling up? The activation
is an idea business. It is about an idea which the brand can then ride. Radio
is a medium between the idea and the operation. It is driven from the fact that
I have an idea, not that I have a radio station and therefore I look at activation.
Sure it's an advantage
if you have a station in that city so that you can leverage the local market as
well. | |
On
the same note, some radio players believe that the success of a radio station
is in leading a particular city not in its scale. Fact is if you want
to reach your audience and advertiser in a particular city, you have to be relevant
in that city; you should connect in that city. This is the basic premise on which
the advertisers work. I don't want to be a number 6 player in Pune; I want to
be a number one or two in any market. That
is the first factor. Then is the issue of packaging. If I am in twenty cities
then it is easier for me to package it in all these cities collectively. I believe
I am number six in 45 cities; therefore I give you a discount of 10 rupees. But
what is your relevance in priority markets? It is the priority markets like Mumbai
and Delhi that sets the trend. Packaging
by definition means discounting. In our media industry, people don't package their
media collectively. They will sell television separately, radio separately and
print separately. We
believe that we have to sell premium. You can't just fall back on sheer scale;
you have to be relevant in each city. But
please bear in mind, that at the end of the day, packaging means discounting. |
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| Considering
that the Phase II cities are mostly non metros, are advertisers even excited about
this kind of packaging? The non metros opening up are relevant to sectors
like FMCG or telecos but the bulk of the advertising is still restricted to the
top 8 metros. What happens is in the smaller markets it is the local advertising
that will have a dominant role. So
while in the larger cities, 70 percent is corporate advertising and 30 percent
is local, in non metros the story will be reverse. Besides the smaller markets
are markets of tomorrow, while these are markets of today. So yes, you will have
to invest in the markets of tomorrow as well. They
will create new advertisers and pull advertising away from local media. |
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| You've
been called a reminder medium, a secondary medium, an incremental medium. But
are you still playing second fiddle to mainstream mediums? Right now we get
three percent of the advertising pie, while internationally that number is closer
to a 6 to 8 percent. In Sri Lanka, the radio advertising amounts to almost 20
percent. Unless the share becomes about 8 to 10 percent, it is not viable for
the advertiser and we understand that. Secondly
in other countries, radio evolved and developed before television came in. In
India, it is the reverse. There is a lot of television hangover that is happening.
Until recently, the creative agency, the client and the planner were more worried
about meeting their objectives in the primary market - television and print. In
radio, they invariably did not have the time to create ads for the medium and
would pass off television jingles to play on the radio station as well. Lastly
and more critically, there is not enough information to justify the advertiser's
faith in the medium. We've spoken about the methodology, it encourages confusion.
Unless you get a currency where advertisers can confidently say 'yes I can put
my money over here and this is the reason I want to do so' the ad pie will not
grow. But
it is changing. Brands are being launched on radio. We've created a creative solutions
team within our station that works for various clients - we say that don't give
us those television commercials, give us a brief and we will create an ad that
is more relevant to the medium. But
data that justifies the spend is a big concern. Most radio players however look
at this as an advantage to pick and fight over each other instead of viewing it
as an industry issue. They look at it and say
'good!let the small players
bleed; we will look at how to milk this best'. There is a bit of a short term
consideration. It will be a while before this matures into a more robust industry
body. | |
| What
would the road map for Red FM look like in the coming year?? Radio is
projected to grow rapidly. The growth however is more geographic at this stage.
Within the city, the growth is encouraging but at a slow pace. In
our case, we realized that a lot of our listeners are connected to our personalities,
our RJs, our properties like Angry Ganesan or Kamla and therefore we have made
them available to download on the mobile phone. We launched an initiative called
the Red Mobile. We work with mobile2win and you can download all these properties
for a price. That's a logical extension. We are also looking at our net presence.
In fact our site should be up this month. It will be interactive - celeb chats,
blogs, trivia - you will find them all. Right
now of course we are looking at cricket. We have contests, tie ups and loads of
prizes. As part of this initiative we have a tie up with Sports Bar at Phoenix
Mills in Mumbai. We plan to extend this to other cities as well. Radio
is no longer a passive medium. It is now well and truly an active medium both
for the listener and the advertiser. By the end of this year we will look at local
advertisers and how to target them as well. But
bottom-line - We are gunning for leadership. |
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