Indiantelevision.com's Kidology: CFSI wants kid's films at prime time on DD: Nafisa Ali
 
 
 
 
 
 
 
Indiantelevision.com's Kidology
 
 
CFSI wants kid's films at prime time on DD: Nafisa Ali
 
Indiantelevision.com Team
(27 August 2007 9:00 pm)
 

NEW DELHI: Children’s Film Society India chairperson Nafisa Ali said today that she had urged Information and Broadcasting minister Priyaranjan Dasmunsi to help her get a suitable slot for telecast of children’s films on Doordarshan’s national channel.

Nafisa was responding to demands made by several children in this regard at a seminar this evening. She said she had also requested the minister to prevail upon Doordarshan to show these films without charging any money in view of the larger interest and because both the units were part of the same Ministry.

Answering questions, Nafisa told the seminar on 'Capturing Children’s Imagination' that the CFSI was also concerned about educating people about sex education to prevent molestation of young children.

The seminar was organized as part of the ongoing International Festival and Forum of Documentary Films and Television for Children in the capital. Others who participated in the seminar included filmmakers Anita Roy, Nutan Manmohan and Samina Mishra who conducted the proceedings.

Organised by the Public Service Broadcasting Trust (PSBT) in collaboration with Prasar Bharati, UNESCO, Max Mueller Bhavan and Input, the Open Frame 2007 Festival being held between 23 and 29 August is also featuring discussions, forums, colloquiums, and workshops in addition to screening of films.

Nafisa also informed the participants about the !5th International Children’s Film Festival of India at Hyderabad from November 14 to 20 organised by CFSI.

Nutan stressed that films made for children had to adhere to certain standards and filmmakers had to be careful about what they put in their films.

The speakers from the dais and the audience generally referred to violence in cinema today and even referred to children’s programmes and animation films which were meant for children but were in fact full of violence.

Other subjects taken up in various forums included film as a political tool, documentary as a record and archive, how to read a documentary, private broadcasting and public responsibility and a script development workshop for children’s films.

Apart from India and films made by Unesco, some of the countries from where films have come include Pakistan, Canada, Israel, United States, Germany, Chile, Peru, Switzerland, Iran, Mongolia, the Netherlands, Norway, Sweden, Nepal, Egypt, Bhutan, Denmark, United Kingdom, Iceland, Belgium, Poland, Colombia, and Australia.

 
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